Menelik Shabazz

In 1976 Shabazz directed Step Forward Youth, a 30-minute documentary about London-born black youths, after which he worked in commercial television, directing Breaking Point (for ATV, 1978),[9] which was shown on prime-time TV and contributed to the repeal of the Sus law that was being used to criminalize Black youth.[10]

Shabazz's first feature-length film was Burning an Illusion, which he wrote and directed with financial support from the British Film Institute (BFI). It was released to acclaim in 1981 and was called "one of the most important feature films ever made in Britain".[11] About a young woman's love life, and mostly shot in London's Notting Hill and Ladbroke Grove communities,[12] it was "the first British film to give a black woman a voice of any kind".[13] It was only the second British feature to have been made by a black director, following Horace Ové's 1975 Pressure.[14][15] Burning an Illusion won the Grand Prix at the Amiens International Film Festival in France,[16] and its star Cassie McFarlane won the Evening Standard Award for "Most Promising New Actress".[17]

Blood Ah Go Run, made in 1981, documents the response of the Black community to the New Cross fire, including the "Black People's Day of Action"—in the words of Assata Shakur, "Superbly captured by the filmmaker Menelik Shabazz, collectively as we marched past Fleet Street, the city of London was brought to a standstill"[18]—and the subsequent uprising in Brixton.[19]

In 1982, Shabazz co-founded Kuumba Productions with Imruh Bakari and Henry Martin to provide an outlet for independent film projects, and produced for Channel 4 the drama Big George is Dead (1983), directed by Henry Martin, and the documentary I am Not Two Islands.[8]

In 1984, with founding members including Bakari, Lazell Daley and Milton Bryan,[20] Shabazz also formed Ceddo Film and Video Workshop, a franchised collective that produced films for Channel 4,[21] through which he wrote and directed the docu-drama Time and Judgement, telling the history of the struggles of the Black community across the world by using newsreel footage.[8][9] Ceddo produced a number of documentaries, including Street Warriors (1985), The People's Account (1987) and Omega Rising – Women of Rastafari. His vision for Ceddo was "to empower black film production, training and film screenings".[22] Funded by Channel 4 and the British Film Institute, Ceddo carried out groundbreaking film production and community training initiatives, and hosted a number of screenings with filmmakers, such as Spike Lee (School Daze)."[7]

In 1996, as part of the six-part BBC Education series Hidden Empire, he made the drama documentary Catch A Fire about the life of Paul Bogle and the 1865 Morant Bay Rebellion. It includes an interview Shabazz made with Bogle's great-grandson Philip Bogle (who died the following year), whom Shabazz met while visiting Jamaica with historian Cecil Gutzmore.[10]

In 2011 Shabazz's film in the "romantic reggae" genre, entitled The Story Of Lover's Rock (which was inspired by an announcement of the Lovers Rock Gala Awards organised by Castro Brown),[23] was one of the highest grossing documentaries in UK cinemas.[24][25] He described it as a "fusion documentary": "It looks at lover's rock through interviews, comedy, live performance, dance and archive footage. It tells the story of its south London origins to success in Japan and becoming a global brand. In between, we look at the underground scene around the music – its intimate dance, the soundsystems, the social backdrop in the volatile era of the 70s and 80s – as well as the lack of mainstream success in the UK."[26]

His film Looking for Love (largely self-funded),[27] an insightful look into the lives and loves of singletons in the digital era, made its debut at the BFI in May 2015 to a sold-out audience,[28] and in August went on to national release in key UK cinemas, including: Vue Cinemas in Shepherds Bush, Birmingham and Westfield Stratford; Tricycle Theatre, Kilburn; Hackney Picturehouse; Ritzy Cinema; Dalston Rio (with a Director Q&A on 22 August); Streatham Odeon, and Midlands Arts Centre.[29][30]

It was generally well received, with The Guardian reviewer finding it "engaging and sympathetic",[31] and others calling it "humorous, yet educational",[32] and commenting that its approach to gender relationships in the black community "opens a long overdue debate".[33] The British Black list found it "both edifying and important", going on to say: "Unsurprisingly, Looking For Love does not have all the answers but cleverly points the fingers back in the right direction",[34] while the film critic of The Observer stated: "Interviews, poetry, dance and music combine in Menelik Shabazz's frank, funny and accessible account of heterosexual modern love. Focusing on the first-hand experiences of the black British community – from young singletons out and about at carnival to a couple who have been married for 50 years – this shoestring-budget doc lends a non-judgmental ear to opinions that range from the eye-opening to the jaw-dropping. A tighter edit may have reined in some of the woollier psychobabble, but the desire to place abusive relationships within a wider historical context (slavery, emasculation etc) pays dividends. Comedians lend mouthy pizzazz but it's the ordinary tales that tell the greatest truths."[35]