Just Be Free (Big Freedia album)

Professional ratings

Aggregate scores
Source	Rating
Metacritic	79/100[5]
Review scores
Source	Rating
AllMusic	[6]
Consequence	B[7]
Exclaim!	7/10[4]
Pitchfork	7.8/10[3]
Rolling Stone	[1]
Sputnikmusic	4.1/5[8]

Just Be Free received a score of 79 out of 100 on review aggregator Metacritic based on eight critics' reviews, indicating "generally favorable" reception.[5] Miles Raymer of Pitchfork stated that Big Freedia is "teetering on the brink of reaching a mainstream audience, and Just Be Free is her attempt to bring her music to that level" and that the album is "aimed squarely at an EDM audience that so far has somehow eluded Freedia, despite the fact that bounce has steadily grown in that world's presence".[3] Matt Bauer of Exclaim! summarized the album as "a frantic, busy and uncompromisingly relentless album that doesn't let up over its 10 tracks and 34 minutes, and as a summer party album, it's all but faultless".[4]

Christopher R. Weingarten, reviewing the album for Rolling Stone, wrote that Just Be Free is "a lot more polished than sample-happy Freedia singles like "Azz Everywhere!," [but] it hits just as hard. She embraces the textures of contemporary EDM – wet snares, buzz-saw synths, the occasional triumphant trance melody – but the feel is unmistakably bounce throughout".[1] Caitlin White of Consequence found the album to be "punctuated by quick, quirky rhythms and, of course, plenty of bass. It's music designed to be consumed and interacted with in a specific context — not with headphones on the subway, not on a vinyl record in your apartment".[7]

David Jeffries of AllMusic remarked that "Freedia's vocals are layered like an infinity mirror of fierce" on "Ol' Lady" and on the rest of the album, "she's got enough bitchy lyrics and sharp attitude to cut down ten seasons worth of Real Housewives of Wherevah".[6] Will R. of Sputnikmusic conceded that while "a divisive album" with no "grandiose artistic concept", just "Big Freedia telling you, the listener, to shake your ass for just over thirty minutes", he described the album as "about the queen diva and her court. It's a celebration of self, an affirmation of whatever status Big Freedia is willing to flaunt, and a celebration of the party spirit she evokes".[8]