Love from a Stranger (1937 film)

• Ann Harding as Carol Howard
• Basil Rathbone as Gerald Lovell
• Binnie Hale as Kate Meadows
• Bruce Seton as Ronald Bruce
• Jean Cadell as Aunt Lou
• Bryan Powley as Doctor Gribble
• Joan Hickson as Emmy
• Donald Calthrop as Hobson
• Eugene Leahy as Mr. Tuttle

Love from a Stranger transitions between comedy and romance in the first half of the film to what Mark Mark Aldridge commented on the film in his book on Agatha Christie film adaptations, describing it as a "tense finale" that "ensures the audience is not fatigued by the straightforward thriller aspects too early on."[3]

Love from a Stranger was released in the United Kingdom on January 1937.[1] The film was released as A Night of Terror in the United States.[4]

Much of the promotion of the film dealt with the costumes and clothing by Ann Harding, the American actress who made her British production premiere with the film. The Daily Express referred to the film as "a most Ritzy thriller. It might be called "The Bride of Frankenstein - Models by Worth" [...] or "Hangman Fashions of 1937!"[5] It was one of the first highly publicized Agatha Christie adaptations but the author was not part of the marketing.[3]

The film was reviewed by C. A. Lejeune in The Observer of 10 January 1937 when she said that it "was a bit slow in getting started, but once the extra characters of the early scenes are dropped and the film gets the two leading players alone in their Kentish farmhouse, it becomes a hair-raiser of the first order." He concluded that, "Ann Harding and Basil Rathbone…overplay a little in the final conflict, but I'm not at all sure that it isn't what is wanted for the picture. The whole treatment of the climax is strained, overwrought, and hysterical; on the border-line between laughter and madness. There is one shot, when the wife throws open the last door to escape and finds her husband standing dead-still on the threshold, that hasn't been equalled for horror since Cagney's body fell through the doorway in Public Enemy. A woman in front of me let out a scream like a steamship siren at this point in the first performance. That scream was the natural voice of criticism testifying to the film's success."[6] On its release, Aldridge the best-received Christie adaptation to date but that some critics did not appreciate the transition from comedy.[4] The Daily Express found the change "abrupt" finding the ending an "unrelieved duet in the macabre" and that "at one juncture [...] the loudest scream I have heard in a cinema. That's a tribute."[4] The Times responded positively stating that "suspense is skillfully maintained throughout" while Henry Gibbs, writing for Action magazine stated "Good performances, good story - what more do you want?"[4]

The Scotsman of 22 June 1937 started off its review by saying, "Suspense is cleverly created and sustained in this film version of the late Frank Vosper's play." The reviewer continued, "The suspicion that she has married a murderer is cunningly built up; his homicidal mania, strangely mixed up with greed and sadism, is made plausible and eerily convincing; and the closing sequence, in which the wife, sensing his murderous intention, seeks frantically, almost despairingly, for some escape, achieves dramatic suspense of an intensity only occasionally encountered on the screen. Much of the effect is due to the acting. Ann Harding brings a strong, yet restrained emotion to her part, even when it trembles of the verge of melodramatic insanity, and Basil Rathbone terrifyingly combines sensitiveness and insanity in a polished and persuasive performance."[7]

Variety reviewed the film twice, the first declaring it a "Gorgeously photographed and splendidly cut [...] takes front rank with the long list of gruesome films produced in recent years." while a second review felt it contained "a couple of reels of dramatic dynamite. But the rest is inconsequential."[4]

Aldridge commented on the film stating "the most striking aspect of the plot is its surprising lack of mystery." while finding the final half of the film as "necessarily and effectively claustrophobic [...] the film does not feel constrained by its [play] origins."[8]

• Aldridge, Mark (2016). Agatha Christie on Screen. Palgrave Macmillan. ISBN 978-1-349-67695-8.
• Gifford, Denis (2001) [1973]. The British Film Catalogue. Vol. 1 (3 ed.). Routledge. ISBN 978-1-57958-171-8.
• Low, Rachael. Filmmaking in 1930s Britain. George Allen & Unwin, 1985.
• Wood, Linda. British Films, 1927–1939. British Film Institute, 1986.

• Love from a Stranger at IMDb
• Love From a Stranger at AllMovie