Metal: A Headbanger's Journey

The film discusses the traits and originators of some of metal's many subgenres, including the new wave of British heavy metal, power metal, nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture. Notable segments include Dunn taking a trip to the Wacken Open Air festival, an interview with Dee Snider providing an analysis of the PMRC attack on heavy metal music, and an interview with several Norwegian black metal bands.

The most insightful information given in the film comes from candid interviews with popular artists from metal's past and present. Notable interviews come from:

• Accept – "Balls to the Wall"
• Arch Enemy – "Silent Wars" (live)
• Blue Cheer – "Summertime Blues"
• Burn To Black – "Winter Rancid Skies"
• Burn To Black – "Into Shadow"
• Burn To Black – "Microcosmic"
• Burn To Black – "Hellspell"
• Cannibal Corpse – "Decency Defied"
• Children of Bodom – "Needled 24/7"
• David MacDonaldson – "Partita In C Minor – Chorale"
• Diamond Head – "Am I Evil?"
• Dio – "Heaven and Hell" (live from A Special From The Spectrum)
• Emperor – "Inno a Satana"
• Enslaved – "Return to Yggdrasil"
• Enslaved – "Havenless"
• Girlschool – "C'Mon Let's Go"
• Iron Maiden – "Run to the Hills" (live from Rock in Rio)
• Iron Maiden – "The Number of the Beast"
• Lamb of God – "Laid to Rest"
• Metallica – "Master of Puppets"
• Metallica – "Fight Fire With Fire"
• Mötley Crüe – "Girls, Girls, Girls"
• Motörhead – "Ace of Spades"
• Motörhead – "Killed by Death"
• Rage Against the Machine – "Killing in the Name"
• Richard Wagner – "Faust Overture"
• Rush – "Working Man"
• Sepultura – "Arise"
• Sepultura – "Beneath the Remains"
• Slayer – "Disciple"
• Slipknot – "(Sic)" (live)
• Tim Renwick and Andy Caine – "Ain't Got a Pot To..."
• Twisted Sister – "We're Not Gonna Take It"
• Van Halen – "Eruption" (live)
• Venom – "Bloodlust"

The chart from the film documents Dunn's view on the progression of subgenres of metal that have spawned over time as well as other styles of rock (i.e. hard rock, shock rock, punk rock, and hardcore) that have influence these styles of metal, while also attempting to list the prime examples of bands that fall into each category. Below is a typed version of that chart, which can be found on the second disc of the film's special edition DVD package. A new version was presented in the related TV series Metal Evolution which included a new "Pre-Metal" field that listed non-metal bands that had an influence on heavy metal and also listed additional bands as examples of the various subgenres.

The film's flow chart of metal genres.

• Early Metal (1966–1971)

Cream; Jimi Hendrix; Blue Cheer; Deep Purple; Led Zeppelin; MC5; Mountain; The Stooges; Black Sabbath

• Original Hard Rock (1974–1979)

Thin Lizzy; Blue Öyster Cult; Aerosmith; AC/DC; Ted Nugent

• Shock Rock (1968–1983)

Arthur Brown; Alice Cooper; New York Dolls; Kiss; Ozzy Osbourne; W.A.S.P.

• Early Punk (1976–1979)

The Ramones; The Damned; Sex Pistols; The Clash; The Dead Boys

• Power Metal (1976–present)

Scorpions; Judas Priest; Rainbow; Accept; Manowar; Dio; Yngwie J. Malmsteen; Helloween; Blind Guardian; HammerFall; Primal Fear

• New wave of British heavy metal (1979–1983)

Motörhead; Saxon; Iron Maiden; Angel Witch; Girlschool; Tygers of Pan Tang; Diamond Head

• Progressive Metal (1970–present)

Uriah Heep; Rush; Queensrÿche; Savatage; Fates Warning; Voivod; Dream Theater; Meshuggah; Symphony X; Evergrey

• Glam Metal (1973–1990)

Slade; Sweet; Hanoi Rocks; Mötley Crüe; Twisted Sister; Poison; Cinderella; Skid Row

• Pop Metal (1978–present)

Quiet Riot; Van Halen; Whitesnake; Def Leppard; Europe; Dokken; Lita Ford; Ratt; Guns N' Roses; Winger; Warrant; Doro; The Darkness

• Doom Metal (1982–present)

Witchfinder General; Trouble; Candlemass; Cathedral; Kyuss; Today Is The Day

• Original Hardcore (1980–1986)

Agnostic Front; D.O.A.; The Exploited; Bad Brains; Misfits; GBH; Discharge; Dead Kennedys; Minor Threat; Black Flag

• Thrash Metal (1983–present)

Metallica; Slayer; Anthrax; Megadeth; Exodus; Overkill; Kreator; Destruction; Sodom; Testament; Nuclear Assault; Death Angel; Pantera; Sepultura; Children of Bodom

• First wave of black metal (1981–1986)

Venom; Bathory; Mercyful Fate; Celtic Frost

• Norwegian black metal (1990–present)

Mayhem; Darkthrone; Immortal; Gorgoroth; Emperor; Satyricon; Enslaved; Dimmu Borgir; Cradle of Filth

• Grindcore (1987–present)

Napalm Death; Carcass; Repulsion; Exhumed; Extreme Noise Terror; Cephalic Carnage; Brutal Truth

• Death Metal (1985–present)

Possessed; Death; Morbid Angel; Obituary; Deicide; Cannibal Corpse; Immolation; Autopsy; Nile; Dying Fetus

• Swedish Death Metal (1990–present)

Grave; Entombed; At the Gates; Unleashed; Dismember; Arch Enemy; Soilwork; In Flames; Dark Tranquillity; The Haunted

• Goth Metal (aka Doom Metal on the DVD) (1990–present)

Paradise Lost; Tiamat; Therion; Type O Negative; My Dying Bride; Anathema; Theatre of Tragedy; Katatonia; Opeth

• Metalcore (1985–present)

Corrosion of Conformity; Suicidal Tendencies; Dirty Rotten Imbeciles; Machine Head; Stormtroopers of Death; Hatebreed; The Dillinger Escape Plan

• Grunge (1988–1994)

Green River; The Melvins; Soundgarden; Mudhoney; Nirvana; Alice in Chains; Mother Love Bone; Stone Temple Pilots; Pearl Jam

• Industrial Metal (1988–present)

Ministry; White Zombie; Godflesh; Nine Inch Nails; Fear Factory; Marilyn Manson; Static-X

• Hard Alternative (1985–present)

Faith No More; Jane's Addiction; Prong; Living Colour; The Smashing Pumpkins; Rage Against the Machine; Tool

• Nu Metal (1994–2003)

Biohazard; KoЯn; Limp Bizkit; Slipknot; Godsmack; Coal Chamber; System of a Down; Disturbed; Kittie

• New wave of American metal (2000–present)

Shadows Fall; Lamb of God; Darkest Hour; Chimaira; Killswitch Engage; Unearth; God Forbid

The film received mostly positive reviews. It currently holds a 90% approval rating on Rotten Tomatoes, with an average rating of 6.9/10 and the critical consensus being: "Made by a metalhead, this documentary of the musical genre both informs and entertains with its range of interviewees."[2]

Some brief controversy arose over the film's depiction of black metal, which many fans of the genre saw as being one-sided and biased during a screening documented in the film. In the special features to the DVD of the film, Dunn attempted a restitution to the concerns of the black metal fans by including an additional featurette.

• Until the Light Takes Us, a documentary film about early Norwegian black metal.

• Official Website
• Metal: A Headbanger's Journey at IMDb