Maurizio Seracini

Maurizio Seracini (born 1946) is a self-proclaimed diagnostician of Italian art.

Maurizio Seracini at Palazzo Vecchio in Florence, Italy

A 1973 graduate in bioengineering from the University of California, San Diego (UCSD), he founded, in 1977, the first company in Italy for diagnostic and non-destructive analyses on art and architecture, Editech srl, Diagnostic Center for Cultural Heritage in Florence.[1] Adapting technologies from the medical and military fields and other technical measuring instruments he has made possible diagnostics of art and search for art without destroying the artwork itself.

He founded the Center for Interdisciplinary Science for Art, Architecture and Archaeology at the University of California, San Diego's Institute for Telecommunications and Information Technology in 2007 and served as its director till 2013. From 2014 to 2016, he was a visiting professor at the School of Engineering at Monash University, Melbourne.

Seracini has studied over 4,300 works of art, most notably Leonardo da Vinci's lost mural, the Battle of Anghiari, and The Last Supper, Boticelli's Allegory of Spring and Caravaggio's Medusa. He used high-frequency, surface-penetrating radar to locate the painting behind Vasari's Battle of Marciano in Val di Chiana. Seracini's theory was confirmed by an investigation authorized by the city council of Florence and the Italian Minister of Culture at the time.

He works closely with Majestic Arts[2] as an Expert for Scientific Authentication of Works of Art in Asia, Europe, North America and Middle East.

Seracini is well known for his search for the Leonardo da Vinci mural The Battle of Anghiari in the Salone dei Cinquecento, Palazzo Vecchio, Florence[3] and his diagnostic survey on Leonardo's Adoration of the Magi. The first was debunked in an international conference in 2016; the proceedings were published in 2018.[4][5] The second project on the Adoration of the Maji was surpassed by restoration treatment carried out in 2016 by the Opificio delle pietre dure.[6]

References
  1. EDITECH
  2. "Majestic Arts".
  3. Tierney, John (October 5, 2009). "A High-Tech Hunt for Lost Art" – via NYTimes.com.
  4. La Sala Grande di Palazzo Vecchio e la "Battaglia di Anghiari" di Leonardo da Vinci: dalla configurazione architettonica al all'apparato decorativo
  5. https://www.olschki.it/libro/9788822266705
  6. "57. The restoration of Leonardo da Vinci's Adoration of the Magi". Edifir. September 17, 2021.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.