List of noise musicians

The following is a list of artists who make noise music.

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

R

S

T

V

W

X

Y

Z

See also

References

  1. Skarsnik (November 1, 2013). "Review: Anenzephalia – Kaltwelt". Heathen Harvest. Retrieved September 22, 2018.
  2. Novak 2013, p. 12. "By the early 1990s, recordings by Hijokaidan, Incapacitants, C.C.C.C., Solmania, Masonna, Monde Bruits, Astro, Aube, Government Alpha, Pain Jerk, K.K. Null, K2, MSBR, Geriogerigegege, Violent Onsen Geisha, and Merzbow had swept into North American reception."
  3. Couture, François. "Review: Kenneth Atchley – Fountains". AllMusic. All Media Network. Retrieved September 22, 2018.
  4. Vinciguerra, Nicola (May 24, 2018). ""The Sounds I Produce Mirror My Hell": An Italian's Introduction to Atrax Morgue". Heathen Harvest. Retrieved September 16, 2018.
  5. Segal, Dave (December 9, 2013). "Eric Lanzillotta on the Death of Experimental Musician Aube". The Stranger. Index Newspapers LLC. Retrieved September 16, 2018.
  6. Dale, Jon (November 2007). "Size Matters: Bastard Noise & Antennacle – Bastard Noise & Antennacle". The Wire. No. 285. London. p. 58. ISSN 0952-0686.
  7. Delaurenti, Christopher (November 2005). "On Location: Wooden Octopus Skull Experimental Musick (P)Festival". The Wire. No. 261. London. p. 87. ISSN 0952-0686.
  8. Colegate, Mat (July 11, 2012). ""There's No Prescribed Reaction": Consumer Electronics' Philip Best Interviewed". The Quietus. Retrieved September 22, 2018.
  9. Torreano, Bradley. "Maurizio Bianchi Biography". AllMusic. All Media Network. Retrieved September 16, 2018.
  10. Albert, Nathan (January 9, 2012). "Black Dice to Release New Album in April; Hear "Pigs" Now". XLR8R. XLR8R Media Inc. Retrieved September 16, 2018.
  11. Kelsey, Chris. "Borbetomagus Biography". AllMusic. All Media Network. Retrieved September 16, 2018.
  12. SanFilippo, Richard (February 23, 2002). "Review: Brighter Death Now – 1890". Brainwashed. Retrieved September 21, 2018.
  13. Klosowski, Thorin (February 28, 2011). "Bull of Heaven Works to Provide Enough Music for Several Lifetimes". Westword. Denver Westword, LLC. Retrieved September 23, 2018.
  14. Dunton, Creaig (May 4, 2008). "Review: Chop Shop – Oxide". Brainwashed. Retrieved September 21, 2018.
  15. Moss 2000, p. 26 "In 1981, in the middle of the postpunk period, she founded the collective Club Moral together with the visual artist Danny Devos. They organized noise concerts, performances, exhibitions, and published the magazine Force Mental, to explore the boundaries of the morally and aesthetically acceptable."
  16. Lockwood, MP (October 16, 2011). "Cock ESP Show You How Noise Should Be Done". WFMU's Beware of the Blog. WFMU. Retrieved September 21, 2018.
  17. Ankeny, Jason. "Controlled Bleeding Biography". AllMusic. All Media Network. Retrieved September 22, 2018.
  18. Martin, Ian (October 23, 2015). "Unexpected Places Step in to Fill the Role of Live House Venues in Japan's North". The Japan Times. Retrieved September 18, 2018.
  19. Pothast, Emily (August 2021). "Aaron Dilloway". The Wire. No. 450. London. p. 40. ISSN 0952-0686.
  20. Howe, Brian (November 16, 2012). "Review: Kevin Drumm – Relief". Pitchfork. Conde Nast. Retrieved September 16, 2018.
  21. Duguid, Brian (March 1999). "Outer Limits: John Ducan – Mort aux vaches: Seek". The Wire. No. 181. London. p. 71. ISSN 0952-0686.
  22. Simpson, Paul. "Esplendor Geométrico Biography". AllMusic. All Media Network. Retrieved September 21, 2018.
  23. Graham 2016, p. 185. "Latter-day harsh noise subgenres, such as harsh wall noise, which developed concurrently in the American and Japanese noise scenes of the 1990s with artists such as Monde Bruit and Incapacitants for the latter and Skin Crime and Black Leather Jesus for the former, are practiced by all sorts of artists, from K. K. Null to Werewolf Jerusalem, Kites, Hum of the Druid, and Wolf Eyes. These harsh noise genres sit alongside diffuse techniques and practices, from persisting power electronics (Genocide Organ); to DIY noise improv (Prick Decay, Sonic Catering Band, Morphogenesis); to the noisier ends of lo-fi, noise performance art (Justice Yeldham), concept-laden noise rock, and improvisation (Mattin); and to the wide genre(s) of post-noise music."
  24. Pouncey, Edwin (November 2009). "Soundcheck: Government Alpha – Resolution of Remembrance 1992–1999". The Wire. No. 309. London. p. 54. ISSN 0952-0686.
  25. Stosuy, Brandon (June 17, 2004). "Review: Hair Police – Obedience Cuts". Pitchfork. Conde Nast. Retrieved February 3, 2022.
  26. Hage, Erik. "Hanatarash Biography". AllMusic. All Media Network. Retrieved September 16, 2018.
  27. Maleney, Ian (October 28, 2015). "Review: Russell Haswell – As Sure As Night Follows Day". Resident Advisor. Retrieved September 16, 2018.
  28. Richardson, Nick (May 2010). "The Haters: John Wiese Hails Hollywood's Noise Veterans". The Wire. No. 315. London. pp. 10–11. ISSN 0952-0686.
  29. "Noise Legend Florian Hecker Releases Radical New Book Chimerizations". Fact. The Vinyl Factory. May 31, 2013. Retrieved September 18, 2018.
  30. Cummings, Alan (March 2005). "Hijokaidan: Big Boss Man". The Wire. No. 235. London. p. 33. ISSN 0952-0686.
  31. Keenan, David (January 2013). "2012 Rewind: Imprints of Greatness". The Wire. No. 347. London. p. 46. ISSN 0952-0686.
  32. Radford, Chad (June 1, 2018). "If, Bwana plays Railroad Earth June 1". Creative Loafing. Retrieved September 24, 2018.
  33. Haynes, Jim (March 2009). "Soundcheck: Incapacitants – Box Is Stupid". The Wire. No. 301. London. pp. 52–53. ISSN 0952-0686.
  34. Young, Logan K. (September 15, 2011). "Sonic Circuits: GX Jupitter-Larsen Knows How to Make an Audience Riot". Washington City Paper. Retrieved September 23, 2018.
  35. Topolski, Jan (July 2017). "Zbigniew Karkowski". Culture.pl. Translated by NC. Adam Mickiewicz Institute. Retrieved September 16, 2018.
  36. Coley, Bryon (May 2004). "Size Matters: 3", 7", 10" and Other Misshapen Formats". The Wire. No. 243. London. p. 68. ISSN 0952-0686. KK Null is widely and correctly lauded as one of the fathers of Japanese noise guitar ...
  37. Armstrong, Aimee (January 25, 2018). "Fire, Prayer & Curses: Lingua Ignota Interviewed". The Quietus. Retrieved February 3, 2022.
  38. Gates, Joseph (September 1, 2011). "The Music of Rodger Stella". Heathen Harvest. Retrieved September 21, 2018.
  39. Neset, Anne Hilde (November 2006). "Lasse Marhaug". The Wire. No. 273. London. p. 24. ISSN 0952-0686.
  40. Layne, Joslyn. "Masonna Biography". AllMusic. All Media Network. Retrieved September 16, 2018.
  41. Raponi, Martina (2017). "The Authority of Taste. Mattin and Theses on Noise". Digicult.
  42. Dunton, Creaig (August 5, 2012). "Review: Broken Flag: A Retrospective / Ramleh – Awake!". Brainwashed. Retrieved February 3, 2022.
  43. Ham, Robert. "Daniel Menche's Crushing Drone and Noise Sometimes Features His Dog". Bandcamp Daily. Bandcamp. Retrieved September 16, 2018.
  44. Larkin, Colin (2009). "Merzbow". Encyclopedia of Popular Music 4 ed. Oxford University Press. doi:10.1093/acref/9780195313734.001.0001. ISBN 9780199726363. Retrieved September 16, 2018.
  45. Couture, François. "Merzbow Biography". AllMusic. All Media Network. Retrieved September 16, 2018.
  46. Empire, Kitty (April 25, 2010). "Lou Reed's Metal Machine Trio; Wanda Jackson: Royal Festival Hall, London; Luminaire, London". The Observer. Guardian Media Group. Retrieved February 3, 2022.
  47. Davies, Sam (July 2006). "Outer Limits: Metalux & John Wiese – Esoteric". The Wire. No. 269. London. p. 60. ISSN 0952-0686.
  48. Campau, Don (November 17, 2011). "Minoy". The Living Archive of Underground Music. Retrieved September 16, 2018.
  49. Kelly, Jennifer (September 16, 2019). "Sonic Youth Founder Thurston Moore Asks Why a Song Can't Be an Hour Long". PopMatters. Retrieved February 3, 2022.
  50. Schleicher, Lucas (June 27, 2004). "Review: Nautical Almanac – Rooting for the Microbes". Brainwashed. Retrieved February 3, 2022.
  51. Hadfield, James (March 13, 2016). "The Nihilist Spasm Band: 51 Years Later It's Still Chaos". The Japan Times. Retrieved September 22, 2018.
  52. Stosuy, Brandon (February 27, 2008). "Show No Mercy". Pitchfork. Conde Nast. Retrieved September 16, 2018.
  53. Bell, Clive (July 1999). "Otomo Yoshihide". The Wire. No. 185. London. p. 32. ISSN 0952-0686.
  54. Masters, Marc; Currin, Grayson (February 1, 2013). "The Out Door: The End is the Beginning". Pitchfork. Conde Nast. p. 4. Retrieved September 23, 2018.
  55. Ankeny, Jason. "Panicsville Biography". AllMusic. All Media Network. Retrieved September 21, 2018.
  56. Neyland, Nick (May 16, 2013). "Review: Pharmakon – Abandon". Pitchfork. Conde Nast. Retrieved February 3, 2022.
  57. Simpson, Paul. "Prurient Biography". AllMusic. All Media Network. Retrieved September 16, 2018.
  58. Wilson, Rich. "Puce Mary". AllMusic. Retrieved June 24, 2021.
  59. Mason, Stewart. "Ramleh Biography". AllMusic. All Media Network. Retrieved September 23, 2018.
  60. Williams, Russell (May 22, 2014). "Live Report: Harsh Noise Wall Festival III". The Quietus. Retrieved September 18, 2018.
  61. Barry, Robert (October 3, 2012). "FACT Meets Boyd Rice: Noise Pioneer, Film Buff, Leader of the Church of Satan". Fact. The Vinyl Factory. Retrieved September 16, 2018.
  62. Niebisch 2012, p. 112.
  63. Latham, Alison (2011). "Luigi Russolo". The Oxford Companion to Music. Oxford University Press. doi:10.1093/acref/9780199579037.001.0001. ISBN 9780199579037. Retrieved September 22, 2018.
  64. Semprebon, Rolf. "Smegma Biography". AllMusic. All Media Network. Retrieved September 21, 2018.
  65. Masters, Marc; Currin, Grayson (March 4, 2011). "The Out Door: Trimming the Historical Thorns". Pitchfork. Conde Nast. p. 4. Retrieved February 3, 2022.
  66. Clarke, Mia Lily (March 12, 2006). "Review: Terrestrial Tones – Dead Drunk". Pitchfork. Conde Nast. Retrieved February 3, 2022.
  67. Harvell, Jess (April 18, 2007). "Review: Throbbing Gristle – Part Two: The Endless Not". Pitchfork. Conde Nast. Retrieved September 22, 2018.
  68. Hussey, Allison (January 22, 2022). "To Live and Shave in L.A.'s Tom Smith Dies at 65". Pitchfork. Conde Nast. Retrieved February 3, 2022.
  69. Lee, Morgan (August 18, 2016). "Leyland James Kirby Resurrects Harsh Noise Project V/Vm". Fact. The Vinyl Factory. Retrieved September 24, 2018.
  70. Currin, Grayson Haver (June 11, 2007). "Review: John Wiese – Soft Punk". Pitchfork. Conde Nast. Retrieved February 3, 2022.
  71. Linhardt, Alex (May 23, 2006). "Review: Whitehouse – Asceticists 2006". Pitchfork. Conde Nast. Retrieved September 16, 2018.
  72. Camp, Zoe (March 31, 2017). "Review: Wolf Eyes – Undertow". Pitchfork. Conde Nast. Retrieved September 16, 2018.
  73. Cummings, Raymond (May 13, 2015). "Ten Artists to Catch at Ende Tymes Festival of Noise and Experimental Liberation 2015". The Village Voice. Retrieved September 23, 2018.
  74. Masters, Marc (March 3, 2010). "Review: Yellow Swans – Going Places". Pitchfork. Conde Nast. Retrieved September 16, 2018.

Books

  • Moss, Karen (2000). The World on Its Head (De wereld op zijn kop): An Exhibition of Contemporary Belgian Art from Flanders. San Francisco, California: San Francisco Art Institute. ISBN 978-0-930-49536-7.
  • Niebisch, Arndt (2012). Media Parasites in the Early Avant-Garde: On the Abuse of Technology and Communication. New York: Palgrave Macmillan. ISBN 978-1-349-44684-1.
  • Novak, David (2013). Japanoise: Music at the Edge of Circulation. Durham, North Carolina: Duke University Press. ISBN 978-0-822-35392-8.
  • Graham, Stephen (2016). Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music. Ann Arbor, Michigan: University of Michigan Press. ISBN 978-0-472-11975-2.
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