Gloria (Sam Smith album)

The album was recorded between Los Angeles, London and Jamaica, with Smith working with regular collaborators Jimmy Napes, Stargate and Ilya Salmanzadeh,[7] as well as expecting further contributions from Los Hendrix, Max Martin and Calvin Harris. Smith stated that the album "feels like a coming of age" and got them "through some dark times", and expressed a hope that it could also be a "beacon" for listeners. A press release called it a "personal revolution" for Smith, containing the "dazzling, sumptuous, sophisticated, unexpected and at times thrilling, edgy sound of Sam's creative heart today", as well as lyrics about "sex, lies, passion, self-expression, and imperfection".[8]

Smith announced the album on their social media accounts on 17 October 2022, writing a note to their "dearest sailors", Smith's name for their fans, and sharing the cover art, a portrait of Smith with bleached hair wearing a golden earring of an anchor and pearl.[8] Smith performed "Unholy" with Petras and "Gloria" with Sharon Stone as the musical guest on Saturday Night Live.[9]

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	6.0/10[18]
Metacritic	68/100[19]
Review scores
Source	Rating
Allmusic	[20]
Clash	7/10[21]
DIY	[22]
Evening Standard	[23]
The Guardian	[24]
The Irish Times	[25]
Metro	[26]
NME	[27]
Pitchfork	6.2/10[28]

Gloria received generally positive reviews. At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the album received an average score of 68 out of 100, based on 16 reviews.[19] Aggregator AnyDecentMusic? gave it 6.0 out of 10, based on their assessment of the critical consensus.[18] Maura Johnston of Rolling Stone called Gloria Smith's "deepest album yet" and described it as "a compact, steadily flowing collection of pop songs that showcase Smith's vocal versatility and personal growth" with lyrics about "Smith's experiences as a queer person who was raised Catholic" throughout.[1] Gary Bushell of the Daily Express found the album to be "less gloomy than 2020's Love Goes, beautiful in places, and packed with surprises".[29] Nick Levine of NME wrote that the album "really is the most surprising, satisfying and vital work of [Smith's] career" and at its heart is a "personal exploration of the broader queer experience that recalls George Michael's classic 1996 album Older".[27]

Reviewing the album for The Guardian, Alexis Petridis was critical of the press release's claims of "experimentation", writing that while there are "hints of R&B, trap and disco" amongst the ballads and tracks similar to their "piano-led sound" of previous releases, "there's still something underwhelming about Gloria: the feeling that it's more of the same is more prevalent than it should be".[24] David Smyth of the Evening Standard felt that "Unholy", a "masterpiece of oversexualised nonsense", "sticks out outrageously in the middle of this fourth album" as the rest of the tracks are "rather grey" by comparison. Smyth concluded that it is "a shame the songs, well crafted as they are, don't always match the self belief" Smith's lyrics have.[23] Writing for The Observer, Kitty Empire denoted that the project does not fulfill its potential, as it was not pushed to the levels of Beyoncé's Renaissance, an album that deals with similar themes and sounds, pointing out that "something slinky [...] might have been more apposite on an album dedicated to fun – and liberation from the past" over tracks like "How to Cry", "Gloria" and "Who We Love".[30]

Lindsay Zoladz of The New York Times found that Smith "puts aside ballads for more danceable tracks" and while the album "has moments of boldness", ultimately "its occasional lapses into generics keep it from feeling like a major personal statement".[31] Writing for Pitchfork, Jamieson Cox opined that by this point of Smith's career, "an artist whose writing has long tended toward the bland and impersonal has grown into a vision and identity that can be compromised by mediocre features" like those of Jessie Reyez, with Cox calling "Gimme" and "Perfect" "anodyne at best and grating at worst", and Ed Sheeran, with Cox finding "Who We Love" to be "basically [...] Sheeran's 'Same Love'," with lyrics that lay out "trite scenes".[28]

Emma Madden, reviewing for Metro, gave the album two out of five stars, writing that "sex and queerness do indeed feature in the album, but in a way that feels tacked on out of obligation [...] The references are extremely ham-fisted and obvious". Madden also felt that Gloria feels "slipshod and confused".[26]

Gloria debuted at number one on the UK Albums Chart with 14,155 units,[32] becoming the singer's third non-consecutive album to reach the top, joining In the Lonely Hour (2014) and The Thrill of It All (2017).[33] In Australia, Gloria became the singer's first album to debut atop the ARIA Albums Chart and second number-one album overall.[34]

The album debuted at number seven on the US Billboard 200 with 39,000 album-equivalent units, earning Smith their fourth US top-10 album.[35]

As of February 2023, Gloria has moved over 1.6 million units worldwide.[6]

Notes

• The Spotify special edition of the album contains all bonus tracks from both the Japanese / select physical editions and the Apple Music edition.
• "Hurting Interlude" taken from Gay and Proud, a 1970 film by Lilli Vincenz
• "Dorothy's Interlude" contains samples of Divine from Pink Flamingos and "Over the Rainbow" by Judy Garland

Musicians

Technical