M. S. Subbulakshmi

Subbulakshmi (Kunjamma to her family) was born on 16 September 1916 in Madurai, Madras Presidency, to veena player Shanmukavadiver Ammal and Subramania Iyer. Her grandmother Akkammal was a violinist.

She started learning Carnatic music at an early age and trained in Carnatic music under the tutelage of Semmangudi Srinivasa Iyer and subsequently in Hindustani music under Pandit Narayanrao Vyas.

Her mother, from the devadasi community, was a music exponent and a regular stage performer, and Subbulakshmi grew up in an environment very conducive to musical learning. Her musical interests were also shaped by regular interactions with Karaikudi Sambasiva Iyer, Mazhavarayanendal Subbarama Bhagavathar and Ariyakudi Ramanuja Iyengar.[5]

Subbulakshmi gave her first public performance, at the age of eleven, in the year 1927, in the 100 pillar hall inside the Rockfort Temple, Tiruchirappalli; with Mysore Chowdiah on the violin and Dakshinamurthy Pillai on the mridangam. This was organised by the Tiruchirappalli-based Indian National Congress leader F. G. Natesa Iyer.[6]

In 1936 Subbulakshmi moved to Madras (now Chennai).[7] She also made her film debut in Sevasadan in 1938.[8] Her debut to the world of cinema was again opposite F. G. Natesa Iyer.

M. S. Subbulakshmi

M.S. Subbulakshmi began her Carnatic classical music training under her mother Shanmukhavadivu; and later in Hindustani classical training under Pandit Narayan Rao Vyas. Subbulakshmi first recording was released when she was 10 years old.

Subbulakshmi gave her first performance at the prestigious Madras Music Academy in 1929, when she was 13 years old . The performance consisted of singing bhajans (Hindu hymns).[9] The academy was known for its discriminating selection process, and they broke tradition by inviting a young girl as a key performer. Her performance was described as spellbinding and earned her many admirers and the moniker of musical genius from critics. Soon after her debut performances, Subbulakshmi became one of the leading Carnatic vocalists.[7][10]

By the age of seventeen, Subbulakshmi was giving concerts on her own, including major performances at the Madras Music Academy.

She travelled to London, New York, Canada, the Far East, and other places as India's cultural ambassador. Her concerts at Edinburgh International Festival of Music and Drama in 1963; Carnegie Hall, New York; the UN General Assembly on UN day in 1966; Royal Albert Hall, London in 1982; and Festival of India in Moscow in 1987 were significant landmarks in her career.[11]

In 1969 she was accompanied by Indian Railways Advisor SN Venkata Rao to Rameswaram, where she sang several songs in front of each idol in the Ramanathaswamy Temple. She shared a very cordial relation with Sree Ramaseva Mandali Bengaluru for whom she performed 36 concerts.

After the death of her husband Kalki Sadasivam in 1997, she stopped all her public performances. Her last performance was in 1997, before her retirement from public concerts.

M. S. Subbulakshmi died on 11 December 2004, at her home in Kotturpuram, Chennai.

M.S. also acted in a few Tamil films in her youth. Her first movie, Sevasadanam, was released on 2 May 1938. F.G. Natesa Iyer was the lead actor, opposite Subbulakshmi, in this film, directed by K. Subramanyam. It was a critical and commercial success.[12] Ananda Vikatan favourably reviewed the film on 8 May 1938:

We should always expect something from Subramaniam's direction – for instance depiction of social ills. If we have to say only two words about this talkie based on Premchand's story it is – Go see (it).[13]

Sevasadanam is one of the early Tamil films to be set in a contemporary social setting and to advocate reformist social policies. The film is an adapted version of Premchand's novel Bazaar-e-Husn. The veteran Marxist leader N. Sankaraiah, has described Sevasadanam as an "unusual film" for choosing the subject of marriages between young girls and old men (which had social sanction). According to him, the film successfully broughtout the "sufferings of the girl" (acted by M.S.) and the "mental agony of the aged husband".(acted by F.G.Natesa Iyer).Tamil film critic and historian Aranthai Narayanan observes in his bookThamizh Cinemavin Kathai (The Story of Tamil Cinema) that "Seva Sadhanam proved a turning point in the history of Tamil cinema. In the climax, the aged husband, now a totally changed man, was shown as casting aside with utter contempt his 'sacred thread', which symbolises his Brahmin superiority. It came as a stunning blow to the then Brahmin orthodoxy."[14]

MS Subbulakshmi also played the male role of Narada in Savitri (1941) to raise money for launching Kalki, her husband's nationalist Tamil weekly. Her title role of the Rajasthani saint-poetess Meera in the eponymous 1945 film gave her national prominence. This movie was re-made in Hindi in 1947.