Materia (Prisma)

The album is the final chapter of the Materia trilogy. While Terra draws inspiration from Mengoni's musical roots and early influences, Pelle focused on the artist's musical experiments, and the content on Prisma is centered around his self-reflection and self-assessment.[2][3][4] Prisma sees the unification of the previous chapters with new recording material.[5][6] Consisting of ten tracks Mengoni states, "I think Marco and Mengoni are inseparable and I think it is clear that the person on and off the stage is the same after all. The record displays all the feelings I'm feeling right now e.g. despite its freshness, there's anger but also passion for life [...] It's inspired by events in my life and explores the different facets of living in a society, the good and the bad. It's about different emotions hence the title "Prism", an element that breaks up light into all these different spectral colors.[7][8]

About the title of the album, Mengoni explained, "Prism has the ability to compose light and display the colors that make it up. They say it’s physics, for me, it’s pure magic. Human is like a prism, he has the ability to absorb experiences, filter them, and break them down to analyze every possibility and every meaning."[9]

Luca Trambusti of Rockol described the album "the most convincing and the best executed" of the trilogy, with "inclination toward black music and blends the elements in perfect balance and harmonious". Even if Trambust noted a "strong production", the "authorial and especially the textual part is enhanced", describing the lyrics "intelligent, nontrivial".[10] Gabriele Fazio of Agenzia Giornalistica Italia considered that the album, compared to the previous two chapters in which he recognizes Materia (Terra) as the most successful, "lives more of the need to say something, to launch messages" in which Mengoni produces a "refined pop, very contemporary; [...] imbued with meaningful and welcoming words."[11]

Andrea Conti of Il Fatto Quotidiano defined the project as "political, full of anger but also of hope for the future" in which Mengoni is "more direct" as he "exposes his thoughts without frills and laying bare his feelings."[12] Silvia Gianatti of Vanity Fair Italia described the album musically with inspiration ranging "from soul to electronica" through eleven tracks in which he also manages "to show a newfound lightness, the result of a growth and awareness acquired in these years of career" and to draw "attention to the themes that have always been important to him, the battle for rights, inclusion, love".[13]