Inkheart (film)

Shortly after the novel was published, author Cornelia Funke sent a copy of Inkheart along with a note to Brendan Fraser, explaining that he was her inspiration for the character of Mo.[7]

So I get this book. It shows up in the mail. 'Dear Brendan,' it's inscribed, 'Thank you for inspiring this character.' I can feel my leg getting pulled already. 'What? Where's Ashton Kutcher?' 'I hope that you get a chance to read this aloud to your kids one day. Best wishes, Cornelia Funke.' I had no idea from a bar of soap who she was, so I Googled her. Wow, so much work, she's prolific. I think part of the story is that a little girl who was bilingual, I think she was a Brit but she spoke German fluently, had discovered a copy of Tintenherz which she loved and read, and wrote to either it was Cornelia or the publisher and asked why isn't this published in English? And I think Cornelia probably wanted to know the answer to that question too. So once it was, it just became a snowballing thing and then that really got her out there and led to the acclaim and popularity of her work.

It was this that motivated director Iain Softley and the casting department to consider Fraser first for the role in the film. Fraser told Softley that if it was determined that he was not right for the role, not to feel obligated to use him on the project. Softley was ultimately impressed with Fraser's performance and contracted him for the film. Public auditions were held for the role of Meggie Folchart[8] with the intention of casting an unknown actress, however the role eventually went to Eliza Bennett who had already worked extensively on television and film at the time. Funke, was quoted as saying that "we had our second screening (summer 2007), which went well, and I really loved the movie, but they are still changing things, especially at the end." Inkheart was filmed at Shepperton Studios near London, England and on location in Balestrino, Albenga, Alassio, Entracque and Laigueglia, Italy, in 2006 and 2007.

[A] lot of the things that we tried to do are more to do with optical illusion, the sleight of hand. ... It feels very organic and very real, and I actually think it makes the magic more effective. I think that there is a sort of discounting that goes on in the minds of an audience when they know that it's sort of a computer world or a digital world. It's like, 'Oh, they can do anything. They can press a button for however many weeks they need at a machine.' Whereas if you actually get the sense that it's something more like the craft of illusion, I think that it's more magical, actually.

— Iain Softley, interviewed on the set[9]

The production also visited Hever Castle in Kent to shoot the exterior for Elinor's Tuscan villa setting.[10]

Double Negative created the menacing animated character, The Shadow, along with other creatures and visual effects for the film. The finale of the film takes place within a ruined amphitheater nestled in the Italian mountains; this is the lair of Capricorn, one of the villains Mo has accidentally "read" into the real world. The visual effects work included the digital augmentation of the bluescreen set, the billowing, pyroclastic monster, The Shadow, the surreal winged monkeys with their raven black feathers and Capricorn's final transition.[11]

• Munich Schmankerl - performed by the Bavarian Band and Chorus
• My Declaration - performed by Eliza Bennett

On Rotten Tomatoes, the film has an approval rating of 38%, based on 144 reviews, with an average rating of 5.1/10. The site's consensus reads, "Heavy on clichés and light on charm, this kid-lit fantasy-adventure doesn't quite get off the ground."[12] On Metacritic, the film has a score of 49 out of 100, based on reviews from 34 critics, indicating "mixed or average reviews".[13] Audiences surveyed by CinemaScore gave the film a grade B+ on scale of A to F.[14]

Kirk Honeycutt of The Hollywood Reporter disliked the film, saying: "Whatever made the German novel Inkheart by Cornelia Funke so popular that it got translated into 37 languages is nowhere in evidence in its film version", and "The main problem is the central concept itself."[15]

Bill Goodykoontz of The Arizona Republic enjoyed the film, saying: "Inkheart is entertaining enough, if not always easy to follow. And if it does nothing else, at least it may inspire kids to read, if for no other reason than to help make sense of it all."[16] A. O. Scott said the film "aims for a blend of whimsy and tingly suspense but botches nearly every spell it tries to cast. Its opening scenes are more confusing than intriguing, and the acceleration of the plot leads to a sense of busyness rather than suspense. A movie that can produce the image of Helen Mirren astride a unicorn has some claim on the audience's interest, and a movie that can make that image seem perfectly uninteresting is in some serious trouble."[17]

The film grossed $2,110,000 during its opening day in 2,655 theaters. It opened at #7 at the U.S. box office with $7,725,000, with a worldwide gross of close to $13 million. It yielded just $1 million from its opening in the UK, ranking fourth, while coming in third at $1.8 million in Germany. It later came to make $5,781,992 in the UK, $10,112,691 in Germany, $1,222,364 in Australia, $1,484,027 in France, $3,289,477 in Italy, $1,815,500 in Taiwan, $2,951,290 in Spain, $2,665,476 in South Korea, $1,681,477 in Russia, $2,378,200 in Mexico, and $1,080,825 in Malaysia, plus $4,187,389 from smaller countries.[2] Inkheart made $17,303,424 in the United States, and $45,146,937 internationally, making the final worldwide gross of the film to be $62,450,361.[2] It made $8.3 million in US DVD sales during its first week.[4]

Javier Navarrete won the award for Best Original Score for a Fantasy Science Fiction Film for this film at the IFMCA Award.[18]

On January 12, 2009, a video game based on the film was released for the Nintendo DS.[6] On Metacritic the game has a score of 39/100 based on eight critic reviews, indicating "generally unfavorable reviews".[19]