Horror Business

On October 12, 1978, the body of Nancy Spungen was discovered in the bathroom of her room at Hotel Chelsea in Manhattan, New York City.[2][3] Spungen had been living at the hotel with her boyfriend, Sex Pistols bassist Sid Vicious. Her body was found with a fatal stab wound in her abdomen,[3] and Vicious purportedly owned the knife that made the wound.[4] Vicious was arrested and charged with second degree murder, and after pleading not guilty, he was released on bail, awaiting trial.[1] On the evening of February 1, 1979, a small group of Vicious's friends, including Misfits bassist Jerry Only, gathered to celebrate Vicious having made bail at his new girlfriend Michelle Robinson's Greenwich Village apartment.[1] Vicious had undergone a detoxification program during his time in jail at Rikers Island, but at the dinner gathering, Vicious had English photographer Peter "Kodick" Gravelle deliver him heroin.[5] Vicious died of an overdose at some point during the night, and was discovered by his mother, Anne Beverley, and Robinson the following morning.[3]

Prior to Vicious's death, the Misfits were rumored to potentially back Vicious on his proposed debut solo album.[1] After learning of his death, Only helped Beverley collect Vicious's possessions,[6] and invited her to attend a Misfits recording session.[1] "Horror Business", "Teenagers from Mars", and "Children in Heat" were recorded from January 26 to February 5, 1979 at C.I. Studios in New York, where the band had recorded their proposed debut album Static Age a year prior.[7] Beverley attended at least one of the sessions.[1] Writer and vocalist Glenn Danzig insisted that the band record as many tracks as possible during their allotted time in the studio in an effort to save money.[1]

The title track, "Horror Business", contains lyrics such as "You don't go in the bathroom with me" and "I'll put a knife right in you".[8] Because of such lyrics, along with the connections between the Misfits and Vicious, the song is commonly said to have been based on the unsolved murder of Spungen.[8][1] However, the song's lyrics have also been noted as possible references to the 1960 film Psycho,[8][9] which features a scene involving a character being stabbed to death in a bathroom.[8] The line "Psycho '78", which also appears in the song, has been interpreted as transposing the year in which the film was released (as well as when the film's narrative takes place) to the year that the song was recorded.[8] The line "driving late at night" may also be a reference to Psycho, in which Janet Leigh's character spends a long portion of the film's first act driving through the night before ultimately ending up at the Bates Motel.

The songs "Horror Business" and "Teenagers from Mars" were considered for inclusion in a 1979 12" record which would have also featured the song "Who Killed Marilyn?".[10] An acetate disc of this proposed release was pressed, but completing a run of 12" records for the release was deemed to be too expensive, and so the release was scrapped.[10]

The first pressing of the "Horror Business" single, issued by Danzig's own label Plan 9 Records on June 26, 1979, consisted of 25 sleeveless black 7" vinyl copies.[11][12] The second pressing, from August 1979, consisted of 2,000 copies on yellow vinyl.[11][12] Due to a pressing error, approximately 20 copies had the track "Horror Business" on both sides, rather than "Horror Business" on the A-side and "Teenagers from Mars" and "Children in Heat" on the B-side.[11][12][13] Many copies contained an insert with a fabricated story claiming that the band had recorded the single in an abandoned haunted house in New Jersey, and that, when later mixing the tapes at a recording studio in New York City, they heard strange voices and noises in the background of the recordings.[1][9] According to a 1993 interview with Jerry Only:

What happened was, there was a weird sound on there, and we didn't know where the hell it came from. So we said, "What are we gonna do? Are we gonna remix it?" I said, "Well, I don't got no more money. This is it. You gotta like what you got." We thought about it, and we thought, we don't want everybody to think we're a bunch of jerks. So I think I mentioned it, "Let's just say it was recorded in a haunted house. Everybody'll love that!"[9]

The songs "Horror Business", "Teenagers from Mars", and "Children in Heat" have been re-released multiple times since the single was first issued. In 1980, the songs were included on the Misfits' EP Beware.[14] In 1986, "Horror Business" and "Teenagers from Mars" were included as tracks on the compilation album Misfits, also known as Collection I.[15] A live version of "Horror Business" was included on the EP and album Evilive, released in 1982 and 1987, respectively.[15][16] "Children in Heat" was re-issued in 1995 on the compilation album Collection II.[15][17] These releases were all included in the 1996 boxed set The Misfits.[15][18] "Teenagers from Mars" was also included on the album Static Age, which was part of the boxed set and which received a standalone release in 1997.[15][18]

The image of the Crimson Ghost featured on the single's front cover would become an iconic mascot and logo for the band.

In his book This Music Leaves Stains: The Complete Story of the Misfits, author James Greene Jr. writes of the single as a whole: "While more muddled production-wise than 'Bullet', 'Horror Business' is just as arresting as its predecessor [...] 'Horror Business' was greeted by the growing Misfits fan base as an instant classic."[19] He goes on to note that the title track "offers a bluesy feel at times, almost as if nothing more is at stake than the melody."[19]

Dan Ozzi of Diffuser.fm ranked "Horror Business" #7 on his list of the 10 best Misfits songs, and noted the "vague" nature of the track's lyrics.[22] Eduardo Rivadavia of Ultimate Classic Rock also ranked the song #7 on his list of the top 10 Misfits songs, comparing the track's "knuckle-scraping riffs" and Danzig's "distinctively punchy pronunciation" to the music of the Ramones.[23] Aaron Lariviere of Stereogum ranked the track #9 on his list of the best Misfits songs, calling it an example of a Misfits song with lyrics that are "just awesome".[8]

• Misfits discography