John Ottman

Ottman was born in San Diego, California. Growing up in San Jose, Ottman made many amateur films garnering local attention in the community. He attended De Anza College and then transferred to the School of Cinematic Arts of the University of Southern California, where he graduated in 1988.[1][2] One of his first assignments was to provide original music for the computer game I Have No Mouth, and I Must Scream. In 2007, Ottman appeared in the documentary Finding Kraftland for his agent Richard Kraft.

He is best known for his multi-tasking as editor and composer for Bryan Singer's films, and on a few occasions, producer roles to boot. The Usual Suspects, Apt Pupil, X2, Superman Returns (including adapting themes originally composed by John Williams), Valkyrie, Jack the Giant Slayer, X-Men: Days of Future Past and X-Men: Apocalypse. Other notable films he worked on as composer are Snow White: A Tale of Terror, the 2005 remake of House of Wax, Kiss Kiss Bang Bang, Fantastic Four and its sequel Fantastic Four: Rise of the Silver Surfer, The Invasion, and Astro Boy.

He also directed (in addition to editing and scoring) the 2000 horror film Urban Legends: Final Cut. He won a BAFTA Award for Best Editing for The Usual Suspects, as well as two Saturn Awards for Best Music for The Usual Suspects and Superman Returns. In 2019, he was nominated for a BAFTA Award for Best Editing and won the ACE Eddie Award and the Academy Award his work on Bohemian Rhapsody, a film Ottman saw through on his own after both directors' departure (Bryan Singer being fired and Dexter Fletcher beginning pre-production on "Rocketman" shortly after finishing the shoot.) Ottman navigated the film's development in post and the tricky waters between film-maker and studio, working with producer Graham King and Dennis O'Sullivan. Upon Bohemian Rhapsody getting nominated for, and winning its Best Editing awards, a scene of the band outside a pub went viral online after a post by someone critical of the editing style. Ottman, aware of the clip, explained that for a test screening, a heightened pace for the first act was asked for by the studio. After the test, Ottman returned the scene to its original pace and design. Ottman regretted that he missed returning the scene outside the pub closer to his original version. The scene (directed by Fletcher) contained no master shot of the band at the table.[3]

• List of film director and composer collaborations
• List of film director and editor collaborations

• John Ottman at IMDb
• John Ottman's Official Website
• John Ottman's Official Facebook Profile
• Interviews with John Ottman on (July 2006)
• Interviews with John Ottman at FilmMusicSite