Hitchhiker (album)

Between 1975 and 1977, Young and producer David Briggs periodically conducted recording sessions at Indigo Ranch on nights of the full moon. These sessions took place during a particularly productive period for Young and yielded such songs as "Will to Love" and "Stringman." Briggs said of the time, "He'd turn to me and go, 'Guess I’ll turn on the tap'—and then out came 'Powderfinger,' 'Pocahontas,' 'Out of the Blue,' 'Ride My Llama.' Two days, a day. I'm not talkin' about sittin' down with a pen and paper, I'm talkin' about pickin' up a guitar, sittin' there and lookin' me in the face and in twenty minutes—'Pocahontas.'"[3]

The songs on the album were recorded in a single night. In his memoir Special Deluxe, Young described the session, "It was a complete piece, although I was pretty stony on it, and you can hear it in my performances... I laid down all the songs in a row, pausing only for weed, beer, or coke. Briggs was in the control room, mixing live on his favorite console."[4] Many of the songs would appear on future Young albums: "Pocahontas" is the same take used on Rust Never Sleeps sans overdubs; "Captain Kennedy" remains virtually unchanged from Hawks & Doves; "Campaigner" is presented in its unedited length with an additional verse as it appeared on the test pressings and the first German pressing of Decade but is otherwise unchanged; whereas the others appeared on American Stars 'n Bars, Comes a Time, Rust Never Sleeps, and Le Noise, albeit from different sessions and performances. Hitchhiker also contains a pair of never-before-released songs: "Hawaii" and "Give Me Strength;" the latter has occasionally been performed live.[1]

In an interview with KOTO FM (which was also posted to his public Facebook page), Young stated that the session was intended to be released as an album not long after it was recorded, but Reprise executives were unimpressed. The material was considered to be no more than a collection of demos not fit for release, and the label suggested that Neil rerecord the songs with a backing band.[2]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	88/100[5]
Review scores
Source	Rating
AllMusic	[6]
The A.V. Club	B+[7]
Pitchfork	8.4/10[8]

Upon release, Hitchhiker received universal acclaim from contemporary music critics. On the review aggregator Metacritic, the album received an average score of 88 out of 100, based on 13 reviews.[5]

In a four-out-of-five star review for AllMusic, editor Stephen Thomas Erlewine stated "On Hitchhiker, Young still isn't certain if he's exorcized those demons, and that unease gives just enough complexity to the album's soothing ebb and flow."[6] Writing for The A.V. Club, Josh Modell gave the album a B+ rating and called it a "fantastic" artifact of Young's fruitful 1970s songwriting period. Additionally, Modell praised the "naked and intimate" sound of "Pocahontas" and "Powderfinger" and concluded, "If the bottom of the barrel sounds this good, [Young] should keep 'em coming."[7]

Pitchfork contributor Sam Sodomsky also praised the album, giving it an 8.4/10 score. Sodomsky wrote, "Young was on the verge of an epiphany in the summer of ’76: his past, present, and future cohabitating in a body of work with the potential to get torn up and rewritten with any sudden vision, any chemical impulse. Beautiful, strange, and stoned, Hitchhiker lets us in on one of those nights."[8]

Source:[1]