Hisham Bizri

Bizri hails from a politically and financially prominent Levantine Arab clan—the El-Bizri—who ultimately trace their lineage to the Imam al-Husayn bin 'Ali. The family has included public servants, politicians, and merchants since Ottoman times, with its political influence originally centered in Sidon and Damascus.

The youngest of seven children of Lebanese parents, Bizri was raised in Beirut during the Lebanese Civil War and 1982 Israeli Siege of Beirut. Bizri’s mother often would send him to the movie theater as an escape. The movie houses of Beirut introduced Bizri to classic Hollywood films by D.W. Griffith, John Ford, Howard Hawks, George Cukor, and Chaplin; the European films of Ingmar Bergman, F. W. Murnau, and Roberto Rossellini; and many avant garde works, as well.[3]

Originally a student of physics and mathematics at American University in Beirut (AUB), Bizri found himself increasingly drawn to a career in film, eventually establishing a film club at AUB. Eager to obtain film training, the 19-year-old Bizri moved to Boston to study film at Boston University, from which he received his undergraduate degree, and completed post-graduate work at Harvard's Carpenter Center for the Arts and NYU's Tisch School before receiving his MFA from the University of Illinois at Chicago.

Bizri's work has been shown in international venues including Sundance,[4] Cannes, Berlin, Oberhausen (multiple times), Moscow, and Abu Dhabi film festivals as well as the Louvre, Institut du Monde Arabe, Cinémathèque Française, Centre Pompidou, MoMa, and Anthology Film Archives (NYC). He is recipient of awards from the McKnight, LEF, Jerome, and Rockefeller Foundations, as well as fellowships from the Guggenheim Foundation, Bogliasco Foundation, and American Academy in Rome, which awarded him the "Rome Prize" (FAAR 2009).[5]

Early in his career, Bizri served as Producer at Future TV (Lebanon) and Creative Director of Orbit Communications Company (Rome/Dubai/Beirut/Cairo). In 2005, he co-founded The Arab Institute of Film (Amman, Jordan) with the Syrian filmmaker Omar Amiralay and Danish producer Jakob Høgel, with support from the Danish government, International Media Support (Denmark), and the Ford Foundation. In 2012, he was named President & Creative Director of Levantine Films (NYC).

Bizri cites Henry James as a key figure in shaping some of his views on art and literature: “It is art that makes life, makes interest, makes importance… giving fresh meaning to contemporary life.”

On his website, Bizri lists the films he appreciates, including: "Arabic Series" (Stan Brakhage, 1981), "Red River" (Howard Hawks, 1946), "The Sun Shines Bright" (John Ford, 1953), "Au Hasard, Balthazar" (Robert Bresson, 1966), "Gertrud" (Carl Theodor Dreyer, 1964), "The 47 Ronin" (Kenji Mizoguchi, 1942), "The Earrings of Madame de..." (Max Ophuls, 1953), "India: Matri Bhumi" (Roberto Rossellini, 1959), The Tarnished Angels (Douglas Sirk, 1957), and "The Masseurs and a Woman" (Hiroshi Shimizu, 1938), as well as the films of D. W. Griffith and Gregory Markopoulos.[6]

Bizri met his wife, a philosopher, in 1986, and they married in 1993.

• Bogliasco Foundation Fellowship (2019)
• Best Director (Tarkovsky Award) for "Night Shift," Amarcord Arthouse Film & Video Festival (2017)
• Best Editing Award for "Beneath the wide, wide, Heaven," RAIIFA International Film Festival (2016)
• Salomon Faculty Research Award, Brown University (2015)
• Script Station, Berlinale Talent Campus, Berlin International Film Festival (2011)
• American Academy in Rome "Rome Prize" (2008)
• McKnight Media Artist Award (2008)
• Guggenheim Fellowship (2007)
• Rockefeller Foundation Bellagio Fellowship (2005)

• Hisham Bizri at IMDb
• Hisham Bizri's Vimeo