Les Tuniques Bleues

Cauvin has written the stories for the first 64 volumes. Six of the first ten volumes were illustrated by Louis Salverius, with Lambil taking over after Salverius' death.

The first book, Un chariot dans l'Ouest (French for “A Wagon in the West”), was published in 1972. Cauvin retired from writing the series in 2020, with the reins being taken over by Jose Luis Munuera and the BeKa writing partnership. Their first album L'envoyé spécial (“The Special Correspondent”) is published out of sequence in 2020, as volume 65, while the final album by Cauvin and Lambil is released the following year as volume 64, titled Où est donc Arabesque ? (“Where is Arabesque?”).[2]

The stories appear first in Spirou, before being published as an album. The French editions are published by Dupuis. New albums are among the top ten best selling comics in French each year, with 184,800 copies for the 50th album alone in 2006.[3] Les Tuniques Bleues spawned a 1989 computer game called North and South.

A scene showing the two main characters.

The original setting was the frontier of the Old West, where the main characters were American cavalrymen. Those stories, rarely longer than a single page, were comedic adventures about popular Western stereotypes and the absurdity of military life. One recurring feature was the blunder that led to the Cavalry fort being besieged by outraged Native Americans, or in one case, the cavalry having to besiege their own fort after the Indians have tricked them into leaving it and taken over. As the series progressed, the stories became longer and more involved, retaining their humorous highlights. The drawing style also changed, after the death of the original artist Salverius, from overtly cartoonish to semi-realistic.

In the second album, Du Nord au Sud, the main characters, Blutch and Chesterfield, travel east to join Ulysses S. Grant's army and fight in the American Civil War.[1] The 18th album, Blue Retro, describes how the characters were first drafted into the military when the war had already begun and makes no mention of the time they spent on the frontier, contradicting the events in album 2 and others. This retconned origin and continuity hiccups are not detrimental to the enjoyment and understanding of the series since each album is a stand-alone adventure or collection of short stories. Adventures at the frontier fort still occasionally take place.

The two main protagonists are colorful and clashing opposites. Corporal Blutch is a reluctant soldier, highly critical of authority, whose only wish is to get out of the army and return to civilian life, often threatening to desert and coming up with ways to avoid going into yet another senseless battle. Blutch does have a heroic side and will not hesitate to fight against the Confederate troops even to the risk of his own life. Sergeant Cornelius Chesterfield is by contrast a devoted and obedient career soldier, always determined that he and Blutch should be in the thick of the action. He is proud of his scars and dreams of military glory. Though strong and brave to the point of recklessness, he is clumsy and narrow-minded, unable to clearly perceive the madness of the war around him. Though their relationship is often antagonistic, they are comrades for life and have saved each other's lives many times in spite of repeated threats made by both of doing the other in.

Other recurring characters include the somewhat insane, charge-obsessed Captain Stark and the bumbling general staff, headed by the anger-prone General Alexander. Historic figures are also occasionally present in the narrative: alongside General Grant, they include President Abraham Lincoln, Confederate commander Robert E. Lee, and war photographer Mathew Brady. As happens in fiction, especially in bandes dessinées, Blutch and Chesterfield often get sent on special missions which take them all over the map, from Mexico to Canada, and mix them up in projects from railroad construction to spying on the Confederacy's secret submarine project (based on the actual CSS David). Many albums are built around historical events or characters such as Chinese immigrant labor, the treatment of African American soldiers, Charleston's submarines, and General Lee's horse Traveller. Chesterfield even goes undercover to confront guerrilla leader William Quantrill and his henchmen Jesse and Frank James. On another occasion they had to contend with a racist officer, Captain Nepel, based on the French politician Jean-Marie Le Pen.

Historical details are generally quite exact, and accuracy has steadily improved over the years. Yet the series is first and foremost entertainment and historic details are altered to suit the story. The serious drama of the plots is balanced by frequent humorous incidents and Blutch's constant sarcastic wisecracks. Although this is not strictly speaking an adult-oriented bande dessinée, the authors are not afraid of showing the reality of war in a harsh, but tactful manner, such as dead bodies in the aftermath of a battle. Military authority, especially the uncaring and/or incompetent leader is often the subject of parody and derision.

Navy Blues (French: Les Bleus de la marine) is the seventh album in Les Tuniques Bleues comic series by Willy Lambil and Raoul Cauvin.[4] It was published for the first time at No. 1904 and No. 1917 in Spirou magazine, afterwards as an album in 1975. The plot is based around the Battle of Hampton Roads in 1862.

Several albums highlight historical facts of the American Civil War, other adventures are set in a place or anonymous battle. Some accounts tell of an encounter with a Native American tribe without any relation to the American Civil War. However, the chronology of the albums does not follow that of the war, but several albums are in flashback, tracing the past of the two protagonists, possibly narrated by one of them (Bull Run) or another character (Vertes Années).

Cinebook Ltd has started publishing English translations from 2008, as "The Bluecoats". Sixteen books have been published to date.

1. Robertsonville Prison (French #6), 2008, ISBN 978-1-905460-71-7
2. The Navy Blues (French #7), 2009, ISBN 978-1-905460-82-3
3. The Skyriders (French #8), 2010, ISBN 978-1-84918-014-6
4. The Greenhorn (French #14), 2011, ISBN 978-1-84918-066-5
5. Rumberley (French #15), 2012, ISBN 978-1-84918-108-2
6. Bronco Benny (French #16), 2013, ISBN 978-1-84918-146-4
7. The Blues in the Mud (French #13), 2014, ISBN 978-1-84918-183-9
8. Auld Lang Blue (French #18), 2015, ISBN 978-1-84918-245-4
9. El Padre (French #17), 2016, ISBN 978-1-84918-286-7
10. The Blues in Black and White (French #11), 2017, ISBN 978-1-84918-341-3
11. Cossack Circus (French #12), 2018, ISBN 978-1-84918-383-3
12. The David (French #19), 2019, ISBN 978-1-84918-430-4
13. Something Borrowed, Something Blue ISBN 9781849185318
14. The Dirty Five ISBN 978-1-80044-004-3
15. Bull Run ISBN 978-1-80044-061-6
16. Sallie ISBN 978-1-80044-089-0

Les Tuniques Bleues was made into a video game named North & South in 1989 by Infogrames. In 2012, this game was adapted by Anuman Interactive as a multiplayer game.[6]

Rue des comédiens (and the Tuniques bleues) - Brussels.

Les Tuniques Bleues are among the many Belgian comic characters to jokingly have a Brussels street named after them. The Rue des Comédiens/ Komediantenstraat has a commemorative plaque with the name Rue des Tuniques Bleues/ Blauwbloezenstraat placed under the actual street sign.[7]

Wikimedia Commons has media related to Les Tuniques bleues.

• (in French) Les Tuniques Bleues
• English publisher of The Bluecoats – Cinebook Ltd
• Official Dupuis site