John Saxon

Saxon (right) with Sal Mineo and Sue George in a publicity still photo for Rock, Pretty Baby (1956)

Saxon spent 18 months at Universal before the studio first used him in a film.[9] His first significant role was a juvenile delinquent in Running Wild (1955), co-starring Mamie Van Doren. According to Filmink, "young Saxon had a scowling, broody teen quality that was in fashion in mid-‘50s Hollywood."[10]

He was then given a good role in The Unguarded Moment (1956), playing a youth who seemingly stalks Esther Williams. During February 1956, Universal exercised its option on Saxon and he was paid $225 a week.[8]

Saxon had the lead in a low-budget teen film, Rock, Pretty Baby (1956), which became an unexpected success and established Saxon as a teen idol. Universal executives were pleased, and Ross Hunter announced he would be in Teach Me How To Cry.[11] Saxon quickly reprised his Rock, Pretty Baby role in a sequel, Summer Love (1958). By this time, he was getting about 3,000 fan letters a week.[12] He then made Teach Me How to Cry with Sandra Dee, which was retitled The Restless Years (1958).[13]

Universal put him in an "A" film, This Happy Feeling (1958), directed by Blake Edwards, where Saxon romanced Debbie Reynolds in support of Curt Jurgens.[14] MGM borrowed him to appear opposite Sandra Dee in The Reluctant Debutante (1958), for director Vincente Minnelli, which was widely seen. Saxon was billed third, beneath Rex Harrison and Kay Kendall.[15] He had a support role in a large-budget Biblical drama about Simon Peter, The Big Fisherman (1959) for director Frank Borzage, starring Howard Keel. Released by Buena Vista instead of Universal-International, it was a financial disappointment.[16]

In August 1958, Saxon signed a three-picture deal with Hecht-Hill-Lancaster, the first of which was to be the main role in Cry Tough (1959), a film about juvenile delinquents.[17] He was meant to follow it with The Ballad at Cat Ballou (not made until years later, with Jane Fonda).[18] Instead, for HHL, he worked with another major director, John Huston, in the Western The Unforgiven (1960), playing an Indian in support of Burt Lancaster and Audrey Hepburn.[19] Back at Universal, he remained in a supporting role for Portrait in Black (1960), reunited with Dee, with Lana Turner and Anthony Quinn.

He appeared in the Western Posse from Hell (1961) with Audie Murphy and guest-starred in television series, including General Electric Theater and The Dick Powell Theatre.[20] "I want to do all sorts of character parts," he said in 1960.[21]

Saxon played a serial-killer soldier in War Hunt (1962)[22] and had a small role in the comedy success Mr. Hobbs Takes a Vacation (1962).[23]

Saxon traveled to Italy to make Agostino (1962).[24]

In 1963, Saxon co-starred with Letícia Román in Mario Bava's Italian giallo film The Girl Who Knew Too Much.[25]

He returned to Hollywood to perform in Otto Preminger's The Cardinal (1963)[26] and an episode of Bob Hope Presents the Chrysler Theatre, then was back to Europe for The Cavern (1964).[27]

The Ravagers (1965) was shot in the Philippines; Night Caller from Outer Space (1965) was a science-fiction film shot in Britain.[28]

In 1966, he starred in Curtis Harrington's science-fiction/horror classic Queen of Blood with Basil Rathbone and Dennis Hopper,[29] then appeared opposite Marlon Brando in The Appaloosa (1966), winning a Golden Globe Best Supporting Actor nomination for his portrayal of a Mexican bandit.[30] Saxon recalls, "This was to me a terrific role and something I was ready for, but he [Brando] was despondent. He said he had lent a whole bunch of money to his father, and what he was saying to me was that his father ruined his life by losing all of his money. He was kind of bored in the picture."[7]

The Doomsday Flight (1966) was a made-for-television film. In an interview in 1966, he said, "I never felt comfortable being a teenage dreamboat... I regard myself as a craftsman."[31]

He portrayed Marco Polo in episode 26 of The Time Tunnel ("Attack of the Barbarians"),[32] originally broadcast on March 10, 1967, and was a guest actor on Bonanza in 1967 ("The Conquistadores").[33] In episode 19, season 5 of The Virginian ("The Modoc Kid") Saxon appeared in the title role alongside Harrison Ford, appearing in one of his first speaking roles.[34] And in 1969 he appeared in Bonanza again ("My Friend, My Enemy").[35]

Saxon was in a sex comedy for Sam Katzman, For Singles Only (1968),[36] and appeared in some Westerns, One Dollar Too Many (1968), Death of a Gunfighter (1969),[37] The Men from Shiloh (rebranded name for The Virginian, 1971), and Joe Kidd (1972) (again playing a Mexican, this time a revolutionary named Luis Chama).[38] I Kiss the Hand (1973) was a thriller made in Italy.[39]

He spent three years playing Dr. Theodore Stuart for the television series The Bold Ones: The New Doctors (1969–1972).[40]

Saxon in Petrocelli, 1975,

Saxon, who had done martial arts since 1957,[41] appeared as the martial artist Roper in 1973's Enter the Dragon. It was Bruce Lee's first major role in a Hollywood feature.[7] He almost backed out of Enter the Dragon, on account of the script being too light. "It was a 60-page treatment", said Saxon in a 2002 interview. "I thought: there’s not enough to act here. A stunt man could play it. But they talked me into it, saying they would work in my suggestions. Some things they shot and kept in the film, but most of it they discarded."[1] After Enter the Dragon, Saxon had no further interest in appearing in martial-arts films.[1]

He was in such action films as Mitchell (1975), The Swiss Conspiracy (1975), Strange Shadows in an Empty Room (1976),[42] Napoli violenta (1976), Mark Strikes Again (1976),[43] A Special Cop in Action (1976), Cross Shot (1976), and The Cynic, the Rat and the Fist (1977).

In 1974, he appeared as police Lieutenant Fuller in the slasher horror film Black Christmas.[44] From 1974–76, he appeared in The Six Million Dollar Man, first as Major Frederick Sloan and then as Nedlick. This role also extended into The Bionic Woman. The actor's likeness was later used for the Kenner action-figure doll called "Maskatron" that was based on the series.

Saxon starred as Dylan Hunt in the 1974 Gene Roddenberry television pilot Planet Earth, replacing Alex Cord from Genesis II. A 20th-century scientist unfrozen in the postnuclear world of 2133, he leads a team of explorers and encounters a matriarchal society. Although ABC declined the series, Saxon played a nearly identical character in the 1975 television film Strange New World.

In 1976, Saxon portrayed a homicidal vampire-like strangler in the season-two Starsky & Hutch episode "Vampire". He played Captain Radl in the two-part Wonder Woman episode "The Feminum Mystique" (1976).[45] Also in 1976, he appeared in an episode of The Rockford Files titled "A Portrait of Elizabeth", in which he played a crooked corporate lawyer and painter named Dave Delaroux, who was involved in a securities rip-off and with whom Rockford's attorney Beth Davenport was smitten. In this episode, Saxon was able to display his considerable martial-arts abilities in two fight scenes. Raid on Entebbe (1977) was a prestige television movie for him. Moonshine County Express was a big success for Roger Corman's New World Pictures; Saxon made another film for that company, The Bees (1978). He appeared in a Bollywood movie, Shalimar (1978), then it was back to exploitation: Fast Company (1979) and The Glove (1979).

Saxon played Hunt Sears, chief of a breakfast-cereal conglomerate, opposite Robert Redford and Jane Fonda in the 1979, Oscar-nominated film The Electric Horseman.[46]

He appeared in the 1982 television movie Rooster,[47] and he was an occasional celebrity guest on the short-lived game show Whew!, including during the series' final week. His extensive television credits include two years as Tony Cumson on Falcon Crest (1982, 1986–1988)[26] and the recurring role of Rashid Ahmed on Dynasty (1982–84). He appeared twice (in different roles) on The A-Team, in 1983 and 1985.

Saxon at the 2014 Fan Expo Canada.

Saxon played in Dario Argento's Tenebrae (1982) as the writer hero's shifty agent;[48] in Battle Beyond the Stars (1980) as Sador; in Cannibal Apocalypse (1980) where he played a Vietnam veteran tormented because his worthless pal bit him and years later, he is starting to get the urge to do the same;[49] in Prisoners of the Lost Universe as an alternate-universe warlord, and in Wes Craven's A Nightmare on Elm Street (1984) as the heroine's (Nancy Thompson's) father.[50] He reprised his role in A Nightmare on Elm Street 3: Dream Warriors (1987)[51] and Wes Craven's New Nightmare (1994) as he played himself in a dual role.[52]

He made his directorial debut in 1987 with the horror film Zombie Death House, which starred Dennis Cole and Anthony Franciosa. Filmink wrote, "Few other actors of his generation have as fine a track record in" horror movies. "Why did he appear in so many? I guess for starters he was willing – he wasn’t snobby. He made a good on-screen cop and there’s always roles for a cop actor in a slasher film. He could also seem scary so made an excellent red herring/villain."[10]

He starred in Maximum Force (1992) as Captain Fuller, and also appeared in From Dusk till Dawn (1996).[53]

In his later years, Saxon continued to appear mostly in independent films and appeared in several television series. He had a notable guest part in "Grave Danger", the fifth-season finale of CSI: Crime Scene Investigation, which was directed by From Dusk till Dawn screenwriter and star Quentin Tarantino.[54] Saxon starred in the episode opposite fellow cult film luminary Andrew Prine. He also appeared in an episode ("Pelts") of the anthology horror series Masters of Horror, which reunited him with Tenebrae director Dario Argento.

Saxon was a regular guest at horror- and cult-film conventions, including the Creation Entertainment – Weekend of Horrors 2010 on May 21, 2010, in Los Angeles.[55] His last acting role was in the film Bring Me the Head of Lance Henriksen, which as of his death was in postproduction.[56]