Jim Ed Norman
Jim Ed Norman is an American musician, multi-platinum record producer, arranger and label-head. As an arranger and producer, he was one of the principal architects of the distinctive sound of West Coast 1970s pop and country rock. He was President of Warner Bros Records Nashville from 1984 to 2004.
Jim Ed Norman | |
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Background information | |
Birth name | Edward James Norman |
Born | Fort Myers, Florida, U.S. | October 16, 1948
Genres | Pop, Rock, Country, Folk-rock, Pop-rock, Country-rock, Jazz, Gospel, Christian |
Occupation(s) | Producer, arranger, musician |
Instrument(s) | Guitar, piano |
Years active | 1967–present |
Early career
Having grown up in Florida, Norman pursued music at North Texas State University where he met Don Henley and joined his group, Felicity, in 1969, playing keyboards and guitar. After renaming themselves Shiloh, and by now based in Los Angeles, the group recorded an album produced by Kenny Rogers (Amos Records, 1970) which bore early signs of the direction in which 1970s country-rock would soon move en masse. The group disbanded shortly after the release of the album.[1]
Norman then joined Uncle Jim's Music, a group which included award-winning singer-songwriter, Gary Nicholson. Uncle Jim's Music disbanded and he made the decision to pursue his primary interest in arranging and producing.
Music and arrangement career
Norman contributed string arrangements and piano to a series of bestselling Asylum Records albums by the Eagles, released between 1973 and 1980 including Desperado (1973), One of These Nights (1975) and Hotel California (1976). During the same period, he wrote string and horn arrangements for Linda Ronstadt's album, Don't Cry Now (Asylum, 1973) and Hat Trick by America (Warner Bros, 1973). He arranged strings for Bob Seger's 1978 hit, "We've Got Tonite" (Capitol) and Kim Carnes' albums St. Vincent's Court (EMI, 1979) and Romance Dance (EMI, 1980) among others. He would continue to accrue arrangement credits throughout his career and well into its next phase in Nashville, for artists including Garth Brooks (Sevens, Capitol, 1997) and Trisha Yearwood ("In Another's Eyes", MCA, 1997).
Production career
Norman's producing career began in the mid-1970s. Among the albums he worked on, and which featured his smooth signature style, were songwriting legend Jackie DeShannon's You're The Only Dancer (Amherst, 1977) and Quick Touches (Amherst, 1978), the first of which restored DeShannon to the pop charts with the spirited anthem "Don't Let The Flame Burn Out". Other productions included albums by New Riders of the Purple Sage (Marin County Line, MCA, 1977), Glenn Frey (No Fun Aloud, Elektra, 1982), and Jennifer Warnes's first hit, "Right Time of the Night" (Arista, 1977, US #6).
From 1977 onwards, Norman produced a large portion of Anne Murray's platinum-selling output, including Let's Keep It That Way (Capitol, 1978), New Kind of Feeling (Capitol, 1979), and I'll Always Love You (Capitol, 1979). Notoriously hard-to-please critic, Robert Christgau, credited these albums with Murray's "gradual revitilazation..." thanks to Jim Ed Norman's "...clean, honest, Nashville-quality work".[2]
The albums were platinum-selling successes, spawning multiple hit singles including the US #1 "You Needed Me", which went on to win the Grammy Award for Best Female Pop Vocal Performance, and a string of US AC chart-toppers – "I Just Fall in Love Again", "Shadows in the Moonlight", "Broken Hearted Me", and "Daydream Believer". Norman's work with Murray extended well into the 1980s during which he produced the Grammy-winning A Little Good News (Capitol, 1983) and Heart Over Mind (Capitol, 1984), both of which won CMA awards. A Little Good News marked the first time that the CMA Album of the Year award had been won by a solo female act.
While Norman had been known for providing arrangements and keyboards on albums that typified the lush, Californian sound of the seventies, as a producer his natural inclination towards country music became increasingly prominent through his work with such artists as Kenny Rogers, Hank Williams Jr., Crystal Gayle, Michael Martin Murphey, BJ Thomas, Mark O'Connor, Victoria Shaw, Mickey Gilley, Johnny Lee, John Anderson, TG Sheppard, Gary Morris, Clay Walker, Pinkard & Bowden, Mac McAnally and Brenda Lee among others. Norman was named Producer of the Year by Cashbox in 1989.
During the 1990s, Nashville became home to a migration of singer/songwriters and the city gradually became known for embracing that genre. In 1990 Norman added his production talents to this emergent trend, producing the breakthrough self-titled Warner Bros/Reprise album by singer/songwriter Beth Nielsen Chapman. He resumed duties for Nielsen Chapman's follow-up, You Hold the Key (Warner Reprise, 1993).[3]
Time at Warner Nashville
After joining Warner Bros. Nashville as Head of A&R in 1983, Norman became President of the company in 1984. There, he was responsible for nurturing the talents of Randy Travis, Faith Hill, Blake Shelton, Travis Tritt, Dwight Yoakam, Beth Nielsen Chapman, Hank Williams Jr, Big & Rich and Michael Martin Murphey among others. His new role was also notable for the fact that it did not curtail his direct creative involvement in music, and he continued to produce and arrange.
Diversity at Warner Bros.
Norman was influential at Warner Bros. Nashville, demonstrating an inclination to increase the company's range of genres. To this end, he was involved in the successful expansion of the label's reach to include the WB Gospel and Christian division, and the launches of the Warner Western imprint, featuring Native American and Cowboy artists, and a Hispanic label – Warner Discos. In addition, Norman created the Progressive division, signing artists including multi-Grammy-winning Take 6, Bela Fleck and the Flecktones, Mark O'Connor and American guitar virtuoso Shawn Lane.
Post-Warner Bros.
Norman left Warner Bros in 2004 and relocated to Hawaii. There, he quickly became involved in music, organizing a music business program between the University of Hawaii and Belmont University, Nashville. In a short space of time, he was widely noted for his largesse, and his commitment to and support of local talent, which also benefitted Honolulu Community College, with the creation of the MELE program.[4]
In 2010 he returned to Nashville to produce a variety of artists, notably Curb Records star, Dylan Scott, for whom he co-produced the 2016 US Country Airplay #1 hit "My Girl" and the follow-up success, "Hooked" (2017).
Norman joined Curb Records in 2012 and during his tenure served as CEO.
Awards and philanthropy
In 1990, Norman was given the Andrew Heiskell Community Service Award – a Time Warner award designed to recognise those who have contributed outstanding degrees of community service.
In 1993, he received the Anti-Defamation League Johnny Cash Americanism Award, given to recognise individuals who have fought against racism, prejudice and bigotry.[5]
Norman was the Founding President of Leadership Music, an organisation that brings together music industry personnel, encouraging community spirit, education, the cross-pollination of ideas, and issue-based interaction.[6] In 2019, Leadership Music celebrated its 30th anniversary. In acknowledgement of his efforts to link the Nashville community at large with the entertainment industry, Norman was given the Leadership Music Bridge Award (subsequently renamed the Dale Franklin Leadership Music Award) in 1996.
Norman was presented with the Bob Kingsley Living Legend Award February 24, 2016 on stage at the Grand Ole Opry House. The award is annually presented to someone who has made a lasting impact on the country music business. Artists present to perform and pay tribute to Norman were Big & Rich, Don Henley, Mickey Gilley, Michael Martin Murphy, TG Sheppard, Gary Morris, Crystal Gayle, Mo Pitney, Jeff Hanna, Lee Brice and Kenny Rogers. Randy Travis made an unannounced rare public appearance.[7]
Norman was the original Fund Raising Chair and past President of the W.O. Smith Nashville Community Music School, which provides private music instruction for the children of low income families given by an all-volunteer faculty at 50 cents a lesson[8]
The present
In 2021, Norman won a Best Roots Gospel Album Grammy for the Fisk Jubilee Singers 150th anniversary album, Celebrating Fisk! (Curb Records, 2020).[9]
He continues to produce a wide variety of artists, most notably Dylan Scott, for whom he co-produced the #1 single "Nobody" (Curb Records, 2021) and the 2022 single, "New Truck" [10] (Curb Records).
He is currently on the road with the Eagles' Hotel California Tour, conducting the 50-piece orchestra and the 20-member choir, recreating his original arrangements from the iconic, multi-platinum-selling album.
Discography
Albums
1970 1972 1973 Eagles – Desperado (Asylum) Linda Ronstadt – Don't Cry Now – (Asylum Records) 1975 1976 Eagles – Hotel California (Asylum) Eagles – Their Greatest Hits (Asylum) The Group With No Name – Moon Over Brooklyn (Casablanca) Linda Ronstadt – Greatest Hits (Asylum) Jennifer Warnes – Jennifer Warnes (Arista) 1977 The New Commander Cody Band – Rock 'n Roll Again (Arista) Coon Elder – Coon Elder Band (Mercury) Jackie DeShannon – You're the Only Dancer (Amherst) Juice Newton & Silver Spur – After The Dust Settles (RCA) Rains & Harris – Rains & Harris (RCA) 1978 Anne Murray – Let's Keep It That Way (Capitol) New Riders of the Purple Sage – Marin County Line (MCA) Bob Seger – Stranger in Town (Capitol) 1979 Anne Murray – New Kind of Feeling (Capitol) Anne Murray – I'll Always Love You (Capitol) The C.Y. Walkin' Band – Love The Way It Feels (Parachute) 1980 Eagles – Eagles Live (Asylum) Janie Fricke – I'll Need Someone To Hold Me When I Cry (CBS) Albert Hammond – Your World & My World (Columbia) Anne Murray – Somebody's Waiting (Capitol) Anne Murray – A Country Collection (Capitol) Anne Murray – Anne Murray's Greatest Hits (Capitol) Charlie Rich – Once a Drifter (Elektra) Urban Cowboy – Original Soundtrack (Asylum) 1981 Johnny Lee – Bet Your Heart on Me (Asylum) Anne Murray – Where Do You Go When You Dream (Capitol) Anne Murray – Christmas Wishes (Capitol) 1982 Janie Fricke – Greatest Hits (Columbia) Mickey Gilley – Biggest Hits (Epic) Johnny Lee – Sounds Like Love (Asylum) Michael Martin Murphey – The Best of Michael Martin Murphey (Liberty) Anne Murray – The Hottest Night of the Year (Capitol) Jennifer Warnes – The Best of Jennifer Warnes (Arista) Teresa Straley – Never Enough (Alfa Records) 1983 Johnny Lee – Greatest Hits (Asylum) Michael Martin Murphey – The Heart Never Lies (Liberty) Anne Murray – A Little Good News (Capitol) T. G. Sheppard – Slow Burn (Warner Bros.) 1984 Gary Morris – Faded Blue (Warner Bros.) Anne Murray – Heart Over Mind (Capitol) The Osmonds – One Way Rider (Warner Bros.) 1985 Bandana – Bandana (Warner Bros.) Gary Morris – Anything Goes (Warner Bros.) The Osmonds – Today (Range Records) Southern Pacific – Southern Pacific (Warner Bros.) 1986 Michael Martin Murphey – Tonight We Ride (Warner Bros.) Southern Pacific – Killbilly Hill (Warner Bros.) Hank Williams, Jr. – Montana Cafe (Warner Bros.) 1987 The Forester Sisters – Christmas Card (Warner Bros.) Crystal Gayle/Gary Morris – What If We Fall in Love (Warner Bros.) Gary Morris – Hits (Warner Bros.) Michael Martin Murphey – Americana (Warner Bros.) Hank Williams, Jr. – Born To Boogie (Warner Bros.) Hank Williams, Jr. – Hank Live (Warner Bros.) 1988 Crystal Gayle – Nobody's Angel (Warner Bros.) Mac McAnally – Finish Lines (Geffen Records) Southern Pacific – Zuma (Warner Bros.) Take 6 – Take 6 (Warner Bros.) Hank Williams, Jr. – Wild Streak (Warner Bros.) 1989 The Forester Sisters – All I Need (Warner Bros.) The Forester Sisters – Greatest Hits (Warner Bros.) Michael Martin Murphey – Land of Enchantment (Warner Bros.) Pink Cadillac – Original Soundtrack (Warner Bros.) Kenny Rogers – Something Inside So Strong (Reprise) Kenny Rogers – Christmas in America (Reprise) Southern Pacific – County Line (Warner Bros.) Hank Williams, Jr. – Hank Williams, Jr.'s Greatest Hits, Vol. 3 (Warner Bros./Curb) |
1990 Crystal Gayle – A Crystal Christmas (Warner Bros.) Emmylou Harris – Duets (Reprise) Mac McAnally – Simple Life (Warner Bros.) Gary Morris – Greatest Hits, Volume II (Warner Bros.) Beth Nielsen Chapman – Beth Nielsen Chapman (Reprise) Pinkard & Bowden – Live in Front of a Bunch of Dickheads (Warner Bros.) Kenny Rogers – 20 Great Years (Reprise) Kenny Rogers – Love Is Strange (Reprise) Hank Williams, Jr. – America (Warner Bros./Curb) Hank Williams, Jr. – Lone Wolf (Warner Bros./Curb) 1991 Brenda Lee – A Brenda Lee Christmas (Warner Bros.) Mark O'Connor – The New Nashville Cats (Warner Bros.) Kenny Rogers – Back Home Again (Reprise) T. G. Sheppard – All-Time Greatest Hits (Warner Bros.) Southern Pacific – Greatest Hits (Warner Bros.) Hank Williams, Jr. – Pure Hank (Warner Bros./Curb) 1992 Hank Williams, Jr. – The Bocephus Box (1st press: Capricorn, Reissue: Warner Bros./Curb) 1993 Kathie Lee Gifford – It's Christmas Time (Warner Bros.) Kathie Lee Gifford – Sentimental (Warner Bros.) Beth Nielsen Chapman – You Hold The Key (Reprise) Mark O'Connor – Heroes (Warner Bros.) 1994 Tish Hinojosa – Destiny's Gate (Warner Bros.) Anne Murray – Best of the Season (Capitol) Anne Murray – The Best...So Far (Capitol) Bob Seger – Greatest Hits (Capitol) 1995 Glenn Frey – Solo Collection (MCA) Herb Jeffries – Brief History of Herb Jeffries (Warner/Western) Herb Jeffries – Bronze Buckaroo (Rides Again) (Warner Bros.) Michael Martin Murphey – Sagebrush Symphony (Warner/Western) Victoria Shaw – In Full View (Reprise) B. J. Thomas – Precious Memories (Warner Bros.) 1996 The Foreman – What's Left (Reprise) Tish Hinojosa – Dreaming from the Labyrinth (Warner Bros.) 1997 Anita Cochran – Back To You (Warner Bros.) The Forester Sisters – Greatest Gospel Hits (Warner Bros.) Crystal Gayle – He Is Beautiful (Southpaw Musical Productions) Tish Hinojosa – Sonar Del Laberinto (Warner Bros.) Michael Martin Murphey – The Horse Legends (Warner Bros.) Beth Nielsen Chapman – Sand and Water (Reprise) Kenny Rogers – Decade of Hits (Warner Bros.) Victoria Shaw – Victoria Shaw (Reprise) B. J. Thomas – I Believe (Warner Bros.) Trisha Yearwood – (Songbook) A Collection of Hits (MCA Nashville) 1998 Chris Cummings – Chris Cummings (Warner Bros.) Danni Leigh – 29 Nights (Decca) Michael Martin Murphey – Wildfire 1972–1984 (Raven) Take 6 – So Cool (Warner Bros.) 1999 Janie Fricke – Super Hits (Sony) Beth Nielsen Chapman – Greatest Hits (Reprise) Kongar-ol Ondar – Back Tuva Future (Warner Bros.) Take 6 – Greatest Hits (Warner Bros.) Hank Williams, Jr. – The Complete Hank Williams Jr (Curb) 2000 Chris Cummings – Lonesomeville (Warner Music Canada) Damita – Damita (Warner Bros.) Jackie DeShannon – Best of 1958 – 1980: Come And Get Me (Raven) Eagles – Selected Works: 1972-1999 (Elektra) 2001 America – The Definitive America (Rhino/WEA) Michael Martin Murphey – Ultimate Collection (Hip-O) 2002 2003 Jeff Foxworthy – The Best of Jeff Foxworthy: Double Wide, Single Minded (Rhino) 2004 2005 2006 Hank Williams, Jr. – That's How They Do It in Dixie: The Essential Collection (Asylum/Curb Records) 2007 2009 2011 2017 Dylan Scott – Dylan Scott (Curb) Ruthie Collins – Get Drunk And Cry (Curb) 2019 2020 |
References
- ""Eagles Online Central"". Eaglesonlinecentral.com. Retrieved December 20, 2011.
- Anne Murray reviews Robert Christgau
- Ankeny, Jason (October 16, 1948). ""Jim Ed Norman at All Music Guide"". Allmusic.com. Retrieved December 20, 2011.
- ""Nashville Foundation makes music happen at Honolulu Community College"". Hawaii.edu. December 18, 2009. Retrieved December 20, 2011.
- Gores To Receive Award AllBusiness
- ""Leadership Music"". Leadershipmusic.org. Retrieved December 20, 2011.
- Don Henley, Lee Brice Honor Jim Ed Norman The Tennessean
- ""W.O Smith Music School"". Wosmith.org. Retrieved December 20, 2011.
- The Fisk Jubilee Singers' Album, Celebrating Fisk! (The 150th Anniversary Album), Wins GRAMMY Award in Best Roots Gospel Album Category Fisk University
- Dylan Scott Cuts His Losses With New Heartbreak Single Taste Of Country