Joan Is Awful

Joan Tait (Annie Murphy) wakes up, eats breakfast made by her fiancé Krish (Avi Nash) and drives to work while lip syncing to Saweetie's rap "Tap In" (2020). Under instruction from the board of directors, she fires Sandy (Ayo Edebiri), who worked to reduce the company's carbon emissions. In therapy, Joan contrasts Krish's blandness with her ex-boyfriend Mac (Rob Delaney), who is messaging her. She meets Mac for dinner and they kiss.

Joan and Krish discover a Streamberry show titled Joan Is Awful. Depicted by Salma Hayek, the unlikeable, fictionalised version of Joan plays out events from Joan's day. Krish leaves after seeing the fictional Mac (Ben Barnes) and Joan kiss. The programme shows Hayek's Joan discovering Joan Is Awful, with its own version of Joan (Cate Blanchett), before Hayek's Joan is left by Krish (Himesh Patel).

Joan is fired due to the show and told by a lawyer (Lolly Adefope) that Streamberry's actions are legal due to their terms and conditions. The show is made by a quantum computer using CGI-based virtual actors and real-time data gathered from Joan's devices.

To get a reaction from Hayek, Joan—with a penis drawn on her forehead—dresses as a cheerleader and defecates in a church, interrupting a wedding. After this is depicted in Joan Is Awful, Hayek meets with a lawyer who says that Streamberry can use her likeness like this as she has licensed it to them. Hayek and Joan plot to destroy the quantum computer.

Hayek convinces a receptionist to allow her into Streamberry's office and lets Joan in. They pass the CEO Mona Javadi (Leila Farzad), who explains to the journalist Fatima (Danielle Vitalis) that Streamberry plans personalised, computer-generated content for all users. Joan was chosen as she is completely average, whilst the negativity of the Is Awful brand maximises engagement.

Joan and Hayek reach a technician, Beppe (Michael Cera), who reveals that they are in a simulated reality where Joan is based on a Source Joan (Kayla Lorette) with a likeness of Annie Murphy. Javadi arrives and begs Joan not to destroy the quantum computer, which would destroy all realities below theirs. Joan realises Source Joan has already decided to smash the computer and follows suit.

In the source reality, Source Joan and Annie Murphy celebrate as friends, though they are on house arrest. Source Joan starts a coffee shop, a dream of hers that she shared with her therapist. In a post-credits scene, Source Joan's church defecation is shown.

Black Mirror went on hiatus after its fifth series was released in 2019. Its executive producers, Charlie Brooker and Annabel Jones, departed from the production company House of Tomorrow and joined Broke and Bones, leading to negotiations for production rights.[1][2][3] Brooker took a break from Black Mirror and worked on more comedic projects.[4] In May 2022, Netflix announced that a sixth Black Mirror series was in development. Broke and Bones produced the series, while House of Tomorrow's parent company, Banijay, retained ownership.[5]

The branding of Netflix is imitated by Streamberry.

Streamberry parodies Netflix, imitating its graphic design, user interface and 'tudum' sound logo.[6] Brooker said that Netflix were immediately supportive of this idea.[7] In one draft, Joan's Streamberry account displayed each of the series six episodes.[8] Marketing for the episode included a mockup of Streamberry's website, streamberry.tv, as well as Netflix social media accounts briefly changing their names to Streamberry. The tie-in website youareawful.com allows users to create personalised Is Awful thumbnails.[6] Billboards with fans' Is Awful images were used to promote the sixth series in the UK.[9][10]

Casting and filming

Several characters are played by multiple actors at different layers of simulated reality, such as Avi Nash (left) and Himesh Patel (right) for Joan's boyfriend Krish.

An April 2023 casting announcement for Black Mirror named Annie Murphy, Salma Hayek, Michael Cera, Himesh Patel, Rob Delaney, and Ben Barnes.[16] The director was Ally Pankiw; she saw diversity of the crew in gender and sexuality as important.[17] Udo Kramer designed sets for all series six episodes.[18] The soundtrack was composed by Ames Bessada, with whom Pankiw had previously worked, and released on 21 July 2023.[17][19]

Filming took place in September 2022,[20] with "Red Book" used as a codename.[21] An American-style bungalow in Crowthorne, England, was used for exterior filming. The owner Jennifer Johnston purchased it with film production usage in mind. According to Johnston, the production crew—numbering 70—added rock gardens and repainted it, also adding shrubs and American postboxes to neighbouring houses.[21][22] The Streamberry office used white, black and red colours to evoke the Netflix logo.[18]

Murphy and Pankiw worked on the comedy series Schitt's Creek (2015–2020), which is referenced in the episode's dialogue.[23] Brooker wrote Joan with Murphy in mind, having recently watched the series. He saw her as "likeable yet relatable, goofy, and flawed".[24] Murphy was keen to participate before reading the episode's script.[20] She described being confused at playing herself towards the end of the episode, in contrast to Cera, who seemed to thoroughly understand the story.[25]

Hayek said that playing a fictionalised version of herself allowed for self-deprecation and exploration of people's impressions of her.[26] She had experienced her likeness being used online in "disrespectful ways".[25] Brooker said that they wrote "more tame" lines so as not to "scare her off", but Hayek encouraged "outrageous" dialogue.[13] Hayek suggested use of facts about her in the script, leading to mention of her dyslexia and Roman Catholicism.[24] Murphy said of the scene where her character defecates in a church: "I couldn't be more excited about it and I could picture it".[27] Hayek, however, did question whether she would get in trouble for her role in the episode.[26] During filming, crew adopted pigtails in "solidarity" with Joan, according to Pankiw.[17]

Pankiw believed the episode asked "who gets to make art?" and "what happens when we consume other people's stories?" She saw the perception of women in media by other women as a feminist theme and liked that the episode had prominent female friendships and women seeking autonomy. Murphy found that Joan's cooperation with Hayek made for an "uplifting female empowerment" story.[17]

The episode is a comedy: i's Emily Bootle called it one of the "most explicitly funny" instalments of the programme.[28] It was considered a cringe comedy and a dark comedy by Time's Judy Berman and Esquire's Emma Stefansky, respectively, and Alex Cranz of The Verge commented that it was "gentler" than other episodes.[29][8][30] It was compared to the first episode, "The National Anthem", wherein a prime minister is made to have sex with a pig. "The National Anthem" also had a near-future setting and, according to The Daily Telegraph's Ed Power, "juvenile humour".[31][32] In The Independent, Nick Hilton said both works were "Orwellian farce".[33]

Black Mirror was released by Netflix from 2016 onwards; it made an interactive film specific to this new medium with Bandersnatch (2018). Streaming services such as Netflix are the subject of "Joan Is Awful", as well as the following episode, "Loch Henry".[34][29] Richard Lawson, a Vanity Fair critic, saw it as commenting on Netflix's algorithm-led strategy, while Power believed it was about binge-watching.[35][32] Power said Javadi parodies Bela Bajaria, Netflix's Chief Content Officer, while Joan's life resembles the protagonist of The Truman Show (1998).[32]

Other themes include artificial intelligence (AI) and personalised content. Black Mirror previously explored AI in "Be Right Back", which features a robotic replacement for a grieving woman's dead partner.[7] Amit Katwala analysed that personalised content posed threats to publications such as Wired, which he was writing in, as they rely on common cultural experiences. Katwala suggested that large language models might then generate personalised articles about the personalised content.[36] Privacy was also a motif: Lawson found the episode to satirise nosy neighbours, while Bootle saw it as about Big Brother-style invasion of privacy through data collection.[35][28]

The episode makes liberal use of Easter egg references to other instalments. The song "Anyone Who Knows What Love Is (Will Understand)" by Irma Thomas is heard when Joan meets Mac at a restaurant, marking its sixth use in the programme.[37][38] The Streamberry platform shows programmes such as Junipero Dreaming—named after "San Junipero"—and Finding Ritman—about Bandersnatch's Colin Ritman. It contains thumbnails for fictional shows seen in other episodes (Sea of Tranquility and Hot Shots), and the cartoon Rowdy and Peanut, named after characters in Brooker's Cat Burglar (2022).[39] Streamberry is also key to the following episode, "Loch Henry", wherein a character produces a documentary—Loch Henry: Truth Will Out—that can be seen on Joan's account.[39][40]

A WGA picketer holds a sign protesting replacement of writers with artificial intelligence.

"Joan Is Awful" was seen as prescient for its portrayal of a television series made with no human input.[41] It was written shortly before the 2023 strikes by the Writers Guild of America (WGA) and actors' union SAG-AFTRA, who negotiated the role of AI in entertainment with the Alliance of Motion Picture and Television Producers (AMPTP).[17] An anonymous SAG-AFTRA member told Deadline Hollywood that actors saw it as "a documentary of the future, with their likenesses sold off and used any way producers and studios want";[42] WGA members feared job losses from computer-generated scripts.[43] The AMPTP proposed that actors be paid for a day of digital scanning so that their likeness could be used as background characters.[44] In contrast, SAG-AFTRA demanded "informed consent and fair compensation" for use of a person's likeness or performance to be altered with AI.[45] The WGA aimed to prohibit AI's usage in scriptwriting.[46] Pankiw expressed support for the WGA strike when introducing the episode at a live screening.[17]

Despite an approval rating of 94% based on 17 reviews from Rotten Tomatoes,[47] critical response varied. While Rolling Stone and Salon described it as the best of the sixth series, The Daily Telegraph and The A.V. Club saw it as the worst.[48][49][32][50] It garnered ratings of four out of five stars in Den of Geek and i,[31][28] three stars in The Independent and Vulture,[33][51] and two stars in The Daily Telegraph.[32]

Reviewers widely acknowledged the episode as timely for its themes.[52][35][49] However, writing in Paste, Leila Jordan did not find it sufficiently "surprising or introspective".[52] Lawson stated that "Loch Henry", a "predictable but compelling thriller", explored the same ideas better.[52] Jordan praised the satire of Netflix.[52] Contrastingly, Cranz questioned the episode's logic, including the appeal of Is Awful series and the nature of the simulated realities.[30] In addition, Mashable's Chris Taylor criticised it as an example of satire enabling "pretty awful things" when the target "learns to play along", comparing it to Mattel's villainous role in Barbie (2023) or the prominence that the politician Boris Johnson gained from appearing on Have I Got News for You (1990–).[53]

Critics such as The A.V. Club's Kayleigh Dray praised the humorous style, with Rolling Stone's Alan Sepinwall describing the church scene as a highlight.[50][48] In Den of Geek, Alec Bojalad summarised the episode as "cynical, caustic, and even charming", and Melanie McFarland—in Salon—wrote that it was "hilarious, horrifying and left off-center enough from 2023's actuality to be off-putting".[31][49] Bootle found it to avoid tropes with its "winking sense of humour".[28] However, Power said the episode "isn't nearly as zingingly funny as it thinks it is".[32]

Annie Murphy (left) and Salma Hayek (right) were widely praised by reviewers.

The acting was widely acclaimed, particularly that of Murphy and Hayek.[32][48][54][31] Cranz said this was because they had different "comedic energy", so their characters were "brilliant foils".[30] Bootle praised Murphy's "perfect comic timing" and "outrage of a woman coming undone".[28] In a dissenting review for Vulture, Ben Rosenstock found that Hayek "ultimately hurts the story" as her character "distracts from Joan" and is an "odd fit" for the programme. He criticised some of Hayek's jokes as "groaners".[51]

Reviewers were polarised on the episode's pacing and plot. Although Sepinwall approved of the "efficient use" of runtime, Bojalad felt it did not justify Joan's extreme behaviour in a church and Rosenstock said it should have been longer to reduce the exposition in the final 10 minutes.[48][31][51] In a rarity for Black Mirror, the ending is positive.[48][31] Rosenstock lauded it as a "fitting, mercifully happy" conclusion;[51] Dray found the "wildly meta" ending to redeem the "meandering middle" parts.[50] However, Cranz saw it as "a little twee".[30]

• Simone (2002 film), about the creation of a virtual actor
• Inception, a 2010 film about nested layers of dreams
• The Congress (2013 film), about an actor who signs away the rights to her likeness

• "Joan Is Awful" at IMDb
• Streamberry and You Are Awful, tie-in websites