Kurt Dahlke

In 1979 he released Inland, his first album as Pyrolator. The cover stated: Pyrolator Synthesizer Inland, the music is quite experimental, close to industrial music, incorporating field recordings and harsh electronica. On the follow-up Ausland (1981) he worked with a list of Ata Tak associated guests including his Der Plan colleagues and Holger Hiller. The songs range from experimental electronica to synth-pop, where Wunderland (1984) became his most playful, melodic and popular effort with references to world music.

In 1985 Dahlke collaborated with Arnd Kai Klosowski for the album Hometaping Is Killing Music an early effort in popular music based entirely on sampling.[7]

1987's Pyrolator's Traumland with Susan Brackeen on vocals and a whole range of guest musicians became his most commercial and less experimental album. He then teamed up with Linda Sharrock and Frank Samba for Every 2nd, an album commissioned for the German Olympic pavilion at the 1988 Seoul Games.

With the singles Ficcion Disco and City Space from 1992/1993 he moved towards Techno, which led to his productions for Antonelli Electr. the techno project of Stefan Schwander – another Ata Tak artist (with The I-Burnettes, 1990, and The Bad Examples, from 1996 on).

Neuland from 2011 is the first Pyrolator album not released on Ata Tak but Bureau-B. It received a four star rating on Allmusic.[8]

Dahlke is a founding member of the independent record label and publishing company Ata Tak, as well as associated label Das Büro, from 1979 on, and with over 150 releases still in operation.[9]

The two labels have been a fulcrum of the German Post-punk/ Neue Deutsche Welle scene, with releases of artists like Der Plan, Lost Gringos, DAF, Die Zimmermänner, Holger Hiller, Andreas Dorau, S.Y.P.H., Die Tödliche Doris, or Minus Delta T.

Later on Ata Tak e.g. released The Bad Examples, Element of Crime or 1993 the first album of Oval.