Hayim Nahman Bialik

Hayim Nahman Bialik in 1905

Hayim Nahman Bialik was born in Radi, Volhynian Governorate in the Russian Empire[3] to Itzik Yosef Bialik, a wood merchant from Zhytomyr, and his wife, Dinah Priveh.[4] He had an older brother Sheftel (born in 1862) and two sisters Chenya-Ides (born in 1871) and Blyuma (born in 1875).[5] When Bialik was 8 years old, his father died. His mother took him to Zhytomyr to live with his Orthodox grandfather, Yankl-Moishe Bialik. Bialik would not see his mother for over twenty years, when he brought her to Odessa to live with him.[6]

In Zhytomyr, alongside the traditional Jewish religious education he received, Bialik explored European literature. At the age of 15, he convinced his grandfather to send him to the Volozhin Yeshiva in Lithuania to study under Rabbi Naftali Zvi Yehuda Berlin, where he hoped he could continue his Jewish schooling while expanding his knowledge of European literature. There, Bialik encountered the Jewish Enlightenment movement (Haskala), and, as a result, drifted away from yeshiva life. A story in the biography of Rabbi Chaim Soloveitchik cites an anonymous student, presumably Bialik himself, being expelled from the Yeshiva for getting involved in the Haskala movement. As he was being escorted out by Rabbi Chaim himself, Bialik asked: "Why?"; in response, the rabbi is said to have spent the time convincing Bialik not to use his writing talents against the yeshiva world. Poems such as HaMatmid ("The Talmud student") written in 1898, reflect Bialik's great ambivalence toward that way of life: on the one hand admiration for the dedication and devotion of the yeshiva students to their studies; on the other, a disdain for their narrow world.

At 18, Bialik left for Odessa, -then a center of modern Jewish culture in the southern Russian Empire-, drawn by his admiration for authors such as Mendele Mocher Sforim and Ahad Ha'am. There, Bialik studied Russian and German language and literature while dreaming of enrolling in the Orthodox Rabbinical Seminary in Berlin. Alone and penniless, Bialik made his living teaching Hebrew.

The 1892 Bialik published his first poem, El Hatzipor "To the Bird", which expresses a longing for Zion, in a booklet edited by Yehoshua Ravnitzky (1859–1944), which opened the doors into the Jewish literary circles in Odessa. There, he joined the Hovevei Zion movement where he befriended the author Ahad Ha'am, who had a great influence on his Zionist outlook.

In 1892 Bialik heard news that the Volozhin Yeshiva had closed and returned home to Zhytomyr to prevent his grandfather from discovering that he had discontinued his religious education. He arrived to find both his grandfather and his older brother close to death. Following their deaths, Bialik married Manya Averbuch[7] in 1893.

For a time he served as a bookkeeper in his father-in-law's lumber business in Korostyshiv, near Kiev. This proved unsuccessful so, in 1897, he moved to Sosnowiec, a small town in the region of Zaglebie, in southern Poland, then part of the Russian Empire. There, Bialik worked both as a Hebrew teacher and, to earn extra income, a coal merchant. In 1900, feeling depressed by the provincial life of Sosnowiec, Bialik secured a teaching job in Odessa.

Bialik's visited the US, where he stayed with his cousin Raymond Bialeck in Hartford, CT. He is the uncle of actress Mayim Bialik's great-great-grandfather.[8]

A young Bialik

The year 1900 marked the beginning of what is considered Bialik's "golden period": he continued his activities in Zionist and literary circles, and his literary fame continued to rise. In 1901 his first collection of poetry was published in Warsaw, where it was greeted with much critical acclaim, being hailed as "the poet of national Renaissance". Bialik relocated to Warsaw briefly in 1904 to serve as literary editor of the weekly magazine HaShiloah founded by Ahad Ha'am, a position he served for six years.

In 1903, in the wake of the Kishinev pogroms, the Jewish Historical Commission in Odessa asked Bialik to travel to Kishiniev (today Chișinău) to interview survivors and prepare a report. In response to his findings Bialik wrote his epic poem "In the City of Slaughter" (originally published under the name "Massa Nemirov"), a powerful statement of anguish at the situation of the Jews. The poem's condemnation of passivity against anti-Semitic violence is said to have inspired thousands of Jewish youths to cast off their pacifism and join the Russian underground against the Czar,[9] the founding of Jewish self-defense groups in the Russian Empire, and, later on, the Haganah in Palestine..[10][6]

It was during his visit to Odessa that Bialik first met the painter Ira Jan,[12] with whom he conducted a secret love affair for many years.[13]

In the early 1900's, Bialik, together with Yehoshua Ravnitzky, Simcha Ben Zion and Elhanan Leib Lewinsky, founded Moriah, a publishing house aimed at issuing Hebrew classics and school texts. He translated into Hebrew various European works, such as William Shakespeare's Julius Caesar, Friedrich Schiller's Wilhelm Tell, Miguel de Cervantes novel Don Quixote, Heinrich Heine's poems and S. Ansky's The Dybbuk.

Throughout the years 1899–1915, Bialik published about 20 of his Yiddish poems in different Yiddish periodicals throughout the Russian Empire. These poems are often considered to be among the best of modern Yiddish poetry. Starting in 1908, Bialik switched to writing in prose: In collaboration with Yehoshua Ravnitzky, Bialik published Sefer HaAggadah (The Book of Legends, 1908-1911), a three-volume edition of the folk tales and proverbs scattered throughout the Talmud. The book comprises selections of hundreds of texts, arranged thematically. It was immediately recognized as a masterwork and has been reprinted numerous times. Bialik also edited the poems of the medieval poet and philosopher Ibn Gabirol and began a modern commentary on the Mishnah, but only completed Zeraim, the first of the six Sedarim (Orders), of the Mishna.[14] For this, Bialik intentionally chose to use the traditional Vilna edition of the Mishnah instead of a more scientific text and created, arguably, the first modern commentary to a Seder of Mishnah that included, in its introduction, a short summary of the content as well as all of the relevant biblical passages.[15] In the 1950s, under the direction of Hanoch Albeck, the Bialik Institute published a commentary on the entire Mishnah, an expansion of Bialik's project.

In 1919 in Odessa, Bialik founded the Dvir publishing house.[16][17] The institution, now based in Israel, is known today as Kinneret Zmora-Bitan Dvir after Dvir was purchased by the Zmora-Bitan publishing house in 1986, and subsequently merged with Kinneret Publishing. It was in Odessa, where BIalik befriended the soprano Isa Kremer, and inspired her to become the first woman sing Yiddish music on the concert stage.

Bialik remained in Odessa until 1921, when the Moriah publishing house was closed by Communist authorities, as a result of mounting paranoia following the Bolshevik Revolution. Through the intervention of Maxim Gorky, a group of Hebrew writers were given permission by the Soviet government to leave the country;

Hayim Nahman and his wife Manya in 1925

Bialik moved, via Poland and Turkey, to Berlin, where, together with his friends Yehoshua Ravnitzky and Shmaryahu Levin he re-established the Dvir publishing house. There, in collaboration with the rabbinical college Hochschule für die Wissenschaft des Judentums, Bialik published the first Hebrew language scientific journal.

In Germany, Bialik joined a community of noted Jewish authors and publishers. Among them: Samuel Joseph Agnon, Salman Schocken (owner of Schocken Department Stores and founder of the Schocken Verlag), the historian Simon Dubnow, Israel Isidor Elyashev (Ba'al-Machshoves), Uri Zvi Greenberg, Jakob Klatzkin (cofounder of the Eshkol publishing house in Berlin), Moshe Kulbak, Zeev Latsky ("Bertoldi") (cofounder of Klal-farlag publishing house in Berlin in 1922), Simon Rawidowicz (co-founder of Klal-farlag), Salman Schneur, Nochum Shtif (Ba'al-Dimion), Shaul Tchernichovsky, Shoshana Persitz (founder of Omanut publishing house) and Martin Buber. They met routinely at the Hebrew Club Beith haWa'ad ha'Ivri הוועד העברי in Berlin's Scheunenviertel, in Café Monopol (which had a Hebrew-speaking corner), or Café des Westens (both in Berlin's more elegant western boroughs).

Bialik succeeded Klal publishing's Hebrew chief editor Saul Israel Hurwitz, upon his death on August 8, 1922, during which time, 80 titles were published.[18]

In January 1923, Bialik's 50th birthday was celebrated in the old concert hall of the Berlin Philharmonic bringing together everybody who was anybody.[19]

Bialik House, mid-1920s

Bialik House, Tel Aviv, 2015

Bialik first visited Palestine in 1909.[10][6] In 1924, he relocated with his publishing house Dvir to Tel Aviv, devoting himself to cultural activities and public affairs and becoming a celebrated literary figure in the Yishuv. In 1927 Bialik was elected as head of the Hebrew Writers Association, a position he retained for the rest of his life. That year, he founded the Oneg Shabbat society of Tel Aviv, which sponsored communal gatherings on Shabbat afternoons to study Torah and sing. Even though he was not an observant Jew, Bialik believed that public observance of Shabbat was essential to the preservation of the Jewish people. In response to criticism regarding his community activism, Bialik responded: "Show me the judge who can say which is preferable: a good poem or a good deed."[20]

Bialik wrote several different kinds of poetry: he is perhaps most famous for his long, nationalistic poems, which call for a reawakening of the Jewish people. Bialik had his own awakening even before writing those poems, arising out of the anger and shame he felt at the Jewish response to pogroms. In his poem In the City of Slaughter, Bialik excoriated the Jews of Kishinev who had allowed their persecutors to wreak their will without raising us to defend themselves.[21] No less admired are his passionate poems on love, nature, the yearning for Zion and children's poems.

Bialik wrote most of his poems using Ashkenazi pronunciation. Today, modern Israeli Hebrew uses the Sephardi pronunciation (what Miryam Segal called the "new accent"), i.e., an amalgam of vowels and consonantal sounds from variety of sources.[22] Consequently, Bialik's poems are rarely recited in the meter in which they were written, although according to Segal, the Ashkenazi (penultimate) stress pattern is still preserved.[23]

Bialik contributed significantly to the revival of the Hebrew language, which, before his days was used almost exclusively for liturgy. The generation of Hebrew language poets who followed in Bialik's footsteps, including Jacob Steinberg and Jacob Fichman, are known as "the Bialik generation".

Today, Bialik is honored as Israel's national poet. Bialik House, his former home at 22 Bialik Street in Tel Aviv, has been converted into a museum and a center for literary events. The Bialik Prize for literature was established by the municipality of Tel Aviv; Kiryat Bialik, a suburb of Haifa, and Givat Hen, a moshav bordering the city of Raanana, are named after him. He is the only person to have two streets named after him in the same Israeli city – Bialik Street and Hen Boulevard in Tel Aviv. There is a Bialik Hebrew Day School in Toronto, ON, Canada;[24] a Bialik High School in Montreal, QC, Canada, and a cross-communal Jewish Zionist school in Melbourne called Bialik College; in Caracas, Venezuela, the Jewish community school is named Herzl-Bialik and the Jewish school n Rosario, Argentina is named after him.

Bialik's poems have been translated into at least 30 languages, with some set to music as popular songs. These poems, and the songs based on them, have become an essential part of the education and culture of modern Israel and throughout the Jewish world.

Bialik died in Vienna, Austria, on July 4, 1934, from a sudden heart attack a week after undergoing a successful prostate operation.[25] His burial in Tel Aviv had a large mourning procession followed from his home, the street named after him, to his final resting place.

• 
  Mendele Mocher Sforim, Sholem Aleichem, Mordechai Ben Ami, Hayim Bialik in Odessa, 1910
• 
  Hebrew writers in Odessa before leaving the Soviet Russia, 1921
• 
  Passport of Belarusian People's Republic, 1921
• 
  Israel 10 Lirot Obverse & Reverse, 1968
• 
  Israeli postal stamp, 1959
• 
  Statue in Ramat Gan, Israel

• Selected Writings (poetry and prose) Hasefer, 1924; New York, New Palestine, 1926; Philadelphia, Jewish Publication Society, 1939; New York, Histadrut Ivrit of America, 1948; New York, Bloch, 1965; New York, Union of American Hebrew Congregations, 1972; Tel Aviv, Dvir and the Jerusalem Post, 1981; Columbus, Alpha, 1987
• The Short Friday Tel Aviv, Hashaot, 1944
• Knight of Onions and Knight of Garlic New York, Jordan, 1939
• Random Harvest – The Novellas of C. N. Bialik, Boulder, Colorado, Westview Press (Perseus Books), 1999
• The Modern Hebrew Poem Itself (2003), ISBN 0-8143-2485-1
• Songs from Bialik: Selected Poems of Hayim Nahman Bialik, Syracuse, Syracuse University Press, 2000
• Selected Poems: Bilingual Edition, (translated by Ruth Nevo), Jerusalem: Dvir, 1981.

• Holtzman, Avner (2017). Hayim Nahman Bialik : poet of Hebrew. New Haven. ISBN 978-0300200669.{{cite book}}: CS1 maint: location missing publisher (link)
• Tamar Rotem, "The Flower is Forgot: the life and works of national poet Hayyim Nahman Bialik are not taught properly", Haaretz Newspaper ,17/07/2001
• Ziva Shamir, "Spiritual Merchant & Motionless Wanderer: Dramatis Personae and Speaking Voice in Bialik's Works","Bikort & Parshanut" Magazin 2002
• Ziva Shamir, "A Thousand Mouths Anointed With Poison: The Anatomy of Modern Anti-semitism in Bialik's Oeuvre", "KESHER" Journal #33, Spring 2003.
• Ziva Shamir, "No story, no history", Bialik's Stories from Texture to Context (Lecture circa 1998), www.zivashamir.com

• Works by or about Hayim Nahman Bialik at Internet Archive
• Works by Hayim Nahman Bialik at LibriVox (public domain audiobooks)
• Petri Liukkonen. "Hayim Nahman Bialik". Books and Writers.
• Hayim Nahman Bialik Personal Manuscripts and Letters