International Cycling Film Festival

Goldene Kurbel 2013

The Goldene Kurbel (English: Golden Crank) is the highest prize awarded to the best film in the festival, counting as The Oscar for bicycle films.[10][11] It is the oldest film prize for bicycle-related films.[12] The award is chosen by a jury of local film, bicycle and art experts who are also in charge for the official selection of the festival program. The Goldene Kurbel consists of a golden right-side crank arm of a bicycle on the top of a wooden base. The crank stands as a symbol for the bicycle and refers also to the crank of early hand-cranked film cameras.

2010 Official festival poster

Polish-German movie maker Nena Adelajda Olczak wins the Goldenen Kurbel of the 16th ICFF in 2021 for Welcome to Polotubbieland. Things are sporty in Polotubbieland: dressed in Polish national colours, its inhabitants skilfully do cartwheels or ride around on the road bike. In contrast to the perfect world of fitness on the visual level, the film reveals on the soundtrack the abysses of contemporary Polish cultural politics, its radical break with artistic freedom and freedom of opinion in the name of the nation state. Populism leaves no room for the other, the foreign. "Dirty migrants go home" chant right-wing polotubbie artists in the bitter ending of the touching experimental film.

The Goldene Kurbel of the 13th ICFF was given to Tigersprung (Tiger leap), a film by Boaz Kaizman, Peter Rosenthal and Stefan Seibert about Albert Richter, 1932 amateur world champion on the track, murdered in 1940 by the German secret police Gestapo. At the center of the film is his Jewish manager, the Cologne-based Ernst Berliner, who, fleeing from the Nazis, survives the Nazi era in the Netherlands. He tries to prosecute the case in the 1960s, but the German judiciary refuses to open it. Also his former fellows in Cologne refuse him, "the disturbance”. Ernst Berliner travels home to the US with the intention to never return to Germany. “'Tigersprung' reminds us of the confrontation with Nazi sports history," so festival maker Gernot Mühge in his laudatory speech: "The film refers to what Ralph Giordano has called the second guilt of the Germans - the numerous gaps and failures in the efforts to confront the Nazi history".

Little Girl, an animation from Steven Subotnick, USA, was awarded with the Goldene Kurbel of the 12th ICFF. The short film is about a little girl, riding her bike in a bad mood. She puts fire to houses by ringing her bell. A weird hare tries to extinguish the flames, but finally the girl overwhelmed and dominated him. "Little Girl" is an ambiguous film in a gloomy atmosphere, and it does provide only few guidance to the viewer. The short plays artfully with the levels of imagination, symbols and reality, so the Jury Commission of the 12th ICFF.

The Goldene Kurbel of the 11th ICFF was given to Cycologic, a documentary about the power of women on bikes in Uganda, directed by Emilia Stålhammar, Veronica Pålsson and Elsa Lövdin, Sweden. The film was shot in Kampala, Uganda, in an absurd mess of mini vans and lorries; in this particular traffic the bicycle appears as a statement of social justice, equity and quality of life (not only) for African people. The film focusses on the political work of Amanda Ngabirano and other women for the creation of car free zones and bike lanes as well their promotion of women in cycling: “Seeing a woman riding a bicycle should not be seen as a sign of courage and fearlessness, but rather a sign of safe streets; and that should be the focus of the planning authorities”, so Amanda.

The winner of the 10th ICFF in 2015/2016 was Wytse Koetse for his film De Benen van Amsterdam, a portrait of Frans van der Meer, Amsterdam's most authentic bicycle repairmen.[13] The film demonstrates that bicycles are the legs of Amsterdam, and by fixing bicycles Frans keeps the city running. Wytse Koetse's touching documentary shows Frans’ 90 years old workshop transforming the big city of Amsterdam into a village, where people need their bikes fixed for their daily life, they meet and provide mutual support.

2014 the Goldene Kurbel was given to The Bell from Pijus Mickus, Lithuania.[14] The Bell is a film about a girl's dream of a cycle of her own, fulfilled by her loving parents. Since the bell does not ring the young owner starts her first ride to let the bell repaired. But the bike ride through the Lithuanian landscape appears difficult; the bicycle falls apart into pieces. Pijus Mickus' short shows powerfully expressive performance dance, with Indrė Pivoraitė and her bicycle as a congenial dance partner in the leading roles.

The prize for the best film 2013 was given to Three-Legged Horses from Felipe Bustos Sierra, Edinburgh, Scotland.[15] His short shows an evening in the live of a professional cycle rickshaw driver, the friendly contacts with passersby, street musicians, colleagues, but also by the demanding fight against gravity, physical pain and nasty passengers. Referring to this contrast the film ends in a big brass party including the whole nightlife of Edinburgh. Three-Legged Horses shows the bright and dark site of professional bicycle driving, the fascination of free urban life, the solidarity among a modern precariat on the one hand, and on the other hand the vulnerability and toughness of this particular work life.[16] The film won both Goldene Kurbel and audience award of the 8th ICFF.

Father and Daughter, a Dutch animation from Michaël Dudok de Wit was the Goldene Kurbel awardee in 2012.[17][18] The metaphorical and touching film tells the story of a young girl, beginning with the goodbye of her father who leaves in a small boat. Over and over the girl took the bike to come back to the point where he left. This scene recurs for several stages of her life, i.e. as young woman cycling with her girlfriends, with her husband and children, as an elder woman, yet within her there is always a deep longing for her father. The compelling film won the audience award of the ICFF 2012, too.

The film prize 2011 was awarded to the American short Cycle of love by Catherine Marshall. It is the first contribution for the ICFF, within which bicycles play all parts in the film. The festival jury was positive about the amazing expressivity of Catherine Marshall's playing act bicycles, which was needed for the tragicomical love story of her film.

2010 the Goldene Kurbel was given to the Romanian artist Alexei Gubenco and his movie Vive La Crise!. The animation takes the economic and financial crisis as a starting point: "The short shows in an optimistic and satirical way the benefits of the cycle for both individuals and society, referring to the (as it were) anti-consumerism character of cycling", so the 2010th jury's comment.[19]

The winner in 2009 was the German movie maker Jörn Staeger. His film Rad (English title: Wheel) is a short about a bizarre cycling trip under time pressure and against bicycle-specific obstacles: men, dogs, bike chains.

The 2008 prize winner was the movie maker Mike Tereba from Luxembourg for his contribution Psyclist, a gloomy feature film dedicated to a cyclist who was killed in a bicycle accident.[20]

Winners of the Goldene Kurbel in previous years were the German movie maker Sören Büngener for his film A Look in the Mirror in 2007;[21] a year earlier, in 2006, the Goldene Kurbel was awarded to the Austrian/German artists Sylvia Winkler und Stephan Köperl and their film doored in downtown.[22]

The Grand Prize of the Jury was introduced as a special film award for the runner-up to the Goldene Kurbel at the 12th ICFF in Herne, 2017. The award is the second-most prestigious prize of the festival after the Goldene Kurbel.

The Souvenir Albert Richter was introduced at the 13th ICFF in 2018. Since then, it has been the festival's prize for the best road bike film. The award is dedicated to the German track cyclist Albert Richter, who belonged to the world's elite track sprinters in the 1930s. He was presumably murdered by the Gestapo in 1940. The Souvenir Albert Richter not only commemorates the cyclist, but above all the opponent and victim of National Socialist tyranny. The name of the price also refers to the Tour de France and its Souvenir Henri Desgrange.

The first Souvenir Albert Richter is won by the Belgian filmmaker Jasmijn Cedee for her experimental film "Toer".

2012 Official festival poster

• Award of the audience in Herne, 16th ICFF, 2021: Marjolaine Perreten, Switzerland, Le dernier jour d'automne
• Award of the audience in Herne, 14th ICFF, 2019: Leibnitz-Gymnasium, Germany, Rad-Team Projektfilm
• Award of the audience in Herne, 13th ICFF, 2018: Melissa Schaust, Germany, On the Move
• Award of the audience in Herne, 12th ICFF, 2017: Eric Jobs, Germany, Made in Langendreer
• Award of the audience in Herne, 11th ICFF, 2016: Zenga Bros, Canada, Tall Bike Tour
• Trzy złote szprychy - Award of the audience in Kraków, 11th ICFF: Emilia Stålhammar, Veronica Pålsson, Elsa Lövdin, Sweden, Cycologic
• Award of the audience in Herne 2015: Lucas Camps, The Netherlands, Groen
• Trzy złote szprychy 2015 - Award of the audience in Kraków: Jabuk Ribicky, Poland, Baikal Ice Trip
• Trzy złote szprychy 2014 - Award of the audience in Kraków and Award of the audience in Herne 2014: Lea und Gregor Speth, Germany, Panamerican Childhood
• Award of the audience in Herne 2013: Felipe Bustos Sierra, UK, Three-Legged Horses
• Trzy złote szprychy 2013 - Award of the audience in Częstochowa: Konrad Lewandowski, Poland, Michał Kluska
• Audience award 2012: Michaël Dudok de Wit, The Netherlands Father and Daughter
• Audience award 2011: Beatrix Wupperman, Richard Grassick, Germany, UK: Beauty and the bike; Tom Malecha, Switzerland, Ten Things I Have Learned About Mountainbiking
• Audience award 2010: Timo Liedtke, Fiete Isfort, Germany: Robot
• Audience award 2009: Jörn Staeger, Germany, Rad
• Audience award 2007: Sören Büngener, Germany: A Look in the Mirror
• Audience award 2006: Andre Grunert, Peter Ittermann, Alles bon

Time trial "Stefan Götz" at the 2nd ICFF, Marbeck, Germany, September 2007

Goldsprint "Stefan Götz" at the 7th ICFF, 2012

The sporting "Competition Stefan Götz" marks the end of each German edition of the International Cycling Film Festival. It is named after the first sponsor of the Team Hollandse Frietjes.

In the first few years of the festival the Competition Stefan Götz took the form of an individual and team time trial over about 20 km, which was open to both audience and movie makers. 2009 the Competition Stefan Götz was a match sprint over about 800 metres, 2011 it was an Urban Cycle Polo match, 2012 a Goldsprint. From 2013 onwards it is a so-called Vinylsprint race, which is an invention of the ICFF makers.

Vinylsprint

Vinylsprint race at the 10th ICFF

The Vinylsprint is a variation of a Goldsprint race. It was invented by one of the makers of the ICFF, Patrick Praschma, and introduced at the 8th ICFF. Similar to the Goldsprint two stationary bicycles are its basis. The bicycles are coupled with belt-drive turntables: Pedaling the stationary bicycle operates a record player. Its tone arm is connected with a computer, and the stylus works as a speed sensor for the stationary bike. The racetrack is simulated by a video projection, both cyclists have to ride a similar virtual parkour on the cinema screen.

ICFF poster for the tour across Russia, 2017

Beside the fixed venues the ICFF gives numerous guest performances all over Europe. Basically the ICFF has got two concepts. First is a screening of the current program of the ICFF, i.e. in 2016/2017 the program of the 11th ICFF. Second and more often, the ICFF creates a tailor-made program in dialogue with the local people and organizers. The film selection is taken from the ICFF film archive that includes several hundred bike related short films. Based on this archive particular performances were developed in the past, like “Bike Animation Night”, “The Fantastic Bicycle Movie”, “Bike adventures”, “German Bike Shorts”.

The first guest performance of the ICFF took place in the German Museum for Sport and Olympics (German: Deutsches Sport & Olympia Museum), Cologne and in the Centennial Hall (German: Jahrhunderthalle Bochum) during the festival “Bicycle Summer of Industrial Culture”, in 2011.

In 2017 guest performances take place in several cities in Germany (Munich, Mainz, Wiesbaden, Hattingen and others), in France (Lille, Roubaix), in the Netherlands (Amersfoort), in Poland (Katowice and others) and in Belarus (Minsk). During summer 2017 the ICFF goes on tour across Russia, with an opening in Moscow in the Goethe Institut and the Embassy of Germany, Moscow and venues in St. Petersburg, Yekaterinburg and others.

No one has yet approached the subject of cycling in such an entertaining, amusing and aesthetically pleasing manner.

— Birgit Emnet, article in Wiesbadener Kurier[23]

• Bicycle Film Festival
• List of films about bicycles and cycling

• International Cycling Film Festival Official Website