Into the Fire (album)

Professional ratings

Review scores
Source	Rating
AllMusic	[8]
The Encyclopedia of Popular Music	[9]
Los Angeles Times	3/4[10]
Pittsburgh Post-Gazette	C+[11]
The Rolling Stone Album Guide	[12]
The Village Voice	C+[13]

The album was released on 30 March 1987 and featured the singles "Heat of the Night" and "Hearts on Fire". Though commercially successful, peaking at number seven on the Billboard 200, the expectations for Into The Fire were set by the overwhelming success of Adams' previous number one hit album Reckless. That album had sold over 12 million; in that context Into the Fire, which sold over 2 million copies worldwide at its time of release, was viewed as a commercial failure.[7]

As Adams said:

"I have to laugh when the press say that LP didn't do well because it did as well as Cuts Like a Knife, but I suppose the perception was it wasn't Reckless II! Who cares? There were some songs that were slightly different than what we had written before ... some were, let's say, slightly more exploratory than we'd written in the past. Vallance was up for the songwriting challenge of not repeating Reckless."[7]

Critical reception was generally unfavourable, with the album's lyrics being particularly singled out as substandard. Robert Christgau knocked Into The Fire for its "dumbness density", noting that he counted "an astonishing fifty-six full-fledged clichés on what's supposed to be a significance move."[13]

Steve Hochman of Rolling Stone Magazine expressed similar sentiments:

"Adams shows that he has a will to speak but nothing in particular to say....a scan of the song titles ("Heat of the Night," "Only the Strong Survive," "Into the Fire" and so on) shows that the best Adams and co-writer Jim Vallance could come up with was a series of clichés.

... Worse are the vague pro-Native American message of "Native Son" and the antiwar message of "Remembrance Day," the lyrics of which read like earnest but clumsy high-school poetry.[14]

A retrospective review from Eduardo Rivera at AllMusic characterized most of the album's songs as "lifeless and dull", with some even being called "depressing", "ugly" or "truly awful". Only "Hearts on Fire" met with Rivera's critical approval.[8]

"Heat of the Night" was the debut single from Into the Fire and was released worldwide in March 1987.[6] In the US, the song ascended to number 2 on the US Billboard Mainstream Rock Tracks chart and at number 6 on the Billboard Hot 100.[15][16] "Heat of the Night" reached number 7 on the Canadian singles chart and remained in the top ten for five weeks. In Canada, the compact disc release became the first by a Canadian artist to earn a Gold certification (sales of 50,000 units), and only the second overall following Brothers in Arms by Dire Straits.[17] "Heat of the Night" was released the following month in the UK and peaked in the top 50 on the UK Singles Chart at 50,[18][19] and was Adams' only single from Into the Fire to chart in mainland Europe.[20] "Heat of the Night" was eventually nominated for a Canadian Juno Award for Single of the Year in 1987.[21]

"Hearts on Fire" was the second single from Into the Fire. The song become a minor hit at its time of release. The song peaked at number 26 on the Hot 100 chart and at number 3 on the Mainstream Rock Tracks chart[15] while reaching number 25 in Canada.

"Victim of Love" and "Only the Strong Survive" would be the two follow-up singles to "Hearts on Fire". These singles became minor hits with "Victim of Love" reaching number 10 on the Mainstream Rock Tracks chart, number 32 on the Hot 100 and number 49 on the Canadian Singles chart. "Only the Strong Survive" reached number 47 in Canada.[22] "Another Day", which was released as the B-side to "In the Heat of Night", peaked at number 33 on the Mainstream Rock Tracks chart.[15] The title track also received airplay on American album-oriented rock radio stations and reached number 6 on the Mainstream Rock Tracks chart.

"Native Son" was covered by Dan Ar Braz on his 1991 album Frontières de sel.

• Bryan Adams – vocals, keyboards (1, 8, 10), rhythm guitars (1, 2, 4–8, 9), gang vocals (1, 8), lead guitar (1, 4), acoustic piano (5)
• Robbie King – organ (1, 4, 6, 7)
• Tommy Mandel – keyboards (2), organ (9, 10)
• Dave "Pick" Pickell – acoustic piano (3, 6, 7)
• Ian Stanley – keyboards (3, 8)
• Keith Scott – guitar harmonics (1), backing vocals, gang vocals (1, 8), lead guitar (2, 3, 5, 7–10), harmony guitar (4), rhythm guitars (5, 7–10), slide guitar (6)
• Dave Taylor – bass
• Mickey Curry – drums
• Jim Vallance – percussion, acoustic piano (1, 4, 10), sequencing (2, 8), gang vocals (8)

• Bryan Adams – producer
• Bob Clearmountain – producer, recording, mixing
• Jim Vallance – associate producer
• Tim Crich – recording
• Richard Moakes – second engineer
• Ron Obvious – technical engineer
• Bob Ludwig – mastering
• Masterdisk (New York, NY) – mastering location
• Jeff Gold – art direction
• John Warwicker – art direction
• Platform – design
• Anton Corbijn – photography
• Hans Stima – photography
• Bruce Allen – management