Hungarian Rhapsodies

The Hungarian Rhapsodies, S.244, R.106 (French: Rhapsodies hongroises, German: Ungarische Rhapsodien, Hungarian: Magyar rapszódiák), are a set of 19 piano pieces based on Hungarian folk themes, composed by Franz Liszt during 1846–1853, and later in 1882 and 1885. Liszt also arranged versions for orchestra, piano duet and piano trio.

Some are better known than others, with Hungarian Rhapsody No. 2 being particularly famous and No. 6, No. 10, No. 12 and No. 14 (especially as arranged for piano and orchestra as the Hungarian Fantasy) also being well known.

In their original piano form, the Hungarian Rhapsodies are noted for their difficulty (Liszt was a virtuoso pianist as well as a composer).

Form

Liszt incorporated many themes he had heard in his native western Hungary and which he believed to be folk music, though many were in fact tunes written by members of the Hungarian upper middle class, or by composers such as József Kossovits,[1] often played by Roma (Gypsy) bands. The large scale structure of each was influenced by the verbunkos, a Hungarian dance in several parts, each with a different tempo. Within this structure, Liszt preserved the two main structural elements of typical Gypsy improvisation—the lassan ("slow") and the friska ("fast"). At the same time, Liszt incorporated a number of effects unique to the sound of Gypsy bands, especially the pianistic equivalent of the cimbalom. He also makes much use of the Hungarian gypsy scale.[2]

Arranged versions

Nos. 2, 5, 6, 9, 12, and 14 were arranged for orchestra by Franz Doppler, with revisions by Liszt himself. These orchestrations appear as S.359 in the Searle catalogue; however, the numbers given to these versions were different from their original numbers. The orchestral rhapsodies numbered 1–6 correspond to the piano solo versions numbered 14, 2, 6, 12, 5 and 9 respectively.

In 1874, Liszt also arranged the same six rhapsodies for piano duet (S.621). In 1882 he made a piano duet arrangement of No. 16 (S.622), and in 1885 a piano duet version of No. 18 (S.623) and No. 19 (S.623a). Liszt also arranged No. 12 (S.379a) and No. 9 (S.379) for piano, violin and cello.

No. 14 was also the basis of Liszt's Hungarian Fantasia for piano and orchestra, S.123.

List of the Hungarian Rhapsodies

The set is as follows:

NumberPiano
solo
OrchestraPiano
Duet
Piano
Trio
KeyDedicationComments
No. 1S.244/1C minorEde SzerdahelyiLiszt made an earlier version entitled "Rêves et fantaisies"
No. 2S.244/2S.359/2S.621/2C minorComte László Teleki
No. 3S.244/3B majorComte Leó Festetics
No. 4S.244/4E majorComte Casimir Esterházy
No. 5S.244/5S.359/5S.621/5E minorComtesse Sidonie ReviczkySubtitled Héroïde-élégiaque
No. 6S.244/6S.359/3S.621/3D majorComte Antoine d'Appony
No. 7S.244/7D minorBaron Fery Orczy
No. 8S.244/8F minorAnton Augusz
No. 9S.244/9S.359/6S.621/6S.379E majorHeinrich Wilhelm ErnstSubtitled Pesther Carneval
No. 10S.244/10E majorBéni EgressySubtitled "Preludio"
No. 11S.244/11A minorBaron Fery Orczy
No. 12S.244/12S.359/4S.621/4S.379aC minorJoseph Joachim
No. 13S.244/13A minorComte Leó Festetics
No. 14S.244/14S.359/1S.621/1F minorHans von Bülowarranged for piano and orchestra as Hungarian Fantasia, S.123
No. 15S.244/15A minorSubtitled Rákóczi-Marsch
No. 16S.244/16S.622A minorMihály MunkácsySubtitled Budapest Munkácsy-Festlichkeiten
No. 17S.244/17D minor
No. 18S.244/18S.623F minorSubtitled Ungarische Ausstellung in Budapest
No. 19S.244/19S.623aD minord'après les 'Csárdás nobles' de K. Ábrányi (sr)

The first two were published in the year 1851, nos. 3–15 in 1853, and the last four were published in 1882 and 1886.

References

  1. Walker, p. 341.
  2. Walker, pp. 335–336.

Bibliography

  • Walker, Alan (1983). Franz Liszt. Vol. 1, The Virtuoso Years: 1811–1847. New York: Alfred A. Knopf. ISBN 978-0-394-52540-2.
  • Sony Classical Records, Horowitz Plays Rachmaninov and Liszt (Sony Music Entertainment (France) Inc., 2003). SMK90447 0904472001
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