Lawyers in Love

In the intervening years since 1980's Hold Out and the release of Lawyers in Love, Browne released the single "Somebody's Baby" which became his biggest commercial hit to date. In the track "Downtown", he ad-libs a line to the melody of the Petula Clark song of the same name at the end of the song.

Lawyers in Love was the first album without David Lindley appearing since his first release, Jackson Browne. Replacing Lindley with guitarists Rick Vito and Danny Kortchmar gave this album a different sound.

The album was certified as a gold record in 1983 and platinum in 2001 by the RIAA.[1]

Co-producer and engineer Greg Ladanyi explained the album's unusual recording sessions: "For this record, Jackson wanted to be downtown, where the people were. So we found a warehouse in downtown L.A., and just turned it into a studio. We set it up so that the band could play without the distractions of a normal studio because, for the most part, Jackson was writing the songs – in terms of the key changes and chord changes – based on what he was hearing when the band was playing. There was no 'Okay, it's take one or take two.' We kept the tape rolling just about all the time. And there are very few overdubs."[2]

Professional ratings

Review scores
Source	Rating
AllMusic	[3]
Robert Christgau	C+[4]
The Encyclopedia of Popular Music	[5]
Rolling Stone	[6]

Although "Lawyers in Love", "Tender Is the Night" and "For a Rocker" were successful singles, the album received a lukewarm reaction by critics. In his retrospective review for AllMusic, William Ruhlmann referred to Browne's often overlooked songcrafting, but wrote "...the craft, and the familiar tightness of Browne's veteran studio/live band, couldn't hide the essentially retread nature of much of this material."[3]

Critic Robert Christgau called the album "a satire on, celebration of, and lament for the upper-middle classmates an Orange County liberal knows like he knows his neighbor's backyard..."[4]

Rolling Stone critic Christopher Connelly had a more positive response. In reviewing the album at the time of its release, Connelly felt that the record was "a more nervy, intelligent LP than its predecessor" and "a welcome widening of perspective that allows Browne to escape, once and for all, the L.A. albatross that has hung around his neck." But he despised the "wretched" 5:20 of "antinuke agitprop" that is "Say It Isn't True'" for displaying the worst traits of the album: "No quarrel here with the sentiments he's expressing, but to gravely intone, 'There always has been and always will be war,' over a 'Kum BaYa'-like coo of 'Say it isn't true' — surely, you say to yourself, he can't be that stupid."[6]

All tracks composed by Jackson Browne except where noted:

1. "Lawyers in Love" – 4:18
2. "On the Day" – 3:56
3. "Cut It Away" – 4:45
4. "Downtown" – 4:37
5. "Tender Is the Night" (Browne, Danny Kortchmar, Russ Kunkel) – 4:50
6. "Knock on Any Door" (Browne, Craig Doerge, Kortchmar) – 3:39
7. "Say It Isn't True" – 5:20
8. "For a Rocker" – 4:05

• Jackson Browne – guitar, vocals
• Craig Doerge – pianos, synthesizers
• Bob Glaub – bass guitar, Hammond organ (on "Say It Isn't True"), guitar (on "Lawyers in Love")
• Doug Haywood – Hammond organ, backing vocals, bass guitar (on "Say It Isn't True")
• Danny Kortchmar – arrangements
• Russ Kunkel – drums
• Bill Payne – Hammond organ (on "On the Day")
• Rick Vito – lead guitar, backing vocals

• Producers – Jackson Browne and Greg Ladanyi
• Assistant Producer – Brian Reed
• Engineers – Greg Ladanyi and James Geddes
• Technical Engineer – Ed Wong
• Mastered by Doug Sax and Mike Reese at The Mastering Lab (Los Angeles, CA).
• Art Direction and Design – Dawn Patrol and Jimmy Wachtel
• Artwork – Howard Carriker and Joe Sohms
• Photography – Matti Klatt, Randee St. Nicholas and Joe Sohms.

Album – Billboard (United States)

Singles – Billboard (United States)