Juraj Jakubisko

Before entering the film industry, Jakubisko taught still photography at a secondary school for applied arts in Bratislava,[1] and worked for a television company in Košice. In 1960 he moved to Prague where he attended the Film and TV School of the Academy of Performing Arts (FAMU), studying film direction under Václav Wasserman.[1] He graduated in 1965 and began working with Alfréd Radok at the Laterna Magika theatre in Prague. He began winning international acclaim with his experimental short films before making his first feature Crucial Years (Slovak: Kristove roky) in 1967. This film won a FIPRESCI award and a Josef von Sternberg Award in Mannheim, Germany.[1] His next film, Deserters and Pilgrims, won the Little Lion award for young artists at the Venice Film Festival.[1]

Jakubisko's career was heavily impacted by political events in Czechoslovakia, with his work facing censorship in the period following the Soviet-led Warsaw Pact invasion in response to the Prague Spring. During the "normalization" period which followed, he made a few documentaries, but no major feature films.[1] He filmed Three Sacks of Cement and a Live Rooster (Slovak: Tri vrecia cementu a živý kohút) in 1976, but it was not released until 1978.

Jakubisko returned to feature film-making in 1979 with Build a House, Plant a Tree (Slovak: Postav dom, zasaď strom), which was nonetheless banned for its anti-regime messages, but not before it received a positive reception at a film festival in Amsterdam.[1] The success in Amsterdam proved invigorating for Jakubisko's work,[1] leading to a fertile period, culminating in the 1983 epic The Millennial Bee (Slovak: Tisícročná včela). This movie was a huge success, selling out cinemas for many weeks after its release and winning awards at film festivals in Seville and Venice. The film was later named the best film of the 1980s by Czechoslovakian journalists.[1]

In 1985, Jakubisko directed a children's film, The Feather Fairy, featuring Giulietta Masina, the wife of Federico Fellini, with whom Jakubisko also had a close friendship.[1] His film Sitting on a Branch, Enjoying Myself, released three months before the end of the communist regime in Czechoslovakia, won Jakubisko more international acclaim, including the Grand Prize at the Moscow International Film Festival in 1990.[1] 1990 also saw the belated release of Jakubisko's surrealist political horror, See You In Hell, My Friends, which had been banned 20 years earlier by communist censors.[1]

Jakubisko and his wife relocated to Prague following the dissolution of Czechoslovakia in 1993, and set up a production company, Jakubisko films. Jakubisko's next feature film was An ambiguous report about the end of the world (1997), a satirical comedy based on the prophecies of Nostradamus. The film won four Czech Lion awards.[1] In 1998 Jakubisko joined the European Film Academy, and was also awarded the Maverick Award by the Taos Talking Pictures Film Festival.[1] In 2000 he was named Best Slovak Director of the 20th century by film writers, and won the Golden Seal in Belgrade for his contribution to world cinema.[1]

In June 2001 he was appointed a lecturer at FAMU, his alma mater, and was awarded a lifetime achievement award by the Masaryk Academy of Art in Prague.[1] In 2002 he received a Czech Lion for artistic achievement and received the Pribina Cross from the Slovak government, a special award given to those who have aided in the economic, social or cultural development of Slovakia.[1] His next feature was Post Coitum (2004), a comedy about love starring Franco Nero.[1]

• Last attack ("Poslední nálet", 1960)
• Every day has a name ("Každý den má své jméno", 1960)
• Silver Wind ("Strieborný vietor", 1961)
• First Class ("První třída", 1962)
• Silence ("Mlčení", 1963)
• Rain ("Déšť", 1965)
• Waiting for Godot ("Čekají na Godota", 1965)
• Crucial Years ("Kristove roky", 1967); aka Christ's Years
• The Deserters and the Nomads ("Zbehovia a pútnici", 1968); aka Deserters and Pilgrims
• Birds, Orphans and Fools ("Vtáčkovia, siroty a blázni", 1969)
• The Construction of the Century ("Stavba storočia", 1972); documentary
• Slovakia - a country under the Tatras ("Slovensko - krajina pod Tatrami", 1975); TV documentary
• The Red Cross drummer ("Bubeník Červeného kríža", 1977); documentary
• Three bags of cement and a live rooster ("Tri vrecia cementu a živý kohút", 1978); documentary
• Painted on Wood ("Mal’ované na dreve", 1979); TV fantasy for children
• Build a House, Plant a Tree ("Postav dom, zasaď strom", 1980)
• Infidelity, Slovak Style ("Nevera po slovensky", 1981); two-part TV miniseries
• The Millennial Bee ("Tisícročná včela", 1983)[5]
• The Feather Fairy ("Perinbaba", 1985)
• Freckled Max and the Spooks ("Pehatý Max a strašidlá", 1987)
• Frankenstein's Aunt ("Frankensteinova teta", 1987); TV miniseries
• Sitting on a Branch, Enjoying Myself ("Sedím na konári a je mi dobre", 1989)[6]
• See You in Hell, Friends ("Dovidenia v pekle, priatelia", 1970, released 1990)
• Almost a Pink story ("Takmer ružový príbeh", 1990); for TV 2000 Wiesbaden, Germany
• It's Better to Be Wealthy and Healthy Than Poor and Ill (1992)
• An Ambiguous Report About the End of the World ("Nejasná zpráva o konci světa", 1997)
• Post Coitum (2004)
• Bathory (2008)

Jakubisko has been awarded at more than eighty international film festivals.

• Casanova (1995) ballet, Laterna Magica, Prague, Czech Republic
• Krútňava (1999) opera, Slovak National Theatre, Bratislava, Slovakia
• Svätopluk (2008) opera, Slovak National Theatre, Bratislava, Slovakia

• Paris (2000), France
• Berlin (2004),Germany, Italy (2004)
• Prague (2004, 2005), Czech Republic
• Miro Gallery, Bratislava (2009), Slovakia
  • Presidential palace, Bratislava (2009), Slovakia
• 6 exhibitions (2010), Czech Republic

• Juraj Jakubisko at IMDb