Ian McDonald (musician)

McDonald was born on 25 June 1946 in Osterley, Middlesex, the son of Ada (née May) and Keith McDonald, an architect.[2][3] He grew up in a musical family, regularly listening to records, and taught himself the guitar.[4] His music interests ranged from classical orchestra to dance bands to rock. He was educated at Emanuel School, in Battersea, southwest London.[2] At 15, he left school and began a five-year stint in the British Army as a bandsman.[3] In 1963 he enrolled at the Royal Military School of Music at Kneller Hall, where he took clarinet and learned to read music.[2] He later learned piano, flute and saxophone and taught himself music theory.[5] His experience of playing with army bands gave him great musical adaptability as he had to learn many different musical styles such as show tunes, classical, jazz, and military marches. It was this that honed his style to what eventually became the beginnings of the Prog Rock movement.[2]

After leaving the army, McDonald moved back to London, and began making music with his girlfriend, former Fairport Convention singer Judy Dyble. The pair were introduced to Robert Fripp and Michael Giles which led to the formation of King Crimson.[6] However, the relationship ended and she left the band before they played their first gig in 1969.[2]

Three months after their first gig, they supported the Rolling Stones at a free concert in Hyde Park. They stole the show, with The Guardian reporting that the Stones' performance was "indifferent", but that King Crimson were "sensational".[2] McDonald's saxophone solo was a high point on their track "21st Century Schizoid Man", and he went on to play this on their first album In the Court of the Crimson King.[5] He also played harpsichord, piano, organ, clarinet, zither, flute, and Mellotron, which he used extensively on the album.[7][2] This album jump started the prog rock era, and paved the way for similar bands such as Yes and Genesis.[2]

McDonald and drummer Giles left the band due to growing friction.[2] They formed a duo that released one album titled McDonald and Giles, which featured an orchestral backing instead of a Mellotron as used with King Crimson.[8][9] He reappeared with King Crimson in 1974, playing on the album Red, and intended to rejoin the band as a full member but did not get the opportunity to do so as Fripp dissolved the band.[8][10]

In 1997, the release of the King Crimson four-CD set Epitaph, consisting of rare live recordings of the 1969 version of King Crimson, renewed interest in the early Crimson material.[11] Out of that interest, the 21st Century Schizoid Band was formed in 2002 and several tours and live albums have followed. The band included former King Crimson members Michael Giles (drums and percussion), Peter Giles (bass), McDonald (sax, flute, keyboards), Mel Collins (alto/tenor sax, flute, keyboards) and also Jakko Jakszyk, who later joined King Crimson, on guitar and lead vocals.[8] After the first tour, Michael Giles was replaced with another former King Crimson drummer Ian Wallace.[12]

Ian McDonald performing with Foreigner in 1979

McDonald moved to New York City in the mid-1970s.[13] He became a founding member of the band Foreigner in 1976, for whom he played guitar as well as his woodwinds and keyboards.[14] Although Foreigner was a more conventional rock band compared to King Crimson, McDonald still made significant contributions to the group's arrangement and production.[15] He recorded three multi-platinum albums that made Foreigner a huge success.[2] However, he left the group following their third album, Head Games, after disagreements with group leader Mick Jones.[16]

McDonald was also a session musician and played on T. Rex's hit "Bang a Gong (Get It On)", where he borrowed Mel Collins' baritone saxophone. He also appeared on Centipede's album Septober Energy.[8] He produced the Darryl Way's Wolf album Canis Lupus (1973) and Fruupp's Modern Masquerades (1975).[8] The closing track on Canis Lupus, "McDonald's Lament", was dedicated to him. In 1999, he released a solo album, Drivers Eyes, which featured John Wetton, Lou Gramm, John Waite and Gary Brooker.[17]

In 1996, McDonald toured with former Genesis guitarist Steve Hackett, which was included on the album The Tokyo Tapes. The group included a performance of King Crimson's "The Court of the Crimson King", and "I Talk to the Wind", the tour also included fellow King Crimson alumni John Wetton.[18]

McDonald contributed saxophone and flute to several tracks on Judy Dyble's 2009 release Talking With Strangers. The album saw McDonald reunited with Fripp on the 20-minute "Harpsong".[19]

In 2017, McDonald and singer-guitarist Ted Zurkowski formed the band Honey West, which released an album Bad Old World in 2017.[20]

McDonald died from colon cancer at his home in New York City on 9 February 2022, at the age of 75.[1][20] A trailer for a King Crimson documentary was released a week before his death, in which McDonald apologised to Fripp for leaving the band in 1970.[21]

• The Brondesbury Tapes (2001) - Recorded between 1967 and 1968. It features Ian McDonald and Judy Dyble.

• In the Court of the Crimson King (1969)[22]
• In the Wake of Poseidon (1970, co-composer)[23]
• Red (1974, guest)[24]
• Epitaph (1997, recorded 1969)[25]

• Foreigner (1977)[26]
• Double Vision (1978)[27]
• Head Games (1979)[28]

• Genesis Revisited (1997)[29]
• The Tokyo Tapes (1998)[30]

• Bad Old World (2017)[31]

• McDonald and Giles (1970); with Michael Giles[32]
• Drivers Eyes (1999)[33]

• Gramy Records – Ian McDonald