James and the Giant Peach (film)

In the summer of 1948, English boy James Henry Trotter is a young orphan living with his sadistic and domineering aunts Spiker and Sponge after his parents were eaten by a flying rhinoceros on his birthday. One day, after rescuing a spider from his hysterical aunts, James obtains magic "crocodile tongues" from a mysterious old man, which have the power to grow anything they come into contact with to colossal size. James, running home, trips and spills the bag onto the ground; the neon, wormlike “tongues” leap away and into the ground underneath an old peach tree, thus growing a massive fruit that Spiker and Sponge exploit as a tourist attraction. At night, James eats through the peach to find a pit with several human-sized anthropomorphic invertebrates: Mr. Grasshopper, Mr. Centipede, Ms. Spider (the spider he saved prior), Mr. Earthworm, Mrs. Ladybug, and Mrs. Glowworm. As they hear Spiker and Sponge searching for James, Centipede cuts the stem connecting the peach to the tree and the peach rolls away to the Atlantic Ocean.

The invertebrates fly the peach to New York City with a flock of seagulls (each tied with a string to the peach stem), as James has dreamed of visiting the Empire State Building like his parents wanted to. Obstacles include a giant mechanical shark and undead skeletal pirates in the Arctic Ocean. When the group arrives, they are suddenly attacked by the tempestuous form of the rhinoceros that killed James' parents. James, though scared, gets everyone to safety and confronts the rhino before it strikes the peach with lightning. James and the peach fall to the city below, landing on the Empire State Building. After he is rescued by firefighters, Spiker and Sponge arrive and attempt to claim James and the peach. James tells the crowd of his amazing adventure and exposes his aunts' abuses. Enraged at James, Spiker and Sponge attempt to attack him with stolen fire axes, but are scared by the insects and arrested by police.

James introduces his friends to the crowd of onlookers, and allows the children to eat the peach. The peach pit is made into a cottage in Central Park, where James lives happily with the bugs, who form his new family and also find success and fame in the city; Mr. Centipede runs for New York mayor and is now James’ father, Miss Spider opens a club and is his mother, Mr. Earthworm becomes a mascot for a skin-care company (and either James' uncle or cousin), Mrs. Ladybug becomes an obstetrician and James' aunt, Mr. Grasshopper becomes a concert violinist (and James' grandfather), and Mrs. Glowworm becomes the light in the torch of the Statue of Liberty (and his grandmother). James celebrates his ninth birthday with his new family and friends.

A post-credits scene shows a kid playing an arcade game called Spike the Aunts, which involves the rhinoceros hitting the aunts in the rear.

• Paul Terry as James Henry Trotter
• Miriam Margolyes as Aunt Sponge
• Joanna Lumley as Aunt Spiker
• Pete Postlethwaite as Narrator/the Magic Man
• Steven Culp as James' Father
• Susan Turner-Cray as James' Mother
• Mike Starr as Beat Cop

At Walt Disney Animation Studios in the early 1980s, Joe Ranft tried to convince the staff to produce a film based on Roald Dahl's James and the Giant Peach (1961), a book that enamored him with its "liberating" material ever since he first read it in third grade.[5] However, Disney refused for reasons of a potentially expensive and difficult animation process and the source material's weird subject matter.[5] Among the animators exposed to the book by Ranft was Henry Selick; while he enjoyed the book and thought about adapting it to screen for several years, he understood the obstacles doing so, such as the source material's dreamy nature, episodic structure, and the reputation of other Dahl books being so agitational some parts of the world banned them.[5]

Felicity Dahl, Roald's widow and executor of his estate, began offering film rights to the book in the summer in 1992; among those interested included Steven Spielberg and Danny DeVito.[6][7]

Walt Disney Pictures acquired the film rights to the book from the Dahl estate in 1992.[8] Brian Rosen was hired as producer by Disney for his experience in animated projects like FernGully: The Last Rainforest (1992) and live-action films such as Mushrooms (1995).[9]

Dennis Potter was hired to write a draft. Rosen described it as "slightly black and bizarre", a tone Disney did not approve of, particularly with the sharks being Nazis. Once Potter died, Karey Kirkpatrick and Bruce Joel Rubin came in to write separate drafts, of which Kirkpatrick's was chosen.[9] Unlike the novel, James's aunts are not killed by the rolling peach (though his parents' deaths occur as in the novel) but follow him to New York.[10] The character Silkworm was removed to not overload on the amount of characters to animate; in the book, her purpose was limited to what Miss Spider did in the film, which was to attach the peach to several seagulls during the shark chase.[11]

To write four songs for the movie, Selick approached Elvis Costello, who showed an interest in doing the film. Unfortunately, Disney's music division showed no interest in Costello. “Their alarms just went off, and they said, ‘No, that’s too weird,’” said Selick. Disney suggested Randy Newman as an alternative. “I didn’t want to use Randy,” said Selick, “only because John Lasseter was already using him for Toy Story.” Andy Partridge, the main songwriter from the rock group XTC, originally wrote four songs for the film, "All I Dream Of Is A Friend," "Don't Let Us Bug Ya," "Stinking Rich Song" and "Everything Will Be All Right", “one of which was very beautiful,” said Selick, but was replaced by Randy Newman due to creative differences between Selick and Disney regarding the choice of soundtrack composer and the fact that Disney wanted to own the copyright to the songs for perpetuity.[12][13]

Before the start of production, Disney and Selick debated on whether the film should be live-action or stop-motion-animated, the company skeptical of the stop-motion solution.[9] Selick had originally planned James to be a live actor through the entire film, then later considered doing the whole film in stop-motion; but ultimately settled on entirely live-action and entirely stop-motion sequences, to keep lower costs.[14] The film begins with 20 minutes of live-action,[10] but becomes stop-motion animation after James enters the peach, and then live-action again when James arrives in New York City (although the arthropod characters remained in stop-motion).[14] Like The Wizard of Oz (1939), the color palette changes when James enters the Peach to indicate he has entered a magical setting, from greys and greens to vibrant colors.[9]

Filming began on November 15, 1994, with the live-action scenes wrapping on December 27 of that year, and the stop-motion scenes continuing until January 19, 1996.[15]

The film was theatrically released on April 12, 1996.

Disney released the film worldwide except for a few countries in Europe including the United Kingdom, where Pathé (the owner of co-producer Allied Filmmakers) handled distribution and sold the rights to independent companies. The only countries where Disney does not have control over the movie are the United Kingdom and Germany, where the film was released by Guild Film Distribution and Tobis Film respectively.

The film received positive reviews during its initial release.

Though Roald Dahl refused numerous offers to have a film version of James and the Giant Peach produced during his lifetime, his widow, Liccy, approved an offer to produce a live-action version. She thinks Roald "would have been delighted with what they did with James. It is a wonderful film."[24]

Review aggregator Rotten Tomatoes gives the film a score of 91% based on reviews from 74 critics, with an average score of 7.2/10. The website's critical consensus states: "The arresting and dynamic visuals, offbeat details and light-as-air storytelling make James and the Giant Peach solid family entertainment."[4] Metacritic, which uses a weighted average, lists the film with a weighted average score of 78 out of 100 based on 36 critics, indicating "generally favorable reviews."[25] Audiences polled by CinemaScore gave the film an average grade of "A-" on an A+ to F scale.[26]

Owen Gleiberman of Entertainment Weekly gave the film a positive review, praising the animated part, but calling the live-action segments "crude."[27] Writing in The New York Times, Janet Maslin called the film "a technological marvel, arch and innovative with a daringly offbeat visual conception" and "a strenuously artful film with a macabre edge."[28]

In August 2016, Sam Mendes was revealed to be in negotiations with Disney to direct another live action adaptation of the novel,[30] with Nick Hornby in talks for the script.[31] In May 2017, however, Mendes was no longer attached to the project due to his entering talks with Disney about directing a live-action film adaptation of Pinocchio, which he would also drop out on with Robert Zemeckis taking his place.[32]

Wikiquote has quotations related to James and the Giant Peach.

• Official website
• James and the Giant Peach at IMDb
• James and the Giant Peach at The Big Cartoon DataBase
• James and the Giant Peach at AllMovie