Mary Fuller

Born in Washington, D.C. in 1888, to Nora Swing and attorney Miles Fuller, she spent her childhood on a farm. As a child, she was interested in music, writing and art. Her father died in 1902,[1] and by 1906, she was working in the theater under the name Claire Fuller. She worked briefly with the Lyceum Stock Company in Toledo, Ohio.

Cover of 1916 news magazine The Masses, featuring profile of Fuller's character in the film The Heart of a Mermaid (1916); graphic by Frank Walts

Fuller began her acting career on stage. At age 18 she was working in live theatre. In 1907, she signed with the new Vitagraph Studios in Brooklyn, New York, where she made silent films such as the one-reel adaptation of Elektra (released in April 1910).[2] Later Fuller joined the Edison Film Company in 1910. That year, she appeared in the first film version of Frankenstein,[3] based on the Mary Shelley novel.

Fuller became a major early silent movie star who, by 1914, rivaled Mary Pickford in popularity.[4] She appeared in a wide variety of roles, and starred in such melodramas as The Witch Girl, A Daughter of the Nile, Dolly of the Dailies (1914),[5] and Under Southern Skies, her first feature-length production. Also, Fuller wrote numerous screenplays, eight of which were produced as films from 1913 to 1915.

Fuller's career, however, was over by 1917. As quoted in Sally Dumaux's King Baggot: A Biography and Filmography of the First King of the Movies, an August 18, 1917 article in Variety stated though Fuller was

"one of the best drawing cards of the Universal for a long time ..her last few pictures were both financial and productional disappointments...and at the expiration of her contract she was allowed to depart...Miss Fuller has offered her services to several concerns along Broadway, but it is understood that they were turned down with the remark 'You are no longer film type.'"

Following this episode, Fuller disappeared from public view, and her whereabouts remained a mystery for decades.

After the demise of the first stage of her film career, Fuller apparently suffered a nervous breakdown following a failed affair with a married opera singer. She retired from the film business, and went to live with her mother in Washington, D.C.[6] In her early years, Fuller had talked about a constant feeling of loneliness that film stardom never filled. In 1926, she returned to Hollywood and unsuccessfully attempted to resume her screen career, which was more difficult since "talkies" had replaced silent films.

The death of her mother in 1940 brought a second nervous breakdown. After her sister cared for her, she arranged for Fuller to be admitted to Washington's St. Elizabeths Hospital on July 1, 1947. She lived there for 26 years, until her death. When Fuller died, the hospital was unable to locate any relatives, and she was buried in an unmarked grave in Congressional Cemetery.[7][3] In the 2010s, a memorial bench was installed on the site of her grave, bearing a "Hollywood Star of Fame" and the inscription "A Personality of Eloquent Silence."[8]

• Frankenstein (1910)
• Jean the Match-Maker (1910)
• Turned to the Wall (1911)
• The Modern Dianas (1911)
• A Personal Affair (1912)
• What Happened to Mary (1912)
• Who Will Marry Mary? (1913)
• Dolly of the Dailies (1914)
• Under Southern Skies (1915)
• A Huntress of Men (1916)
• The Long Trail (1917)
• Public Be Damned (1917)

Wikimedia Commons has media related to Mary Fuller.

• Mary Fuller at IMDb
• Mary Fuller portraits at the New York City Public Library, Billy Rose Collection
• Mary Fuller at Find a Grave