Henry B. Walthall
Henry Brazeale Walthall (March 16, 1878 – June 17, 1936) was an American stage and film actor. He appeared as the Little Colonel in D. W. Griffith's The Birth of a Nation (1915).
Henry B. Walthall | |
---|---|
Born | Henry Brazeale Walthall March 16, 1878 Shelby County, Alabama, U.S. |
Died | June 17, 1936 58) Monrovia, California, U.S. | (aged
Resting place | Hollywood Forever Cemetery |
Occupation | Actor |
Years active | 1906–1936 |
Spouses | |
Children | 1 |
Early life
Henry B. Walthall was born March 16, 1878[1]: 1437 on a cotton plantation owned by his father in Shelby County, Alabama. His father Junius Leigh Walthall had been a captain in the Confederate States Army.[2][3] His sister, Anna Mae Walthall (1894-1950) had a film career in the 1920s.[4]
In 1898, during the Spanish–American War, he enlisted in the First Alabama Regiment.[5] He contracted malaria while in camp in Jacksonville, Florida, and the war ended before he had recovered.[3] He served 11 months, and when his regiment was discharged he returned home. Then, with $100, he left for New York to make his career on the stage.[5] He played small parts with the Murray Hill Theater stock company. Later he became affiliated with the American Theater stock company and soon afterward joined the Providence, Rhode Island, stock company.[3]
Career
In New York in 1901,[2] Walthall won a role in Under Southern Skies by Charlotte Blair Parker. He performed in the play for three years, in New York and on tour.[5] With the company of Henry Miller he gained recognition on Broadway in plays, including Pippa Passes, The Only Way and William Vaughn Moody's The Great Divide (1906–08).[2][6] His fellow cast member James Kirkwood introduced Walthall to D. W. Griffith,[5] and at the conclusion of that engagement, Walthall joined the Biograph Company.[3]
His career in films began in 1909 at Biograph Studios in New York with a leading role in the film A Convict's Sacrifice. This film also featured James Kirkwood, and was directed by D.W. Griffith, a director that played a huge part in Walthall's rise to stardom. As the industry grew in size and popularity, Griffith emerged as a director, and Walthall found himself a mainstay of the Griffith company, frequently working with Griffith regulars such as Owen Moore, Lionel Barrymore, Harry Carey, Lillian and Dorothy Gish, Blanche Sweet, Mae Marsh, Bobby Harron and Jack and Mary Pickford. He followed Griffith's departure from New York's Biograph to California's Reliance-Majestic Studios in 1913. After a few months with Reliance, he joined Pathé for a short period.[3]
He decided to go into the producing business and formed The Union Feature Film Company, the first to be devoted entirely to full-length films. The venture was not successful, however, and he again became associated with Griffith's company.[3]
Given the relatively short length of films in the early years, Walthall frequently found himself cast in dozens of films each year. He gained national attention in 1915 for his role as Colonel Ben Cameron in Griffith's highly influential and controversial epic The Birth of a Nation. Walthall's portrayal of a Confederate veteran rounding up the Ku Klux Klan won him large-scale fame, and Walthall emerged as a leading actor in the years leading up to the 1920s, parting ways with Griffith.
Walthall continued working in films through the 1920s, appearing in The Plastic Age with Gilbert Roland and Clara Bow. He portrayed Roger Chillingworth in Victor Sjöström's 1926 adaptation of The Scarlet Letter with Lillian Gish.
Walthall continued his career into the 1930s. After his performance in director John Ford's 1934 film Judge Priest starring Will Rogers he enjoyed a golden period of his career. He portrayed Dr. Manette in A Tale of Two Cities (1935), starring Ronald Colman. In 1936, he appeared as Marcel in The Devil-Doll and as Captain Buchanan in the American Civil War drama Hearts in Bondage. He was gravely ill during his final film China Clipper.
Frank Capra wanted Walthall to portray the High Lama in his 1937 film Lost Horizon. "Frail and failing, he died before we could test him," Capra wrote.[7]: 196
Walthall has a star on the Hollywood Walk of Fame located at 6201 Hollywood Boulevard.
Personal life
Lillian Gish described Walthall as "a slight man, about five feet six, fine-boned, with the face of a poet and a dreamer."[8]: 135 She recalled his patience while Griffith grappled with technical problems filming the epilogue of Home, Sweet Home (1914), a scene in which Gish, as an angel, lifts Walthall's character out of hell. "There was a long discussion while Walthall and I, encased in leather harness, hung on the guide wires. Wally, a true southern gentleman, didn't raise his voice, didn't complain; he simply fainted and hung there limply."[8]: 113
Walthall was married twice. His marriage to actress Isabel Fenton (1904–1918) ended in divorce.[9][10] His second marriage to Irish actress Mary Charleson lasted from 1918 until his death in 1936.
Exhausted from months of uninterrupted film work, Walthall collapsed on the Warner Bros. set after completing his scenes in the film China Clipper, in which he portrayed an airplane inventor. He entered the Pasteur Sanitarium at Monrovia, California, and died of an intestinal illness three weeks later on June 17, 1936.[5]
Filmography
Year | Title | Role | Notes |
---|---|---|---|
1909 | A Convict's Sacrifice | The Convict's Friend | Short[1]: 1437 |
1909 | The Mended Lute | Indian | Short |
1909 | Pranks | Sunbather | Short[1]: 1437 |
1909 | The Sealed Room | The Minstrel | Short[1]: 1437 |
1909 | In Old Kentucky | Robert, the Confederate Son | Short[1]: 1437 |
1909 | The Hessian Renegades | Short | |
1909 | A Corner in Wheat | The wheat king's assistant | Short[1]: 1437 |
1909 | Fools of Fate | Short | |
1909 | A Trap for Santa Claus | Arthur | Short |
1909 | In Little Italy | Victor | Short |
1909 | The Day After | Party Guest | Short |
1909 | Choosing a Husband | Harry | Short[1]: 1437 |
1909 | Getting Even | Miner | Short |
1910 | The Honor of His Family | George Pickett Jr. | Short[1]: 1437 |
1910 | In Old California | Perdita's Son | Short[1]: 1437 |
1910 | The Two Brothers | Pedro | Short |
1910 | The Kid | Walter Holden | Short |
1910 | The Gold Seekers | The Prospector | Short[1]: 1437 |
1910 | Ramona | Alessandro | Short |
1910 | In the Border States | Confederate Corporal | Short, Uncredited |
1910 | The House with Closed Shutters | The Confederate Soldier | Short |
1910 | The Sorrows of the Unfaithful | Bill | Short[1]: 1437 |
1910 | A Summer Idyl | Albert | Short[1]: 1437 |
1910 | The Oath and the Man | Henri Prevost | Short[1]: 1437 |
1910 | Rose O'Salem-Town | The Trapper | Short |
1910 | The Armorer's Daughter | Short[1]: 1437 | |
1911 | A Little Child | The Burglar | Short[1]: 1437 |
1912 | The Miser's Daughter | The Miser's Daughter's Sweetheart | Short[1]: 1437 |
1912 | Home Folks | Short[1]: 1437 | |
1912 | The Inner Circle | Short | |
1912 | A Change of Spirit | First Gentleman Thief | Short |
1912 | Two Daughters of Eve | The Father | Short |
1912 | Friends | Dandy Jack | Short[1]: 1437 |
1912 | So Near, Yet So Far | Short | |
1912 | A Feud in the Kentucky Hills | Psalm Singer | Short |
1912 | In the Aisles of the Wild | Jim Watson | Short |
1912 | The One She Loved | The Husband | Short |
1912 | The Painted Lady | At Ice Cream Festival | Short, Uncredited |
1912 | My Baby | The Husband | Short |
1912 | The Informer | The false Brother | Short |
1912 | Brutality | In Play | Short |
1912 | My Hero | Indian Charlie | Short |
1912 | The Burglar's Dilemma | Householder's Weakling Brother | Short |
1912 | The God Within | The Woodsman | Short |
1913 | Three Friends | Ned Billings - the Husband | Short |
1913 | Oil and Water | The Idealist | Short[1]: 1437 |
1913 | Love in an Apartment Hotel | The Young Woman's Fiancé | Short |
1913 | Broken Ways | The Road Agent | Short[1]: 1437 |
1913 | The Sheriff's Baby | First Bandit | Short |
1913 | The Perfidy of Mary | Poet | Short |
1913 | The Lady and the Mouse | The 1st Rival | Short |
1913 | If We Only Knew | The Father | Short |
1913 | The Wanderer | The Wanderer | Short |
1913 | The Tenderfoot's Money | The Prospector | Short |
1913 | The Stolen Loaf | The Poor Man | Short |
1913 | The House of Darkness | Minor Role | Short |
1913 | Red Hicks Defies the World | In Crowd | Short |
1913 | Death's Marathon | The Husband | Short[1]: 1437 |
1913 | The Switch Tower | The Switchman | Short |
1913 | The Mothering Heart | Club Patron | Short, Uncredited |
1913 | The Mistake | Jack, the Friend, a Prospector | Short |
1913 | A Gambler's Honor | Beth's Brother | Short |
1913 | During the Round-Up | The Stranger | Short |
1913 | The Mirror | The Station Agent | Short |
1913 | The Vengeance of Galora | Short[1]: 1437 | |
1913 | Two Men of the Desert | First Partner | Short[1]: 1437 |
1913 | A Woman in the Ultimate | Member of the Badger Gang | Short |
1913 | The Wedding Gown | [1]: 1437 | |
1913 | The Battle at Elderbush Gulch | Indian Chief's Son | Short[1]: 1437 |
1913 | The Little Tease | The Valley Man | |
1914 | Classmates | Duncan Irving | Short[11] |
1914 | The Green-Eyed Devil | Short | |
1914 | The Gangsters of New York[1]: 1437 | Porky Dugan | Short[11] |
1914 | Judith of Bethulia | Holofernes | [12] |
1914 | Strongheart | Soangataha / Strongheart | Short,[1]: 1437 |
1914 | The Floor Above | Stephen Pryde | Short[12] |
1914 | Ashes of the Past | [1]: 1437 | |
1914 | Home, Sweet Home | John Howard Payne | [1]: 1437 [11] |
1914 | The Mountain Rat | Douglas Williams | Short[1]: 1437 [12] |
1914 | Lord Chumley | Lord Chumley | Short[11] |
1914 | Man's Enemy | Short | |
1914 | The Avenging Conscience | The Nephew | [11] |
1914 | The Odalisque | Joe, in love with May | Short[1]: 1437 |
1915 | The Birth of a Nation | Col. Ben Cameron | [12] |
1915 | Beulah | Dr. Guy Hartwell | [11] |
1915 | Ghosts | Captain Arling / Oswald | [1]: 1437 [12] |
1915 | The Raven | Edgar Allan Poe | [11] |
1915 | The Woman Hater | [1]: 1437 | |
1916 | The Misleading Lady | Jack Craigen | [11] |
1916 | The Strange Case of Mary Page | Phil Langdon, Attorney | Serial, lost film |
1916 | The Birth of a Man | [12] | |
1916 | The Sting of Victory | David Whiting/Walker Whiting | [11] |
1916 | The Pillars of Society | Karsten Bernick | [1]: 1437 [12] |
1916 | The Truant Soul | Dr. John Lancaster / Dr. Lawson | [11] |
1917 | Little Shoes | David Noel | [11] |
1917 | Burning the Candle | James Maxwell | [11] |
1917 | The Saint's Adventure | Rev. Paul Manson | [11] |
1917 | National Association's All-Star Picture | [12] | |
1918 | His Robe of Honor | Julian Randolph | [11] |
1918 | Humdrum Brown | Hector "Humdrum" Brown | [11] |
1918 | With Hoops of Steel | Emerson Mead | [11] |
1918 | The Great Love | Sir Roger Brighton | [11] |
1918 | And a Still Small Voice | Clay Randolph | [11] |
1919 | The Long Lane's Turning | Harry Sevier | [11] |
1919 | The False Faces | Michael Lanyard, "The Lone Wolf" | [11] |
1919 | Modern Husbands | Stephen Duane | [11] |
1919 | The Boomerang | George Gray | [11] |
1919 | The Long Arm of Mannister | George Mannister | [11] |
1920 | The Confession | Father Bartlett | [11] |
1920 | Parted Curtains | Joe Jenkins | [11] |
1920 | A Splendid Hazard | Karl Breitman | [11] |
1921 | Flower of the North | Philip Whittemore | [11] |
1922 | The Ableminded Lady | Breezy Bright | [11] |
1922 | One Clear Call | Henry Garnett | [11] |
1922 | The Kickback | Aaron Price | [11] |
1922 | The Long Chance | Harley P. Hennage | [11] |
1922 | The Marriage Chance | Dr. Paul Graydon | [11] |
1923 | The Face on the Bar-Room Floor | Robert Stevens | [11] |
1923 | Gimme | John McGimsey | |
1923 | The Unknown Purple | Peter Marchmont / Victor Cromport | [11] |
1923 | Boy of Mine | William Latimer | [11] |
1924 | The Woman on the Jury | Prosecuting Attorney | Lost film[11] |
1924 | Single Wives | Franklin Dexter | [11] |
1924 | The Bowery Bishop | Norman Strong | [11] |
1925 | The Golden Bed | Colonel Peake | [12] |
1925 | On the Threshold | Andrew Masters | [11] |
1925 | The Girl Who Wouldn't Work | William Hale | [11] |
1925 | Kit Carson Over the Great Divide | Dr. Samuel Webb | [11] |
1925 | Kentucky Pride | Mr. Beaumont | [11] |
1925 | Dollar Down | Alec Craig | [11] |
1925 | Simon the Jester | Brandt | [11] |
1925 | The Plastic Age | Henry Carver | [11] |
1926 | Three Faces East | George Bennett | [12] |
1926 | The Barrier | Gale Gaylord | [11] |
1926 | The Unknown Soldier | Mr. Phillips | [11] |
1926 | The Road to Mandalay | Father James | [11] |
1926 | The Scarlet Letter | Roger Chillingworth | [11] |
1926 | Everybody's Acting | Thorpe | [12] |
1927 | Fighting Love | Filipo Navarro | [11] |
1927 | The Enchanted Island | Tim Sanborn | [11] |
1927 | Wings | Mr. Armstrong | [11] |
1927 | The Rose of Kildare | Bob Avery | [11] |
1927 | Love Me and the World Is Mine | Van Denbosch | [11] |
1927 | A Light in the Window | Johann Graff | [11] |
1927 | London After Midnight | Sir James Hamlin | [11] |
1928 | Retribution | Henry / Tommy Mooney | Short, Vitaphone Varieties 2418 |
1928 | Freedom of the Press | John Ballard | [11] |
1929 | The Jazz Age | Mr. Maxwell | |
1929 | Stark Mad | Captain Rhodes | Lost film[11] |
1929 | Speakeasy | Fuzzy | [11] |
1929 | The Bridge of San Luis Rey | Father Juniper | [11] |
1929 | From Headquarters | Buffalo Bill Ryan | [11] |
1929 | River of Romance | Gen. Jeff Rumford | [11] |
1929 | Black Magic | Dr. Bradbroke | [11] |
1929 | Street Corner | Short | |
1929 | In Old California | Don Pedro DeLeón | [1]: 1437 [11] |
1929 | The Phantom in the House | Boyd Milburn | [11] |
1929 | The Trespasser | Fuller | [11] |
1930 | Blaze o' Glory | Burke | Lost film[11] |
1930 | Temple Tower | Blackton | [11] |
1930 | Abraham Lincoln | Colonel Marshall | [11] |
1930 | The Love Trader | Captain Adams | [11] |
1930 | Tol'able David | Amos Hatburn | [11] |
1931 | Is There Justice? | District Attorney John Raymond | [11] |
1931 | Anybody's Blonde | Mr. Evans | [11] |
1932 | Police Court | Nat Barry | [11] |
1932 | Hotel Continental | Winthrop | [11] |
1932 | Strange Interlude | Professor Leeds | [11] |
1932 | Alias Mary Smith | Atwell | [11] |
1932 | Chandu the Magician | Robert Regent | [11] |
1932 | Ride Him, Cowboy | John Gaunt | [11] |
1932 | Klondike | Mark Armstrong | [11] |
1932 | The Cabin in the Cotton | Eph Clinton | [11] |
1932 | Me and My Gal | Sarge | [11] |
1932 | Central Park | Eby | [11] |
1932 | Self Defense | Dr. Borden | [11] |
1933 | 42nd Street | The Actor | Uncredited[11] |
1933 | The Whispering Shadow | J.D. Bradley - Company President | Serial[1]: 1437 |
1933 | The Flaming Signal | Rev. James | [11] |
1933 | Somewhere in Sonora | Bob Leadly | [11] |
1933 | Hold Your Man | Clergyman in Alternate Version | Uncredited |
1933 | Laughing at Life | Presidente Valenzuela | [11] |
1933 | Headline Shooter | Judge Beacon | Uncredited[11] |
1933 | Her Forgotten Past | Mr. Maynard | [11] |
1933 | The Wolf Dog | Jim Courtney | Serial |
1933 | The Sin of Nora Moran | Father Ryan | [11] |
1934 | Dark Hazard | Schultz | Uncredited[11] |
1934 | Beggars in Ermine | Marchant the Blind Man | |
1934 | Men in White | Dr. McCabe | [2] |
1934 | Viva Villa! | Francisco I. Madero | [5] |
1934 | City Park | Colonel Henry Randolph Ransome | |
1934 | The Murder in the Museum | Bernard Latham Wayne, alias Professor Mysto | |
1934 | Judge Priest | Rev. Ashby Brand | [11] |
1934 | The Scarlet Letter | Roger Chillingworth | [11] |
1934 | The Lemon Drop Kid | Jonas Deering | [1]: 1437 [5] |
1934 | A Girl of the Limberlost | Dr. Ammon | [11] |
1934 | Love Time | Duke Johann von Hatzfeld | |
1934 | Bachelor of Arts | Professor Barth | [11] |
1935 | Helldorado | Abner Meadows | [1]: 1437 |
1935 | Dante's Inferno | Pop McWade | [11] |
1935 | A Tale of Two Cities | Dr. Manette | [11] |
1936 | The Garden Murder Case | Dr. Garden | [1]: 1437 |
1936 | The Mine with the Iron Door | David Burton | |
1936 | Hearts in Bondage | Captain Buchanan | |
1936 | The Last Outlaw | Under Sheriff Calvin Yates | Screening on Broadway when Walthall died[5][11] |
1936 | The Devil-Doll | Marcel | [11] |
1936 | China Clipper | Dad Brunn | Walthall collapsed on the set after completing his scenes[11] and died three weeks later[5] (final film role) |
References
- Katz, Ephraim (1998). The Film Encyclopedia (3rd ed.). New York: HarperPerennial. ISBN 978-0-06-273492-1.
- "Obituaries: Henry B. Walthall". Variety: 78. June 24, 1936. Retrieved December 22, 2014.
- "Chats with the Players: Henry B. Walthall". Motion Picture Magazine: 113–115. October 1915. Retrieved December 22, 2014.
- Henry B. Walthall, Silent Era People website
- "Henry Walthall, Film Actor, Dead; Veteran of Early Cinema, 58, Made Reputation in 'The Birth of a Nation'". The New York Times. July 18, 1936.
- "Henry B. Walthall". Internet Broadway Database. Retrieved December 22, 2014.
- Capra, Frank (1971). The Name Above the Title: An Autobiography. New York: The MacMillan Company. OCLC 468875274.
- Gish, Lillian (1969). Lillian Gish: The Movies, Mr. Griffith, and Me. Englewood Cliffs, N.J.: Prentice-Hall. OCLC 3175012.
- "New York, New York City Marriage Records, 1829-1940," database, FamilySearch (https://familysearch.org/ark:/61903/1:1:24MP-GM6 : 10 February 2018), Henry Walthall and Isabella Mack, 09 Sep 1904; citing Marriage, Manhattan, New York, New York, United States, New York City Municipal Archives, New York; FHL microfilm 1,556,930.
- “Walthall Has Divorce.” Variety, 22 Nov. 1918, p. 47.
- "Henry B. Walthall". AFI Catalog of Feature Films. Retrieved December 22, 2014.
- "Henry Walthall". AFI Catalog of Feature Films. Retrieved December 22, 2014.