Holy Hell (Architects album)

Architects' guitarist Tom Searle passed away on 20 August 2016, after his three-year battle with skin cancer.[3][5] His death had a traumatic effect on the other members of the band. Sam Carter, the band's lead vocalist, noted at the final date of a European tour in the Brixton Academy in London he felt "this could be the last time I do this".[6]

On 7 September 2017, Architects released the song "Doomsday", which Tom Searle had started to write during the production of their seventh album All Our Gods Have Abandoned Us, as a single. However, it did not make the album's final tracklist[7] but it was later added to the tracklist of Holy Hell as the tenth track. An alternative piano reprise version of the song was released on 13 July 2018.[8] After the successful release of the song the band organised a one date, sold-out performance at the 10,000 capacity venue Alexandra Palace in London,[6] with support from While She Sleeps and Counterparts.[9] This was the largest headline performance the band had played in their career. Due to the close relationship Carter and the rest of the band had established with Jeremy Corbyn and the Labour Party, there was a discussion as to whether Corbyn could speak before their performance.[6] Much like how he had at Glastonbury festival, however it was decided against by the party.[6] Architects' drummer and brother of Tom, Dan Searle, addressed the crowd and thanked them for their continued support.[10]

Following the band's performance in Brixton Academy on their 2017 European tour, Josh Middleton, Sylosis guitarist and touring member for the band, sent demos of songs to Searle. Middleton along with Searle became dominant songwriters on the record.[11] This period of writing new music brought confidence to the band about continuing to perform.[12] By the time the band had selected "Doomsday" to release as a single they had written that and five other songs.[11] Tom Searle had written the main guitar riff "Doomsday" was based on.[12] Elements of songs used on the album are based upon writing Tom Searle had written before his death, however Dan Searle in an interview said that they do not want to disclose which songs were derived from Tom's work, saying "We don't want to say because we don't want people's perspectives of the songs to be swayed by having that information."[11]

Dan Searle had a major role in writing of the album's lyrics.[6] Searle stated the theme "for me, broadly speaking Holy Hell is about pain: the way we process it, cope with it, and live with it. [...] There is value in pain. It's where we learn, it's where we grow."[4] He was inspired by his brother's lyric writing, focusing on religion and particular juxtaposed metaphors "heaven and hell" and "angels and demons".[12]

On 10 September 2018, Architects released teaser videos online which utilised instrumental versions of "Doomsday" and "Memento Mori", which were later that day taken down.[13][14] The band released the album's lead single, "Hereafter", in conjunction with the public release of the album art, release date and track listing. The album art was created by Dan Hillier.[15] Merlin Alderslade, when writing for Metal Hammer about the song, noted how it featured a more "streamlined" approach to Architects' musical style than previous work and was a greater indication of Holy Hell's sound than "Doomsday".[16] The second single from the album "Royal Beggars" was released 3 October,[17] then the third "Modern Misery" was released on 28 October 2018.[18]

In promotion of the album, the band announced the dates of the tour, starting in December 2018 in Russia and Ukraine. The rest of the tour dates for the United Kingdom and the Mainland Europe is set in January and February 2019, with support from Polaris and Beartooth.[4][19] Within days of the release of tickets, a second date at O2 Victoria Warehouse in Manchester was added.[19]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	90/100[20]
Review scores
Source	Rating
AllMusic	[21]
Dead Press!	[22]
DIY	[23]
Kerrang!	[20]
Metal Hammer	[24]
Metal Injection	[25]
New Noise	[26]
NME	[27]
Sputnikmusic	[28]
Wall of Sound	10/10[1]

Holy Hell has received widespread critical acclaim. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 90, based on 8 reviews, which indicates "universal acclaim".[20]

Dave Stewart of Punktastic gave a favourable review of the album and its attention to detail and emotional intensity, saying "A mere two years since [Tom Searle's] passing, to even consider releasing a record is commendable. The fact that the record is so intricate and powerful is a credit to the band, both musically and mentally. To make something so impressive out of a situation so dire is beyond admirable."[29] Zach Redrup of Dead Press! gave the album a 10 out of 10 score, praising the album's more frequent incorporation of electronic and atmospheric elements over previous albums.[22] Wall of Sound rated the album a perfect 10/10 stating "this album is magnificent. It not only wraps up Tom Searle's time within the band perfectly but also kicks off the next era without him."[30]

In a 4 out of 5 star review, AllMusic concluded "Holy Hell is both a teardown and a rebuild, and while it isn't always an easy listen, there is some hard-won catharsis to be found in its attempt to distill the messiness of grief into four-minute blasts of sonic demolition."[21] Kerrang! gave the album a perfect score, calling it "gut-wrenching, hauntingly desolate and emotionally devastating."[20] The album was also nominated for a Kerrang! Award for 'Best Album', but lost to Ghost's Prequelle.[31]

Architects

• Sam Carter – lead vocals
• Josh Middleton – lead guitar, backing vocals, production
• Adam Christianson – rhythm guitar
• Alex "Ali" Dean – bass, keyboards, drum pad
• Dan Searle – drums, percussion, programming, production

Additional musicians

• Amelie Searle-Desbiens – additional vocals
• Will Harvey and The Parallax Orchestra – strings

Additional personnel

• Jordan Fish of Bring Me the Horizon – additional production on "Doomsday"
• Adam "Nolly" Getgood – engineering, mixing
• Peter Miles – strings engineering
• Ermin Hamidovic – mastering
• Robin Adams and Joel Hamilton – editing assistance
• Jordon Beal (né Popp) – additional editing assistance
• Dan Hillier – artwork
• Jon Barmby – layout

Footnotes