Laddie Cliff

Laddie Cliff (3 September 1891–8 December 1937) was a British dancer, choreographer, actor, producer, writer, and director of comedy, musical theatre and film. He was noted for his versatility. His many London West End theatre appearances and films included a long association with fellow thespian Stanley Lupino.[1] He was married to the actress Phyllis Monkman. He died in 1937 after a period of ill health.

Laddie Cliff
in Over She Goes (1937)
Born(1891-09-03)3 September 1891
Oxford, Oxfordshire, United Kingdom
Died8 December 1937(1937-12-08) (aged 46)
London, United Kingdom
Other namesClifford Albyn Perry
Occupation(s)Actor, writer, Singer
Years active1922–1937 (film)

Birth and launch of career

Born Clifford Albyn Perry on 3 September 1891 in Bristol, Laddie Cliff first toured in British, Australian, and American variety.[2]

US Vaudeville work

1907-8

In his early career, Laddie Cliff toured the US extensively in vaudeville, much of it on the Orpheum circuit. He made his debut at New York's Colonial Theatre on 30 December 1907.[3] A review in the New York Dramatic Mirror of his 2 January performance praised his talent and anticipated his popularity:

he was suffering from hoarseness and had to cut out some of his songs. He did enough, however, to prove that he is an exceptionally clever youngster. He managed to talk and act two comic songs in a distinctly pleasing way, and as for his dancing, it completely brought down the house. He has a terpsichorean method entirely original, and almost every eccentric move he made brought a hearty laugh . . . he is certain to find plenty of appreciation in America.[4]

On the 5th, the New York Daily Tribune reported that, at the Alhambra, "Laddie Cliff, the English boy performer, who was cordially received at the Colonial last week, will be on the bill. He has a pleasing voice and he dances well."[5]

1909-1910

On 30 Jan 1909, the Montreal Gazette anticipated Laddie Cliff's "clever offering": "This little fellow is accounted one of the best English eccentric dancers of the stage."[6] The Harvard Crimson reported that "Laddie Cliff, English boy dancing comedian" would entertain Harvard's 1910 "pop night" on 8 March in the Living Room of the Union.[7] In early June he headlined at the Orpheum in Spokane, Washington and was reviewed as superior, original and appealing:

As a monologist, Laddie Cliff . . . is above the standard of the one-man act. He presents something original in his dancing and does not tire the audience with a long string of talk. The parting of lovers at the seaside pleases the listener."[8]

From 14-20 June he was headlining at the Orpheum in Portland, Oregon, and appreciated as "a comedian of no small ability. He sang and danced well."[9] In Gerald Vizenor's historical novel, Blue Ravens, set in Minneapolis, Cliff appears on the Orpheum Theatre programme as "Master Laddie Cliff . . . England's famous little Comedian and Grotesque Dancer".[10] A review in San Francisco Call on 28 June 1909 hails him as a 17-year-old with "eloquent legs", identifying him as "the star of the show", whose "terpsichorean art wins much applause from Play Goers"[11] His skill and individuality were highlighted:

Master Laddie Cliff won the honors....His songs and his dances are hot from the pavements of London. I should say, and he told us . . . that when he went back to England he'd tell the King [George V] about the reception he got. He is grotesque as a dancer, unusual as a singer and quite inimitable in all ways.

Laddie Cliff was named by Martin Beck in the San Francisco Call of 11 September 1909 as one of the "stars which will twinkle over the Orpheum Circuit", specially scouted in Europe for the 1910-11 season.[12] In May 1910 he was exhausted enough to need a break back in England, as Variety reports from Chicago on 4 May: "Laddie Cliff will sail for his English home to obtain a rest, following the boy's appearance on the opening bill of Dave Robinson's Brighton Theatre,[13] week May 16."[14]

1911-1913 - stardom

By 1911, Laddie Cliff was well established. His return to F.F. Proctor's Fifth Avenue Theatre was keenly anticipated:

Laddie Cliff is back, with the springs in his legs still in tip-top order. Laddie always gets a big welcome here, for he has played this house so often that his patrons have come to know him well. He has songs that are up to the minute, and a characteristic manner of delivering them that is more than half the battle. But his dancing is the real thing.[15]

In 1913, he is one of the artists mentioned in the Player's section "Big Time Vaudeville Around New York". He is in a "particularly pleasing bill" at the Victoria theatre and "scoring his usual success".[16]

First marriage, property in US, and leaving the US to enlist - 1913-1916

By around 1913 Cliff had become rich enough to buy property in New York State,[17] and a couple of years later he married a fellow vaudeville dancer, Maybelle (also spelled Mabel and Maybell) Parker.[17]

The marriage probably took place in the summer of 1915. During mid-September 1915, they performed together at New York's Palace Theatre. On Saturday 11th they were flagged among "Stage and Screen Players to Be Seen Next Week" in The Evening World as "Laddie Cliff...comedian, assisted by Maybelle Parker".[18] The next week, on Tuesday 14 September, The Sun reports them starring as "Mr and Mrs Laddie Cliff".[19] The New York Clipper reviewed them on Saturday 18th:

LADDIE CLIFF, assisted by MAYBELLE PARKER, captured the hit of the first portion of the program. Laddie's excellent dancing and his rendition of several exclusive songs, and the piano playing of Miss Parker puts this act in a class by itself.[20]

In 1916 he decided to leave the US to return to England and enlist:

Laddie Cliff, the English comedian, has announced that he is going back to his native land to enlist. Cliff, who came to this country as a boy comedian seven or eight years ago, has been a great favorite here and, in fact, is much better known in America than be is in England. He is the owner of various pieces of American property and his bride of about a year, Maybell Parker, is an American girl. His friends have known, however, that he has felt very keenly the criticisms in some professional quarters regarding the number of English actors in this country, and although his associates explained that the criticisms were not directed against Englishmen who had become as Americanized as he, the young comedian felt that the best way to prove his love for his mother country was to fight for it.[17]

Cliff had bought a farm on North Plank Road in Port Jervis, N.Y., and the announcement on 29 September, 1916, that it had been sold was carried in The New York Clipper of the same day:

LADDIE CLIFF SELLS FARM
Port Jervis, N.Y., Sept 29. — Announcement was made today of the sale of the farm of Laddie Cliff, vaudeville Star, who is shortly to sail for England to join the British army aviation corps. It was purchased by Dr. William E. Barth, of Newburgh.

Laddie Cliff is really Clifford Albyn Cliff [sic],[21] but he has always been called Laddie and assumed this name on the stage. About three years ago he purchased a place on the North Plank road, about three miles from the city, and has spent considerable time there.[22]

The marriage to Maybelle Parker did not last and she lived in England until 1941.[23]

First successes as a performer in London, 1920-1921

Cliff's acclaimed "extraordinary dancing"[2] as a bespectacled comic in the London musical Three Little Widows resulted in his being engaged to choreograph André Charlot's The Wild Geese[2] and put him on the road to stardom. He subsequently appeared in the revue Pins and Needles (1921).

As a performer, Cliff was the first to sing "Swanee" on the London stage, in Albert de Courville's London Hippodrome revue Jig-Saw! (1920). The cast included Stanley Lupino and the Dolly Sisters.[24] Cliff is pictured on the original sheet music of the song.[25]

Second marriage

From 1921, Laddie Cliff collaborated with Phyllis Monkman on The Co-Optimists(Royalty Theatre and Palace Theatre, 1921). They were married on Tuesday,16 February 1926 at the Savoy Chapel. [26]

Development of theatrical career 1921-1936

Cliff subsequently became an acclaimed producer and director of several West End shows.[2] He choreographed George Gershwin's Primrose at the Winter Garden Theatre in 1924, working alongside George Grossmith who co-wrote the book, produced and staged the show.[27]

Continuing as one of the most popular performers on the London stage, his other West End hits[2] included

Burglary at London residence, 1928

On 22 November 1928, Australia's Western Mail reported a burglary at the London home of Laddie Cliff and his wife Phyllis Monkman. Cliff was onstage in So This Is Love at the time, and the burglary was discovered by Monkman. The event inspired a song.

BURGLARY INSPIRES SONG
Thieves who broke into the St John's Wood (London) home of Mr. Laddie Cliff, who is playing in "So This Is Love" at the Winter Garden Theatre, inspired a new song for one of the actor's productions.
It is entitled "Don't leave your jemmy on the door," for that is what the thieves did.
Mr Cliff was at the theatre, and the burglary was discovered by Miss Phyllis Monkman, his wife, who found the door splintered opened and a jemmy nearby.
The thieves had ransacked the house and stolen a gold cigarette case inscribed from "David to Laddie," a blue enamelled dress watch inscribed "To Laddie from his Friar friends: Aug, 4, 1916,"[33] and other property, including a fur coat.[34]

Illness, death, and memorial

Laddie Cliff had to leave the cast of Crazy Days (Shaftesbury Theatre,[35] 1937) owing to illness[2] and was replaced by Leo Franklyn. He died later that year.

Selected filmography


References
  1. Gänzl p.394
  2. John Kenrick, "Who's Who in Musicals", 2004, from Musicals101.com Accessed 13 February 2016]
  3. Answers to Queries in the "New York Clipper," 9 February 1921 Accessed 14 April 2020
  4. Fulton History website, accessed 29 December 2017. Source of the review is New York Dramatic Mirror, January 14, 1908, "New Acts" section on "The Vaudeville Stage" page, p. 14.
  5. New York Daily Tribune, January 5, 1908, p. 2 Accessed 13 April 2020. The report gives the Alhambra's location as 126th St and 7th Ave, making it likely to be the Harlem Alhambra, which started as a vaudeville theatre.
  6. Montreal Gazette, January 30 1909, p. 12 Accessed 13 April 2020
  7. Unattributed article in Harvard Crimson, 8 March 1910 Accessed 13 April 2020
  8. Spokane Evening Chronicle, Dramatic review section, 1 June 1909, accessed 13 April 2020
  9. New York Dramatic Mirror, July 3, 1909 Accessed 13 April 2020
  10. Gerald Vizenor, Blue Ravens, (Middletown, Conn., 2014), p.35
  11. San Francisco Call, Volume 106, Number 28, 28 June 1909 Accessed 1 October 2020
  12. San Francisco Call, Volume 108, Number 103, 11 September 1910 Accessed 13 April 2020
  13. Formerly on Archer Avenue, and demolished around 1990
  14. Full text of Variety (May 1910) Accessed 20 April 2020
  15. "Local offerings of the Week at the Vaudeville and Dramatic Houses," New York Daily Clipper, 12 March 1911, p.6 Described in the entry as "Keith & Proctor's Fifth Avenue Theatre
  16. Player, 7 November 1913, p.6 Accessed 19 April 2020
  17. Sunday Oregonian, 6 August 1916 Accessed 14 April 2020
  18. The Evening World, Saturday 11 September 1915 Accessed 19 April 2020
  19. The Sun, 14 September 1915, in Chronicling America Accessed 19 April 2020.
  20. New York Clipper 18 September 1915 Accessed 19 April 2020
  21. An error. Cliff's real surname was Perry.
  22. Full text of "The New York Clipper," October 1916, published by The Clipper Corporation, NYC and dated 7 October 1916 Accessed 14 April 2020
  23. Alan Hewitt Papers in New York Public Library Archives Accessed 13 April 2020
  24. Guide to Musical Theatre. Accessed 18 October, 2022
  25. Image of the original sheet music, publication date erroneously given as 1909 Accessed 13 February 2016. Kenrick gives the first performance as The Co-Optimists (1921), but the original sheet music identifies Jig-Saw! (1920) as Laddie Cliff's debut performance of the song.
  26. Western Mail, 17 February 1926. British Newspaper Archive.
  27. Gershwin website, publications section. Accessed 30 December 2017
  28. Tip-Toes at the Guide to Musical Theatre
  29. Arthur Lloyd, "Carlton Theatre". Accessed 18 October, 2022.
  30. Broadway Notes. Accessed 18 October, 2022
  31. Footlight Notes Accessed 18 October, 2022
  32. Guide to Musical Theatre, 1936). Accessed 18 October 2022.
  33. The August dating established that this was given to Laddie while still resident in Port Jervis, before he sold his property in Port Jervis and returned to England. See section 3, above.
  34. "Burglars Inspire Song" Western Mail, Perth, p. 9 Accessed 19 April 2020
  35. Guide to Musical Theatre. Accessed 18 October, 2022

Bibliography
  • Kurt Gänzl. The Encyclopedia of the Musical Theatre: A-Gi. Schirmer Books, 2001.
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