Matteo Civitali

He was trained in Florence, where Antonio Rossellino and Mino da Fiesole influenced his mature style. He is known to have sculpted statues of Adam, Eve, Abraham, Saints Zacchariah and Elizabeth, and others for the chapel of San Giovanni Battista in Genoa Cathedral.[2] He is mentioned with the name of Matteo Civitali by Vasari in his biography of Jacopo della Quercia, and appears to have taken up the art of sculpture at the age of 40 years, after years of practicing as a "barber" (surgeon).[2] While considered to be the most important marble sculptor outside Florence during the second half of the fifteenth century, historical evidence pointed to Civitali's activity as a painter as well. However, no painting could firmly be identified to him until the discovery of an original contract by Roberto Ciardi in 1997 for a triptych for the Church of San Michele di Antraccoli,which was formerly ascribed to the Master of Benabbio. The contract revealed that both Civitali and Baldassare di Biagio were commissioned to complete the altarpiece.

Civitali's freestanding chapel, the "tempietto", built in 1484 to enshrine the Holy Face of Lucca, stands in the left nave of the Cathedral of San Martino, Lucca. The Duomo contains also a virtual anthology of Matteo's sculpture, since he worked at the San Romano Altar, and also sculpted the statue of St Sebastian in the back of the Holy Face Shrine, and two monumental graves in the right transept.

Civitali's Tempietto, Lucca

The relief of Faith (now in the National Museum of Florence, Italy) was originally the first segment part of Hope and Love, a triple relief. This marble figure of Faith was acquired by the Uffizi Gallery in 1830 from the prior of a church at Paterno near Florence. This piece of work existed in the church of San Michele in Foro, Lucca.

Saint Sebastian by Civitali

Matteo Civitali died on 12 October 1501. His son Nicolao Civitali as a sculptor and architect in Lucca.