Kontroll

Kontroll is a 2003 Hungarian comedy–thriller film. Shown internationally, mainly in art house theatres, the film is set on a fictionalized version of the Budapest Metro system. "Kontroll" in Hungarian refers to the act of ticket inspectors checking to ensure a rider has paid their fare. The story revolves around the ticket inspectors, riders, and a possible killer.

Kontroll
Kontroll film poster
Directed byNimród Antal
Written by
  • Jim Adler
  • Nimród Antal
Produced byTamás Hutlassa
Starring
CinematographyGyula Pados
Edited byIstván Király
Music byNeo
Distributed byBudapest Film (Hungary)
THINKFilm (United States)
Release dates
  • November 20, 2003 (2003-11-20) (Hungary)
  • May 27, 2005 (2005-05-27) (United States)
Running time
105 minutes
CountryHungary
LanguageHungarian
Budget$800,000[1]
Box office1.3 million[2]

The film was written and directed by Nimród Antal and stars Sándor Csányi, Zoltán Mucsi, and Csaba Pindroch. The film was entered in a number of film festivals in Europe and North America. It won the Gold Hugo Award at the Chicago International Film Festival and was screened in the Un Certain Regard section at the 2004 Cannes Film Festival.[3] It was also Hungary's submission for Best Foreign Language Film for the 2004 Academy Awards.

Plot

Bulcsú (Sándor Csányi) is a ticket inspector on the underground; he spends his nights sleeping on the train platforms, and never leaves the underground. His ragtag team of inspectors – consisting of the veteran Professzor (Zoltán Mucsi), the disheveled Lecsó (Sándor Badár), neurotic narcoleptic Muki (Csaba Pindroch) and dimwitted greenhorn Tibi (Zsolt Nagy) – is routinely disrespected and assaulted by the commuters, who evade paying fines in a variety of ways.

One of Bulcsú's company rivals, model employee Gonzó (Balázs Mihályfi) challenges him to a "rail run": after the last metro leaves a station, the two get on the tracks and try to make it to the next station on foot before the midnight maintenance carriage runs them over. Bulcsú wins the contest, barely saving Gonzó who wets himself as a result of the run. During a routine inspection, he is enamored by a girl dressed in a bear suit called Zsófi (Eszter Balla), the daughter of one of the veteran metro drivers, Béla (Lajos Kovács). On another occasion, Bulcsú unsuccessfully attempts to calm his colleague Laci (László Nádasi) after Laci gets into an altercation with a passenger and takes him hostage; Laci says he cannot take it anymore and slits the passenger's throat.

After chasing a repeat offending prankster called Bootsie (Gyalogkakukk, lit. Road Runner in the Hungarian original; Bence Mátyássy), Bulcsú witnesses him being pushed on the tracks by a hooded figure, dressed in exactly the same attire as him; another incident in a long line of what people thought were suicides. Because of his recurring nightmare of this figure, Bulcsú fails to apprehend the murderer, and when he is questioned, he refuses to disclose details of the incident to the lead executive (György Cserhalmi) of the company. When the executive threatens to disclose the video footage of the incident, which only shows Bulcsú, he resigns his job. Muki later insinuates that Bulcsú is the murderer, citing his continual nightly absence and accusing him of having the same mental issues as Laci did; an infuriated Bulcsú almost pushes him on the tracks as well.

During an underground costume party, Bulcsú spots and follows the hooded figure and they get into an altercation, after which they start rail running similarly to the contest with Gonzó earlier. Bulcsú manages to outrun the hooded figure and escape the train. The hooded figure never emerges from the tracks. Bulcsú then meets Zsófi, who is now dressed as a angel, and the two finally emerge back to the surface.

Cast

Production

Antal was influenced by Andrei Tarkovsky, Stanley Kubrick, Terry Gilliam, Martin Scorsese, and Takeshi Kitano.[1]

Reception

Rotten Tomatoes, a review aggregator, reports that 82% of 66 surveyed critics gave the film a positive review; the average rating is 7/10. The site's consensus reads: "Kontroll is a smart thriller that's dark, gritty, and funny."[4] Metacritic rated it 72/100 based on 25 critics.[5] American film critic Roger Ebert rated it 3.5/4 stars and wrote, "Antal has a feeling for action, but what distinguishes Kontroll is his control of characters and mood."[6] Ebert compared the film's setting and atmosphere to that of a post-apocalyptic science fiction film.[6]

See also

References

  1. "The Thinking Man's Nimrod: FFC Interviews Nimrod Antal". Film Freak Central. 2005-04-03. Retrieved 2015-12-22.
  2. "Kontroll". Box Office Mojo. Retrieved 2015-12-22.
  3. "Festival de Cannes: Kontroll". festival-cannes.com. Retrieved 2009-12-02.
  4. "Control (2005)". Rotten Tomatoes. Retrieved 2015-12-22.
  5. "Control". Metacritic. Retrieved 2015-12-22.
  6. Ebert, Roger (2005-05-25). "Kontroll". Chicago Sun-Times. Retrieved 2015-12-22.
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