Jackie Brown

After completing Pulp Fiction (1994), Quentin Tarantino and Roger Avary acquired the film rights to Elmore Leonard's novels Rum Punch, Freaky Deaky, and Killshot. Tarantino initially planned to film either Freaky Deaky or Killshot and have another director make Rum Punch, but changed his mind after re-reading Rum Punch, saying he "fell in love" with the novel all over again.[4] Killshot was later adapted into a film, produced by Jackie Brown producer Lawrence Bender.

While adapting Rum Punch into a screenplay, Tarantino changed the ethnicity of the main character from white to black, as well as renaming her from Burke to Brown, titling the screenplay Jackie Brown. Tarantino hesitated to discuss the changes with Leonard, finally speaking with Leonard as the film was about to start shooting. Leonard loved the screenplay, considering it not only the best of the twenty-six screen adaptations of his novels and short stories but also stating that it was possibly the best screenplay he had ever read.[4]

Tarantino's screenplay otherwise closely followed Leonard's novel, incorporating elements of Tarantino's trademark humor and pacing.[3] The screenplay was also influenced by blaxploitation films, but Tarantino said Jackie Brown is not a blaxploitation film.[4]

Jackie Brown alludes to Grier's career in many ways. The film's poster resembles those of Grier's films Coffy (1973) and Foxy Brown (1974) and includes quotes from both films. The typeface for the film's opening titles was also used for those of Foxy Brown; some of the background music is taken from these films including four songs from Roy Ayers's original score for Coffy.

The film's opening sequence recreates that of The Graduate (1967), in which Dustin Hoffman passes wearily through Los Angeles International Airport past white tiles to a somber "The Sound of Silence" by Simon and Garfunkel.[5] In Jackie Brown, Grier glides by blue tiles in the same spot on a moving sidewalk in the same direction to a soaring soul music song, "Across 110th Street" by Bobby Womack, which is from the film of the same name that was a part of the blaxploitation genre, just like Foxy Brown and Coffy.

Tarantino wanted Pam Grier to play the title character. She previously read for the Pulp Fiction character Jody, but Tarantino did not believe audiences would find it plausible for Eric Stoltz to yell at her.[6] Grier did not expect Tarantino to contact her after the success of Pulp Fiction.[4] When she showed up to read for Jackie Brown, Tarantino had posters of her films in his office. She asked if he had put them up because she was coming to read for his film, and he responded that he was actually planning to take them down before her audition, to avoid making it look like he wanted to impress her.[4]

Several years after the release of the movie, Sylvester Stallone claimed that he turned down the role of Louis Gara.[7] Tarantino considered Paul Newman, Gene Hackman and John Saxon for the role of Max Cherry, before casting Robert Forster.[8][9]

While Jackie Brown was in production, Universal Pictures was preparing to begin production on director Steven Soderbergh's Out of Sight, an adaptation of the Leonard novel of the same name that also features the character of Ray Nicolette, and waited to see whom Tarantino would cast as Nicolette for Jackie Brown.[4] Michael Keaton was hesitant to take the part of Ray Nicolette, even though Tarantino wanted him for it.[4] Keaton subsequently agreed to play Nicolette again in Out of Sight, uncredited, appearing in one brief scene. Although the legal rights to the character were held by Tarantino and Miramax, as Jackie Brown had been produced first, Tarantino insisted that the studio not charge Universal for using the character in Out of Sight, allowing the character's appearance without Miramax receiving financial compensation.

Review aggregation website Rotten Tomatoes gives it an approval rating of 88% based on 96 reviews and an average rating of 7.60/10. The site's consensus is: "Although somewhat lackadaisical in pace, Jackie Brown proves to be an effective star vehicle for Pam Grier while offering the usual Tarantino wit and charm."[10] Metacritic gives the film a 64 out of 100 based on 23 critic reviews, indicating "generally favorable reviews".[11] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[12]

Roger Ebert rated the film four out of four stars, writing that "Tarantino leaves the hardest questions for last, hides his moves, conceals his strategies in plain view, and gives his characters dialogue that is alive, authentic and spontaneous."[13] He also ranked the film as one of his favorites of 1997.[14] Movie critic Mark Kermode for BBC Radio Five Live lists Jackie Brown as his favorite film by Quentin Tarantino.[15] Samuel L. Jackson, who appears frequently in Tarantino's films, named his character of Ordell Robbie as one of his favorite roles.[16]

The film grossed $39.7 million in the United States and Canada and $35.1 million in other territories for a total gross of $74.7 million, against a budget of $12 million.[17][2] In its opening weekend, the film grossed $9.3 million, finishing 5th at the box office.[18]

Jackie Brown has attracted criticism for its use of the racial slur "nigger", which is used 38 times,[19] the most in any Tarantino film until Django Unchained (2012) and The Hateful Eight (2015). During an interview with Manohla Dargis, Tarantino said: "The minute any word has that much power, as far as I'm concerned, everyone on the planet should scream it. No word deserves that much power."[20] The filmmaker Spike Lee criticized the film's use of the word,[21] and said: "I'm not against the word, and I use it, but not excessively. And some people speak that way. But, Quentin is infatuated with that word. What does he want to be made – an honorary black man? And he uses it in all his pictures: Pulp Fiction and Reservoir Dogs ... I want Quentin to know that all African-Americans do not think that word is trendy or slick." Lee took his concerns to the film's producers, Harvey Weinstein and Lawrence Bender.[19]

The film critic Pascoe Soyurz said, "I wouldn't necessarily align myself with Spike Lee, but I do have some reservations about a film of this kind coming out at this time. It seems to me there's a kind of culture-vulture feel to it. I'm concerned about the whole 'blaxploitation' thing. Hollywood is a dream factory but it was Hollywood that created some of the most negative images of black people, which had major effects on the way we were perceived around the world." He concludes by stating that Tarantino's use of the word "devalues the word and the word has a lot of significance."[22]

Grier and Jackson were nominated for Golden Globe Awards (Grier for Best Actress – Motion Picture Musical or Comedy and Jackson for Best Actor – Motion Picture Musical or Comedy). Forster was nominated for an Academy Award for Best Supporting Actor. The film was also nominated for the prestigious Grand Prix of the Belgian Syndicate of Cinema Critics. In 2008, the film was selected by Empire magazine as one of The 500 Greatest Movies of All Time, ranking in at #215.[23]

At the 48th Berlin International Film Festival, Jackson won the Silver Bear for Best Actor award.[24]