Meštrović Pavilion

In the early 1930s, the Croatian Art Society Josip Juraj Strossmayer was seeking a new exhibition space. At that time, sculptor Ivan Meštrović, then the president of Art Society Strossmayer, was given the task to create a sculpture in honor of King Peter I for the Square of King Peter (Trg kralja Petra) in Zagreb.

Recognizing an opportunity to combine these two needs, Meštrović suggested that instead of a single sculpture, an entire building be erected on the square. After some negotiation, Meštrović’s proposal was accepted and an endowment for the construction of the House of Fine Arts of King Petar the Great Emancipator was established in 1933.[2]

Aerial view from the south-east

Meštrović designed the preliminary concept for the building in 1933. Architects Ladislav Horvat and Harold Bilinić, who frequently collaborated with Meštrović, drew up detailed plans based on Meštrović’s conceptual design.[3] The resulting building was one of the first round exhibition halls in the region.

The interior was designed to accommodate three categories of art: sculpture, painting, and photography/works on paper. The main entrance of the pavilion opens into a vestibule flanked on either side by staircases. Directly ahead is the central exhibition hall, a cylindrical space designed for exhibiting sculpture. Above the entrance to this space is a relief of King Petar I by Ivan Meštrović. The staircases lead to a circular exhibition hall. A smaller, concentric exhibition hall opens into the cylindrical space and offers views of the gallery below.

The dome of the pavilion, planned by architect Zvonimir Kavurić, is composed of round glass tiles 57 mm (2.24 in) thick and 125 mm (4.92 in) in diameter, set into a concrete shell with a thickness of 57 mm (2.24 in), allowing natural light to fill the exhibition halls.[4]

The Arts Hall opened on December 1, 1938 with A Half Century of Croatian Art, a major retrospective exhibition.[5]

The pavilion was furnished with three minarets.

The pavilion functioned as an art gallery for only three years before it was turned into a mosque in 1941, at the beginning of World War II, as a gesture of the Independent State of Croatia towards Bosnian and Croatian Muslims. Architect Zvonimir Požgaj headed the project for adapting the interior of the pavilion to better suit the functions of a mosque, and Stjepan Planić designed the exterior of the mosque. Požgaj significantly altered the interior of the pavilion, introducing a new ceiling of iron and concrete underneath the original ceiling to solve the problem of temperature and acoustics. According to Planić's plans, three minarets measuring 45 m (147.6 ft) in height were placed around the pavilion, but the exterior of the building was not altered.[6] Planić also added a fountain flanked by benches in front of the building’s main entrance.[7] The interior of the mosque was decorated with stucco patterns based on early Croatian ribbon motifs created by the sculptors Botuhinski, Brill, Ivanković, Jean, Loboda, Lozica, Matijević, Papić, Penić, Perić, Radauš, Štigler, and Turkalj.[8]

The mosque was inaugurated on 18 July 1944[1] and functioned until 1945. In 1949, the minarets were demolished and the interior decor was removed to make way for the new Museum of the Revolution.[9]

Architect Vjenceslav Richter headed the project to design the Museum of the Revolution, which was to display documents pertaining to Partisan battles during World War II.[10] Richter added an additional floor and new staircases to the interior space and constructed new walls to hide its circular form. All of Richter’s additions were designed to attach to the original structure, so that they could be removed without harming the building’s interior.[11] The Museum of the Revolution officially opened on April 15, 1955.[12]

By the mid-1980s, discussions about the function of the pavilion had resumed, and in 1988, the curators of the Museum of the Revolution invited architects Ivan Crnković and Dubravka Kisić to draw up a study on the feasibility of restoring the pavilion to its original form. In May 1990, the Croatian Association of Artists (HDLU), headed by Ante Rašić, organized the exhibition Dokumenti-Argumenti to present the history of the building. In 1993, the City Council of Zagreb granted permission to the Croatian Association of Artists to move their seat back to the pavilion.[5][1]

Renovation of the pavilion began in 2001 according to the plans of architect Andrija Mutnjaković. The first phase of construction included the removal of all non-original layers and structures and was completed in 2003. In 2006, parts of the cellar and ground floor were renovated following the plans of architect Branko Silađin.[5]

In February 2021, the HDLU, in collaboration with Večernji list and the Academy of Fine Arts, compiled a list of the 38 Croatians (ethnically Croat or connected to Croatia)[14] who gave most to the world, influencing global history. They organized an exhibition held at the Meštrović Pavilion, entitled "Croatia to the World" (Hrvatska svijetu), including over a thousand items connected to the thirty-eight masterminds. The first twelve names were chosen in 2019, but the list was then extended to 38 greats by February 2021.[15] The 38 great Croatians in the list are: Ivo Andrić, Giorgio Baglivi, Josip Belušić, Roger Joseph Boscovich, Ivana Brlić-Mažuranić, Ivan Česmički, Marin Getaldić, Franjo Hanaman, Jerome, Marcel Kiepach, Julije Klović, Slavko Kopač, Benedikt Kotruljević, Zinka Kunc-Milanov, Antun Lučić, Giovanni Luppis, Dora Maar, Marko Marulić, Ivan Meštrović, Andrija Mohorovičić, Franciscus Patricius, Slavoljub Eduard Penkala, Marco Polo, Herman Potočnik, Vladimir Prelog, Mario Puratić, Lavoslav Ružan, Andrea Schiavone, David Schwarz, Pope Sixtus V, Mia Slavenska, Andrija Štampar, Rudolf Steiner, Nikola Tesla, Milka Trnina, Faust Vrančić, Ivan Vučetić, and Nikola IV Zrinski.[15][16]