Mann gegen Mann

The text, which deals with the subject of homosexuality in terms of content, remains largely ambiguous in its message, dealing with both homophilia and homophobia.[1] This is quite intentional, as Paul Landers and Oliver Riedel explained in an interview:

We definitely didn't intend to write a gay anthem. Of course it is a critical topic how a heterosexual person deals with the topic of a homosexual person. Maybe we can contribute to defusing the word 'gay' a bit and relativise the negative touch.

— Oliver Riedel[1]

This ambiguity is achieved through artificial elements consisting of complex but open-ended linguistic images and allusions, for example: Ich nehm mein Schicksal in die Hand/Mein Verlangen ist bemannt ("I take my fate into my own hands/My desire is manned") or In meiner Kette fehlt kein Glied/Wenn die Lust von hinten zieht ("In my chain no link is missing/When lust pulls from behind"). In the further lyrics of the song, homophobia is also made an issue several times. Negative views of homosexuality are also presented in three two-liners: Mein Geschlecht schimpft mich Verräter/Ich bin der Alptraum aller Väter ("My gender calls me traitor/I am the nightmare of all fathers"). In between, the negatively connoted German exclamation Schwule! ("Gays!") also occurs.

In the process, the first four stanzas create a quasi-homosexual utopia with partly subtle but also relatively clear allusions. Thus "little prince" is a symbol for the penis, but also for the object of desire in contrast to the queen. At the same time, it is an allusion to The Little Prince (1943), a novella written by the French writer and aviator Antoine de Saint-Exupéry. Rammstein singer Till Lindemann uses a deliberately soft singing style that differs from his otherwise masculine singing voice. The chorus, which is much more expressive and aggressive, uses everyday language, including the phrase Gleich und gleich gesellt sich gern ("Birds of a feather flock together").[1]

Christian Diemer, musicologist and Germanist, subjected both the music video and the lyrics to a deeper hermeneutic examination, and came to the following conclusion:

The text-based findings indicate that contrary expressions of opinion of varying degrees of explicitness and diffuseness are staged, partly in clearly assigned textual elements, partly on the micro-level of ambiguity and metaphors. [...] There are widely varying degrees of concreteness and diffuseness on the one hand and of affirmation and rejection on the other.

— Christian Diemer[1]

The music video, directed by Jonas Åkerlund, premiered on MTV Germany on 2 February 2006. It shows the band members performing on a dark stage while almost entirely naked, aside from frontman Till Lindemann, who wears long black hair extensions, thigh-high feminine high-heeled boots, and a set of black latex briefs. The rest of the band members wear only black army boots, with their instruments covering their genitals. The video alternates between the band playing and scenes of a writhing group of naked, muscular, oiled men on the same dark stage. It starts to rain on the band during the bridge of the song, and a frenzied Lindemann screams as a forked tongue flicks from his mouth. The tempo of the song then changes to a melodic pace as the band members then crowd-surf over the oiled and naked men. Lindemann becomes a kind of winged demon, with the hands and arms of naked men reaching up towards him and worshipping him; the song's tempo changes back to its frenzied pace. The group of men with the band members begin to wrestle and fight with one another as it rains on them. Screaming again, Lindemann starts to rip his hair out as the song closes.