Graham Lear

He was a member of the group Natural Gas[1] which released their self-titled album on the Firebird label in 1970. He co-arranged the track "Rameses I" with Brian Wray and Carl Watral.[2]

He was drummer in the group Truck which had evolved out of the group, Sound Spectrum. The group Sound Spectrum came from Ingersoll, Ontario. Formed in 1966, the line up included Bill Caldwell, Sandy MacKay, Dave Borland, Rob Oliver and Bruce Fleming.

In 1969, they changed their name to Truck.[3][4] By May, 1972, they were signed to Sundog Productions. A celebration was held at Thunder Sound Studios to celebrate the acquisition of the group. Much of the organization and public relations to get key industry people to the April 19th event was handled by Michele Frank. Lighthouse's Skip Prokop also attended the event. The group's manager at the time was Peter Francey.[5] When their 1972 album was released, the line-up included Lear on Drums and Percussion, Larry Ernewein on Bass and Backing Vocals, Bill Usher on congas and bongos, Joey Miquelon (aka Joey Roberts[6]) on guitar, Brian Wray on Keyboards, Flute, Backing Vocals, Michael Curtis on Lead Vocals, Flute, Acoustic Guitar and percussion and James Roberts on Tenor Saxophone, Flute and Organ.[7]

The group released two singles in 1972, "Canada" bw "Rain" on Capitol 72679, and the Latin flavored "Get It Together" bw "Can’t Wait Until Tomorrow" on Capitol 72687. Their self-titled album was also released that year[8] which included the track "Rollin's On My Mind" which he co-wrote with keyboardist Brian Wray.[9][10] During their time they opened up for ELP, Deep Purple and Fleetwood Mac. The biggest gig they played was to 20,000 people at the Rockwood Music Festival in Orangeville, Ontario.[11] After a series of line-up changes the group broke up in 1974.[12]

By 1974, he was a member of Gino Vannelli's backing band. Having played to crowds in clubs in Vancouver and Toronto etc., they returned to Montreal for a break in September.[13] By late September, 1976, Lear and keyboard player Richard Baker had left Vanelli's band. It was suggested that this was due to the way that Vannelli took control of the music, how it should be played and creating a situation where musical freedom wasn't given to the musicians.[14]

Also in 1976 he was playing with Domenic Troiano who was booked to play at the Colonial Dance Palace from November 1 to 6.[15] He was also asked to do an album with guitarist Toriano.

His association with Carlos Santana was sparked off when Santana heard him playing on Gino Vannelli's Storm at Sunup album and liked what he heard. It took some time for Santana to get hold of Lear who was previously at Los Angeles as he had moved back to Toronto. He was rehearsing there to do an album with Troiano. However he got a phone call to audition with Santana and flew to San Francisco to do it and ended up getting the job. He had to ring up Troiano with the words "maybe next time".[16]

In 2007, Graham was touring internationally with Paul Anka, performing with Menopause The Musical in Portland, Oregon plus teaching, recording and performing in the Portland area with local artists.