Hercules

In Roman mythology, although Hercules was seen as the champion of the weak and a great protector, his personal problems started at birth. Juno sent two witches to prevent the birth, but they were tricked by one of Alcmene's servants and sent to another room. Juno then sent serpents to kill him in his cradle, but Hercules strangled them both. In one version of the myth, Alcmene abandoned her baby in the woods in order to protect him from Juno's wrath, but he was found by the goddess Minerva who brought him to Juno, claiming he was an orphan child left in the woods who needed nourishment. Juno suckled Hercules at her own breast until the infant bit her nipple, at which point she pushed him away, spilling her milk across the night sky and so forming the Milky Way. She then gave the infant back to Minerva and told her to take care of the baby herself. In feeding the child from her own breast, the goddess inadvertently imbued him with further strength and power.

A fresco from Herculaneum depicting Heracles and Achelous from Greco-Roman mythology, 1st century CE.

Tacitus records a special affinity of the Germanic peoples for Hercules. In chapter 3 of his Germania, Tacitus states:

... they say that Hercules, too, once visited them; and when going into battle, they sang of him first of all heroes. They have also those songs of theirs, by the recital of this barditus[6] as they call it, they rouse their courage, while from the note they augur the result of the approaching conflict. For, as their line shouts, they inspire or feel alarm.

Some have taken this as Tacitus equating the Germanic Þunraz with Hercules by way of interpretatio romana.[7]

In the Roman era Hercules' Club amulets appear from the 2nd to 3rd century, distributed over the empire (including Roman Britain, cf. Cool 1986), mostly made of gold, shaped like wooden clubs. A specimen found in Köln-Nippes bears the inscription "DEO HER[culi]", confirming the association with Hercules.

In the 5th to 7th centuries, during the Migration Period, the amulet is theorized to have rapidly spread from the Elbe Germanic area across Europe. These Germanic "Donar's Clubs" were made from deer antler, bone or wood, more rarely also from bronze or precious metals. The amulet type is replaced by the Viking Age Thor's hammer pendants in the course of the Christianization of Scandinavia from the 8th to 9th century.

The Road of Hercules is a route across Southern Gaul that is associated with the path Hercules took during his 10th labor of retrieving the Cattle of Geryon from the Red Isles.[13] Hannibal took the same path on his march towards Italy and encouraged the belief that he was the second Hercules.[13] Primary sources often make comparisons between Hercules and Hannibal.[13] Hannibal further tried to invoke parallels between himself and Hercules by starting his march on Italy by visiting the shrine of Hercules at Gades. While crossing the alps, he performed labors in a heroic manner. A famous example was noted by Livy, when Hannibal fractured the side of a cliff that was blocking his march.[13]

In ancient Roman society women were usually limited to two types of cults: those that addressed feminine matters such as childbirth, and cults that required virginal chastity.[14] However, there is evidence suggesting there were female worshippers of Apollo, Mars, Jupiter, and Hercules.[14] Some scholars believe that women were completely prohibited from any of Hercules's cults. Others believe it was only the "Ara Maxima" at which they were not allowed to worship.[14] Macrobius in his first book of Saturnalia paraphrases from Varro: "For when Hercules was bringing the cattle of Geryon through Italy, a woman replied to the thirsty hero that she could not give him water because it was the day of the Goddess Women and it was unlawful for a man to taste what had been prepared for her. Hercules, therefore, when he was about to offer a sacrifice forbid the presence of women and ordered Potitius and Pinarius who were in charge of his rites, not to allow any women from taking part".[14] Macrobius states that women were restricted in their participation in Hercules cults, but to what extent remains ambiguous. He mentions that women were not allowed to participate in Sacrum which is general term used to describe anything that was believed to have belonged to the gods. This could include anything from a precious item to a temple. Due to the general nature of a Sacrum, we can not judge the extent of the prohibition from Macrobius alone.[14] There are also ancient writings on this topic from Aulus Gellius when speaking on how Romans swore oaths. He mentioned that Roman women do not swear on Hercules, nor do Roman men swear on Castor.[14] He went on to say that women refrain from sacrificing to Hercules.[14] Propertius in his poem 4.9 also mentions similar information as Macrobius. This is evidence that he was also using Varro as a source.[14]

There is evidence of Hercules worship in myth in the Latin epic poem, the Aeneid. In the 8th book of the poem Aeneas finally reaches the future site of Rome, where he meets Evander and the Arcadians making sacrifices to Hercules on the banks of the Tiber river.[15] They share a feast, and Evander tells the story of how Hercules defeated the monster Cascus, and describes him as a triumphant hero.[15] Translated from the Latin text of Vergil, Evander stated: "Time brought to us in our time of need the aid and arrival of a god. For there came that mightiest avenger, the victor Hercules, proud with the slaughter and the spoils of threefold Geryon, and he drove the mighty bulls here, and the cattle filled both valley and riverside.[15]

Hercules was also mentioned in the Fables of Gaius Julius Hyginus. For example, in his fable about Philoctetes he tells the story of how Philoctetes built a funeral pyre for Hercules so his body could be consumed and raised to immortality.[16]

According to Livy (9.44.16) Romans were commemorating military victories by building statues to Hercules as early as 305 BCE. Also, philosopher Pliny the Elder dates Hercules worship back to the time of Evander, by accrediting him with erecting a statue in the Forum Boarium of Hercules.[17] Scholars agree that there would have been 5–7 temples in Augustan Rome.[17] There are believed to be related Republican triumphatores, however, not necessarily triumphal dedications. There are two temples located in the Campus Martius. One, being the Temple of Hercules Musarum, dedicated between 187 and 179 BCE by M. Fulvius Nobilior.[17] And the other being the Temple of Hercules Custos, likely renovated by Sulla in the 80s BCE.[17]

In Roman works of art and in Renaissance and post-Renaissance art, Hercules can be identified by his attributes, the lion skin and the gnarled club (his favorite weapon); in mosaic he is shown tanned bronze, a virile aspect.[18]

In the twentieth century, the Farnese Hercules has inspired artists such as Jeff Koons, Matthew Darbyshire and Robert Mapplethorpe to reinterpret Hercules for new audiences.[19] The choice of deliberately white materials by Koons and Darbyshire has been interpreted as perpetuation of colourism in how the classical world is viewed.[19] Mapplethorpe's work with black model Derrick Cross can be seen as a reaction to Neo-classical colourism, resisting the portrayal of Hercules as white.[19]

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  Hercules of the Forum Boarium (Hellenistic, 2nd century BCE)
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  Hercules drunk and Omphale. Fresco from House of the Prince of Montenegro, Pompeii, 25–35 CE
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  Hercules carrying his son Hyllus looks at the centaur Nessus, who is about to carry Deianira across the river on his back. Fresco from Pompeii, 30–45 CE
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  Hercules in Olympus with Juno and Minerva, fresco from Herculaneum, 1st century CE
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  Hercules and Iolaus (1st century CE mosaic from the Anzio Nymphaeum, Rome)
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  Hercules (Hatra, Iraq, Parthian period, 1st–2nd century CE)
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  Hercules bronze statuette, 2nd century CE (museum of Alanya, Turkey)
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  Hercules and the Nemean Lion (detail), silver plate, 6th century (Cabinet des Médailles, Paris)
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  Heracles and Omphale, Roman fresco, Pompeian Fourth Style (45–79 CE), Naples National Archaeological Museum, Italy
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  A Roman gilded silver bowl depicting the boy Hercules strangling two serpents, from the Hildesheim Treasure, 1st century CE, Altes Museum
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  Head from statue of Herakles (Hercules) Roman 117–188 CE from villa of the emperor Hadrian at Tivoli, Italy at the British Museum
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  Hercules (Herakles) with the Apples of the Hesperides Roman 1st century CE from a temple at Byblos, Lebanon at the British Museum
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  Hercules from Cappadocia or Caesarea 1st century BCE – 1st century CE, Walters Art Museum
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  Hercules slaying the Hydra Roman copy of 4th century BCE original by Lysippos, Capitoline Museum
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  Hercules Roman 1st century BCE – 1st century CE, Walters Art Museum
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  Herakles and Telephos Louvre MR219
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  Hercules, 50 BCE – 50 CE, MAN Florence

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  The Giant Hercules (1589) by Hendrik Goltzius
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  Lucas Faydherbe, Bust of Hercules – collection King Baudouin Foundation
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  The Drunken Hercules (1612–1614) by Rubens
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  Hercules and Deianira (18th century copy of a lost original), from I Modi
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  Hercules in the Augean stable (1842, Honoré Daumier)
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  Comic book cover (c. 1958)
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  Hercules, Deianira and the Centaur Nessus, by Bartholomäus Spranger, 1580–1582
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  Henry IV of France, as Hercules vanquishing the Lernaean Hydra (i.e. the Catholic League), by Toussaint Dubreuil, c. 1600. Louvre Museum
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  Hercules on the Pyre by Guillaume Coustou The Elder, 1704, Louvre MR1809

Hercules was among the earliest figures on ancient Roman coinage, and has been the main motif of many collector coins and medals since. One example is the Austrian 20 euro Baroque Silver coin issued on September 11, 2002. The obverse side of the coin shows the Grand Staircase in the town palace of Prince Eugene of Savoy in Vienna, currently the Austrian Ministry of Finance. Gods and demi-gods hold its flights, while Hercules stands at the turn of the stairs.

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  Juno, with Hercules fighting a Centaur on reverse (Roman, 215–15 BCE)
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  Club over his shoulder on a Roman denarius (c. 100 BCE)
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  Maximinus II and Hercules with club and lionskin (Roman, 313 CE)
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  Commemorative 5-franc piece (1996), Hercules in center
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  Hercules, as seen on a Denarius of the Roman Emperor Caracalla. Dated 212 CE

Six successive ships of the British Royal Navy, from the 18th to the 20th century, bore the name HMS Hercules.

In the French Navy, there were no less than nineteen ships called Hercule, plus three more named Alcide which is another name of the same hero.

Hercules' name was also used for five ships of the US Navy, four ships of the Spanish Navy, four of the Argentine Navy and two of the Swedish Navy, as well as for numerous civilian sailing and steam ships.

In modern aviation a military transport aircraft produced by Lockheed Martin carries the title Lockheed C-130 Hercules.

Operation Herkules was the German code-name given to an abortive plan for the invasion of Malta during the Second World War.

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  Pillars of Hercules, representing the Strait of Gibraltar (19th-century conjecture of the Tabula Peutingeriana)
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  The Cudgel of Hercules, a tall limestone rock formation, with Pieskowa Skała Castle in the background
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  Hercules as heraldic supporters in the royal arms of Greece, in use 1863–1973. The phrase "Ηρακλείς του στέμματος" ("Defenders of the Crown") has pejorative connotations ("chief henchmen") in Greek.

A series of nineteen Italian Hercules movies were made in the late 1950s and early 1960s. The actors who played Hercules in these films were Steve Reeves, Gordon Scott, Kirk Morris, Mickey Hargitay, Mark Forest, Alan Steel, Dan Vadis, Brad Harris, Reg Park, Peter Lupus (billed as Rock Stevens) and Michael Lane. A number of English-dubbed Italian films that featured the name of Hercules in their title were not intended to be movies about Hercules.