Letter notation

In music, letter notation is a system of representing a set of pitches, for example, the notes of a scale, by letters. For the complete Western diatonic scale, for example, these would be the letters A-G, possibly with a trailing symbol to indicate a half-step raise (sharp, ♯) or a half-step lowering (flat, ♭). This is the most common way of specifying a note in speech or in written text in English or German. In Germany, Scandinavia, and parts of Central and Eastern Europe, H is used instead of B, and B is used instead of B♭. In traditional Irish music, where almost all tunes are restricted to two octaves, for notes in the lower octave to written in lower case while those in the upper octave to be written in upper case.

C major scale letter notation. The print letters, above the staff, are not normally included. Playⓘ

If we consider the chromatic scale, new sounds are obtained by lowering or raising the 7 diatonic notes by a semitone by means of flats (♭) and sharps (♯). Use of solfege or letter names depends on language. For a more complete table and explanation, see Musical note.

Diatonic scale note first second thirdfourth fifth sixth seventh
Solfege/Italian do re mifa sol la si
Variations ut - -- so - ti
Sharp  do♯ re♯  fa♯ sol♯ la♯ 
Flat  re♭ mi♭  sol♭ la♭ si♭ 
English C D EF G A B
Sharp  C sharp D sharp  F sharp G sharp A sharp 
Flat  D flat E flat  G flat A flat B flat 
German C D EF G A H
Sharp  Cis Dis  Fis Gis Ais 
Flat  Des Es  Ges As B 

Western letter pitch notation has the virtue of identifying discrete pitches, but among its disadvantages are its occasional inability to represent pitches or inflections lying outside those theoretically derived, or (leaving aside chordal and tablature notations) representing the relationship between pitches—e.g., it does not indicate the difference between a whole step and a half step, knowledge of which was so critical to Medieval and Renaissance performers and theorists.

History
Main article: Note: History of note names

The earliest known letter notation in the Western musical tradition appear in the textbook on music De institutione musica by the 6th-century philosopher Boethius. A modified form is next found in the Dialogus de musica (ca. 1000) by Pseudo-Odo, in a discussion of the division of the monochord.[1]

Guitar chords
Main article: guitar chord
See also: Chord notation

Letter notation is the most common way of indicating chords for accompaniment, such as guitar chords, for example B♭7. The bass note may be specified after a /, for example C/G is a C major chord with a G bass.

Where a capo is indicated, there is little standardisation. For example, after capo 3, most music sheets will write A to indicate a C chord, that is, they give the chord shape rather than its pitch, but some specify it as C, others give two lines, either the C on top and the A on the bottom or vice versa. A few even use the /, writing C/A or A/C, but this notation is more commonly used for specifying a bass note and will confuse most guitarists.

Choice of note names

In the context of a piece of music, notes must be named for their diatonic functionality. For example, in the key of D major, it is not generally correct to specify G♭ as a melodic note, although its pitch may be the same as F♯ (in many tuning systems other than twelve tone equal temperament, the pitch of G♭ is not the same as that of F♯). This is normally only an issue in describing the notes corresponding to the black keys of the piano; there is little temptation to write C as B♯ although both may be valid names of the same note. Each is correct in its context.

Note names are also used for specifying the natural scale of a transposing instrument such as a clarinet, trumpet, or saxophone. The note names used are conventional, for example a clarinet is said to be in B♭, E♭, or A (the three most common registers), never in A♯, and D♯, and Bdouble flat (double-flat), while an alto flute is in G.

Octaves

Note names can also be qualified to indicate the octave in which they are sounded. There are several schemes for this, the most common being scientific pitch notation.

Scientific pitch notation is often used to specify the range of an instrument. Where sharps or flats are necessary for this, these are related to the natural scale of the instrument if it has one, otherwise the choice is arbitrary.

Other note naming schemes
  • Tonic sol-fa is a type of notation using the initial letters of solfege.
  • Alpha is a chromatic extension of the letter notation proposed by the French musician Raphaël André.[2]
    { << \new Voice = "one" { \relative c''{ \time 7/4 ais bis cis dis eis fis gis <a a,> b, c d e f <g g,> as, bes ces des es fes ges beses, } } \new Lyrics \lyricsto "one" { t u v w x y z a b c d e f g h i j k l n o p } >> }

See also

References
  1. See "Medieval letter notations: a survey of the sources" by Alma Colk Browne (Ph. D. thesis. University of Illinois at Urbana-Champaign, 1979) and "Medieval Canonics" by Jan Herlinger, in The Cambridge History of Western Music Theory, Thomas Christensen, ed., 2002. Cambridge University Press, ISBN 0-521-62371-5
  2. "AlphabetChromatique". souslepont.org (in French). 2022-05-18. Retrieved 2023-01-03.
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