Renata Adler

Renata Adler (born October 19, 1938) is an American author, journalist, and film critic. Adler was a staff writer-reporter for The New Yorker, and in 1968–69, she served as chief film critic for The New York Times. She is also a writer of fiction.[1]

Renata Adler
Born (1938-10-19) October 19, 1938
Milan, Italy
Pen nameBrett Daniels
Occupation
  • Journalist
  • essayist
  • critic
  • novelist
NationalityAmerican
Period1962–present
Notable works
Notable awards
Children1

Early life

Adler was born in Milan, Italy, to Frederick L. and Erna Adler while they were traveling from Germany to the United States.[2] She has two older brothers. Her family had fled Nazi Germany in 1933 and moved to the U.S. in 1939.[3]

She grew up in Danbury, Connecticut. After earning her B.A. (summa cum laude) in philosophy and German literature from Bryn Mawr College, where she studied under José Ferrater Mora, Adler studied for an M.A. in comparative literature at Harvard under I. A. Richards and Roman Jakobson. She then pursued her interest in philosophy, linguistics and structuralism at the Sorbonne under the tutelage of Jean Wahl and Claude Lévi-Strauss, and later received a J.D. from Yale Law School and an honorary doctorate of laws from Georgetown University.

Career

Journalism

In 1962, Adler became a staff writer for The New Yorker. Around the same time, she also worked briefly as a book reviewer for Harper's Bazaar under a pseudonym.[4] In 1968, despite not being involved in the film trade, she succeeded Bosley Crowther as film critic for The New York Times. Her esoteric, literary reviews were not well received by film studio distributors. She was not happy with the Times's deadlines and in February 1969, she was replaced by Vincent Canby and returned to The New Yorker.[5]

Her film reviews were collected in her book, A Year in the Dark. During her time at the Times she retained her office at The New Yorker and she rejoined the staff there after leaving the Times, remaining for four decades.[5][6]

Her reporting and essays for The New Yorker on politics, war, and civil rights were reprinted in Toward a Radical Middle. Her introduction to that volume provided an early definition of radical centrism as a political philosophy.[7] Her "Letter from the Palmer House" was included in the collection The Best Magazine Articles of the Seventies.

In 1980, upon the publication of her New Yorker colleague Pauline Kael's collection When the Lights Go Down, she published an 8,000-word review in The New York Review of Books that dismissed the book as "jarringly, piece by piece, line by line, and without interruption, worthless",[8] arguing that Kael's post-1960s work contained "nothing certainly of intelligence or sensibility", and faulting her "quirks [and] mannerisms", including Kael's repeated use of the "bullying" imperative and rhetorical question. Adler's motivations were considered to be either wanting to "uphold The New Yorker's usually high standards" or stemming from "personal differences with Kael". The piece, which stunned Kael and quickly became infamous in literary circles,[9] was described by Time magazine as "the New York literary Mafia['s] bloodiest case of assault and battery in years." New Yorker editor William Shawn called Adler's attack "unfortunate" and mentioned his admiration for Kael, saying that her "work is its own defense"; David Denby, of New York magazine, wrote that Adler "had an old-fashioned notion of prose". Kael's own response was indifferent: "I'm sorry that Ms. Adler doesn't respond to my writing. What else can I say?"[10]

In 1998, Adler wrote a long essay about the Starr Report (issued by Independent Counsel Ken Starr about his investigation of President Bill Clinton) for Vanity Fair magazine. The Starr Report led to Clinton's impeachment; Adler argued that it contained evidence of Starr's abuse of power in his pursuit of Clinton.[11] She called the Starr Report "an utterly preposterous document: inaccurate, mindless, biased, disorganized, unprofessional, and corrupt. What it is textually is a voluminous work of demented pornography, with many fascinating characters and several largely hidden story lines. What it is politically is an attempt, through its own limitless preoccupation with sexual material, to set aside, even obliterate, the relatively dull requirements of real evidence and constitutional procedure."[11]

In 2001, reflecting on her years in journalism, Adler said, "The New York Times was pretty good, although there were always limits on what it could do culturally. But they were so aware of their power that the question of what was honorable was very important to the editors of that time. I have the impression it does not arise any longer at The New Yorker or at The New York Times."[2]

Adler taught for three years in both the University Professors Honors Program and the Journalism Department of Boston University.[12] She also held Trumbull and Branford Fellowships at Yale, and visiting fellowships at the Hoover Institute of Stanford University.

Fiction

Non-fiction
  • Gone: The Last Days of The New Yorker (1999)
  • "A Court of No Appeal", published in Harper's in August 2000.[14]
  • Canaries in the Mineshaft: Essays on Politics and the Media (2002)
  • Essay to the Corcoran Gallery of Art exhibition catalog Richard Avedon: Portraits of Power (2008)
  • "The Family" (1976).
  • After the Tall Timber: Collected Non-Fiction (2015)

Honors

In 1968, Adler's essay "Letter from the Palmer House", which appeared in The New Yorker, was included in The Best Magazine Articles of 1967. In 1975, Adler's short story "Brownstone" received first prize in the O. Henry Awards Best Short Stories of 1974. The same story was selected for the O. Henry Collection Best Short Stories of the Seventies.

Adler's novel Speedboat won the Hemingway Foundation/PEN Award, an annual award to recognize a distinguished achievement in debut fiction. In 1987, she was elected to the American Academy of Arts and Letters, and in 1989 she received an honorary doctorate from the Georgetown University School of Law. In 2021, Adler received an honorary doctorate from Oberlin College.[15]

Her "Letter from Selma", originally published in the New Yorker in 1965,[16] was included in the Library of America compendium Reporting Civil Rights: American Journalism 1963–1973 (2003),[17] and an essay from her tenure as film critic of The New York Times, on In Cold Blood, is included in the Library of America compendium American Movie Critics: An Anthology From the Silents Until Now. In 2004, Adler served as a media fellow at Stanford University's Hoover Institution. In 2005, she became a Branford fellow at Yale University; she had been a Trumbull fellow at Yale from 1967 to 1979.[18]

Personal life

Adler has one son, Stephen, whom she adopted as an infant in 1986.[3] As of 2013, she lives in Newtown, Connecticut.[19]

Bibliography

Fiction

  • Speedboat. New York: Random House. 1976. ISBN 0-394-48876-8.
  • Pitch Dark. New York: Knopf. 1983. ISBN 0-394-50374-0.

Nonfiction

Notes
  1. Fowler, Ashley I. (2007). "Renata Adler". Pennsylvania Center for the Book. Pennsylvania State University. Retrieved January 8, 2021.
  2. "Journalist and novelist Renata Adler — a wide-ranging chronicler of contemporary life". CBC. September 2, 2022. Retrieved September 23, 2022.
  3. Lubow, Arthur (January 16, 2000). "Renata Adler Is Making Enemies Again (Published 2000)". The New York Times. ISSN 0362-4331. Retrieved January 8, 2021.
  4. Adler, Renata (1999). Gone: The Last Days of The New Yorker. New York City: Simon & Schuster. pp. 72–76. ISBN 978-1451667226.
  5. "Vincent Canby Gets 'Times' Film Critic Post; Exit Renata". Variety. March 5, 1969. p. 7.
  6. "New Yorker Classics". link.newyorker.com. Retrieved March 5, 2020.
  7. Adler, Renata (1969). Toward a Radical Middle: Fourteen Pieces of Reporting and Criticism. Random House, pp. xiii–xxiv. ISBN 978-0-394-44916-6.
  8. Adler, Renata (August 14, 1980). "The Perils of Pauline". The New York Review of Books. Retrieved July 16, 2015.
  9. Davis, Francis (2002). Afterglow: A Last Conversation with Pauline Kael. Cambridge: Da Capo. ISBN 0-306-81230-4.
  10. "Press: Kiss Kiss Bang Bang (Ouch Ouch)". Time. August 4, 1980. ISSN 0040-781X. Retrieved April 11, 2021.
  11. Adler, Renata (May 6, 2014). "Decoding the Starr Report". Vanity Fair. Retrieved June 13, 2023.
  12. Bollen, Christopher (August 14, 2014). "Renata Adler". Interview. Retrieved May 22, 2022.
  13. "NBCC Reads Renata Adler, Renata Adler, and Many Other Novelists We'd Like to See Back in Print". bookcritics.org. December 30, 2010. Retrieved January 7, 2015.
  14. Renata Adler, "A Court of No Appeal: How One Obscure Sentence Upset The New York Times" Harper's (August 2000), accessed March 22, 2013.
  15. "2021 Commencement Celebrations will be held May 14". Oberlin College. May 7, 2021. Retrieved January 8, 2022.
  16. Adler, Renata (April 10, 1965). "Letter from Selma". The New Yorker. ISSN 0028-792X. Retrieved November 7, 2017.
  17. "Reporting Civil Rights: American Journalism 1963–1973". www.loa.org. Library of America. Retrieved November 7, 2017.
  18. Renata Adler NNDB: Retrieved March 21, 2008.
  19. Cooke, Rachel (July 7, 2013). "Renata Adler: 'I've been described as shrill. Isn't that strange?'". The Guardian. Retrieved January 27, 2022.
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