M. S. Viswanathan

In 1952, C. R. Subburaman died unexpectedly. Ramamoorthy and Viswanathan joined and completed the background music for the films Subburaman was working on, including Devadas, Chandirani and Marumagal. N. S. Krishnan knew them both fairly intimately and also their respective talents by then because of his close relationship with C.R.Subburaman, with whom he had worked earlier in several films.[17] Meanwhile, Viswanathan also worked as the third composer for the film Genova where the other composers were M.S Gnanamani and T.K.Kalyanam.[18] M.G.Ramachandran, the hero of the film Genova, had reservations about the 'raw, young music director' but the reservations lasted only until he listened to the songs. M.G.Ramachandran instantly recognised the arrival of a genius and the relationship lasted until the end of his career as a hero in 1977.[14] Viswanathan and Ramamoorthy were asked to write the music for Panam, a 1952 film produced by A. L. Seenivasan and directed by N. S. Krishnan. Later the duo was asked to do the background score for the film Ratha Kanneer by its music composer C. S. Jayaraman.[17]

The duo composed music for over 100 films, and they worked together from 1952 to 1965.[19]

On 16 June 1963 at a special function M. S. Viswanathan and T. K. Ramamoorthy were each given the title of Mellisai Mannar(Kings of the Light Music).[20] It was granted by Sivaji Ganesan at the Madras Triplicane Cultural Academy. The function was supported and facilitated by the Hindu Group of Publications, especially Mr. T. M. Ramachandran, Director C. V. Sridhar and Chitralaya Gopu.

The duo parted in 1965 after release of Ayirathil Oruvan and since then they composed for films individually. After 29 years, they rejoined in 1995 for the Tamil film Engirundho Vanthan starring Sathyaraj.[21]

P. Susheela received her first National Award as Best Singer in 1969 for the song "Paal Polave" composed by MSV in the film Uyarndha Manidhan. Immediately after recording the song, MSV was so happy, he said to P. Susheela that she would be acclaimed as the Best Singer for the National Award for this song.

The duo Viswanathan Ramamoorthy were awarded an honorary doctorate by the Sathyabama Deemed University in September 2006.[22]

J. Jayalalithaa, the Chief Minister of Tamil Nadu, conferred the title Thirai Isai Chakravarthy (Emperors of the Cine Music) on Viswanathan and Ramamoorthy in August 2012[6] and presented them with 60 gold coins and a new car.[7][8]

Viswanathan Ramamoorthy duo were the first musicians to arrange a stage performance of the film singers and live orchestra in India. Until then only traditional Carnatic music and Hindustani classical music was performed live in any function. This became a trend setter and paved the way not only for the birth of many musical troops, but also for knowing, understanding and learning about the western instruments among millions of Indians.

M. S. Viswanathan began his solo career in 1965.[23] Viswanathan is known for having incorporated various genres of world music into Indian cinema music. He used elements such as humming and whistling in his songs, and blended new trends such as western music and disco with Indian classical tunes.[23][24] Some of his films as solo music composer include Idhayakani, Gallatta Kalyanam, Chandrodhyam, Kannan En Kadhalan, Dheiva Magan, Nimrundhu Nil, Rickshakaran, Ulagam Sutrum Vaaliban, and Urumai Kural. M. S. Viswanathan also scored music for many non-film albums and for political campaigns.

He also did playback singing, including 500 songs composed by himself and over 200 songs composed by music directors.[25] He performed songs such as Sollathan Ninaikiren, Inbathilum Thunbathilun Sirithidu Magaley, Yenakkoru Kaathalai Irukindral, Sangamam and Vidaikodu Engal Nadey.[26]

Viswanathan worked with many different film directors, including B. R. Panthulu, S. S. Vasan, B. S. Ranga, and Krishnan–Panju in the 1950s, and in later decades with C. V. Sridhar, A. Bhimsingh, Madhavan, T. R. Ramanna, A. C. Trilogchander, K. Shankar, K. Balachander, Muktha Srinivasan, Chitralaya Gopu, Cho Ramaswamy, and K. S. Gopalakrishnan from the 1960s. From the 1970s directors such as S. P. Muthuraman, Major Sundarrajan, Bhagyaraj, D. Yoganand, C. V. Rajendran, P. Madhavan, K. S. Prakash Rao, Vietnam Veedu Sundaram, N. T. Rama Rao, and I. V. Sasi frequently worked with Viswanathan; later, in the 1980s and 1990s, new directors such as Visu, Mouli, Komal Swaminathan, and K. Raghunath collaborated with Viswanathan regularly.

He worked with a number of singers, both younger artists and more established ones, including P Leela, P. Susheela, L. R. Eswari, T. M. Soundararajan, and the Malayalam singer Jayachandran. He is also considered responsible for making singers like S. P. Balasubrahmanyam and Vani Jairam, R. Balasaraswathi, S. Janaki, A. L. Raghavan, Sirkazhi Govindarajan and K. J. Yesudas popular names. He gave Swarnalatha her first job as a playback singer when she was 14 years old. MSV has given great life by giving opportunity and support for many musicians, lyricists, singers etc. Lyricist Vaali quoted in 1984, "Until I met Viswanathan Sir, I had no money to have any food. But from the moment I met Viswanathan Sir I had no time to have food".

His notable musical works from 1980s to 1990s included - Polladhavan, Avan Aval Adhu, Billa, Mazhalai Pattalam, Varumayin Niram Sigappu (1980), Antha Ezhu Natkal (1981), Kizhvanam Sivakkam (1981), Thaneer Thaneer (1981), Thillu Mullu (1981), Sathyam Sundaram (1981), Simla Special (1982), Pokkiri Raja (1982), Saranalayam (1983), Mridanga Chakravarthi (1983), Puyalkadantha Boomi (1984),Idanilangal (1985), Sugamana Ragangal, Vasantha Ragam (1986), Sattam Oru Vilayattu (1987),Samrat Ashok (1992),Manikantana Mahime (1993), Vetri Vinayagar (1996), Amma Ammayiamma (1998)

M. S. Viswanathan went on to act in Tamil feature films after 1995, notably appearing in Kaadhal Mannan after being convinced to do so by actor Vivek and Director Saran while he also starred in Kamal Haasan's Kaathala Kaathala and Karthik's Rojavanam. He also made appearances in other films and television series like Kalki, since 1995.[27]

Since 1996, Viswanathan focused on composing devotional music and serving as a judge in Malayalam and Tamil TV reality shows. He collaborated with Ilaiyaraaja in 'Mella Thiranthathu Kathathavu', 'Senthamizh Paatu' 'Vishwa Thulsi' and 'Senthamizh Selvan' starring Prashanth. He sang the song "Vidai Kodu Engal Naadae" for 2002 Tamil film "Kannathil Muthamittal" composed by A.R.Rahman.[28] Then in 2013 he sang for the film Neelam – the song called 'Alayae o Alayae' and it was recorded in the supervision of music composer Satish Chakravarthy. According to director Kumar G. Venkatesh, this was the last song sung by M S V.[29] He in 2013 composed music for the film Thillu Mullu, with Yuvan Shankar Raja[30] While M. S. Viswanathan composed the tunes in the 2013 Thillu Mullu film, Yuvan Shankar Raja orchestrated and recorded them.[31] He sang the song 'Saami Namba saami' penned by Snehan for the film "Mannar Valaikuda", composed by S.Siva Pragasam.[32][33]

Rajnikanth said in an interview about M. S. Viswanathan, "You will rarely find someone like MSV in any industry. He lived life like a selfless saint, free from jealousy and lies. He was behind the success of legends like MGR and Sivaji. If not for MSV, the careers of filmmaker Balachander, lyricists Vaali and Kannadasan wouldn't have tasted huge success."[34]