Miami Sound Machine

Miami Sound Machine was an American band of Latin-influenced music that had featured the vocals of Cuban-born recording artist Gloria Estefan (née Fajardo). Established in 1975 by Emilio Estefan Jr., the band was originally known as the Miami Latin Boys before becoming the Miami Sound Machine in 1977.

Miami Sound Machine
Also known asMiami Latin Boys (1975–1976)
OriginMiami, Florida, U.S.
Genres
Years active
  • 1975–1992
  • 2002
Labels
  • Audiofon
  • Epic
  • RCA Victor label
  • MSM (Miami Sound Machine) Records
  • Discos CBS International
Past members
  • Gloria Estefan
  • Emilio Estefan Jr.
  • Enrique "Kiki" Garcia
  • Rafael Vigil
  • Juan Avíla
  • Wesley B. Wright
  • Mercí (Navarro) Murcíano
  • Raul Murcíano
  • Luis Serrano
  • Fernando Garcia
  • Louis Pérez
  • Victor Lopez
  • Roger Fisher
  • Gustavo Lézcano
  • Betty (Cortés) Wright
  • Elena Stracuzzi
  • Leo Víllar
  • Jim "Sport" Trompeter
  • Rafael Pedílla
  • Ed Callé
  • Dana Teboe
  • Randy Barlow
  • Teddy Mullet
  • Jorgé "George" Casas
  • Clay Ostwald
  • John Defaria
  • Lorena Pinot
  • Sohanny Gross
  • Carla Ramirez
  • Jon Secada

The band had a number of albums and a string of hit singles until 1989. The band's 1985 album Primitive Love credited the band whereas their follow-up album Let It Loose in 1987 placed Gloria Estefan at the forefront. From 1988 to 1989, the latter album was also repackaged as Anything For You with new cover art with the international release in Europe, South Africa, Australia and New Zealand. In 1989, the group's name ceased being included on the CD or album products—as Estefan continued as a solo artist.

Background

In 1975, Gloria and her cousin Mercedes "Merci" Navarro (1957–2007)[1] met Emilio Estefan Jr. while performing at a church ensemble rehearsal. Estefan, who had formed the band The Miami Latin Boys earlier that year, learned about Gloria through a mutual acquaintance.

While The Miami Latin Boys were performing at a Cuban wedding at Hotel Dupont, Gloria and Merci (who were wedding guests) performed two Cuban standards impromptu. They impressed The Miami Latin Boys so much that they were invited to join the band permanently; thereby, the band's name was changed to The Miami Sound Machine. Gloria, who was attending the University of Miami at the time, only agreed to perform during the weekends so that her studies would not be interrupted.[2]

The 1970s

The beginnings

Beginning in 1977, The Miami Sound Machine began recording and releasing various albums and 45s on Audiofon Records in Miami, Florida.[3] The group's primary lineup consisted of six Cuban-born Americans:[4][5]

  • Emilio Estefan Jr. (percussion and accordion)
  • Gloria Fajardo (lead vocals and hand percussion)
  • Merci Navarro (lead vocals) and her husband Raul Murciano (keyboards)
  • Enrique "Kiki" Garcia (drums)
  • Juan Marcos Avila (bass)

Live Again/Renacer

In 1977, Miami Sound Machine's first album Live Again/Renacer was released with two different covers. The group had several more releases on the Audiofon label, the RCA Victor label, and subsequently Miami Sound Machine's own label Miami Sound Machine Records.[6] In 1978, Gloria married Emilio Estefan Jr. after two years of dating.[7] In 1979, Miami Sound Machine added American guitarist and native Miamian, Wesley B. Wright, and Cuban-born Fernando Garcia on trumpet (unrelated to "Kiki" Garcia).[8]

Miami Sound Machine

By the end of 1979, the band was signed to Discos CBS International. Miami Sound Machine then released several albums, 45s, and twelve-inch singles beginning with the 1980 self-titled Miami Sound Machine.[9] The combination of traditional Latin rhythms and American R&B grooves (along with the songwriting talents of Gloria Estefan, "Kiki" Garcia, and Wesley B. Wright) set a crossover musical standard for the next two decades to come.[10]

The 1980s

During the 1980s, with the popularity of Miami-based films and television series such as Scarface, Invasion USA, and Miami Vice, the city was gaining a reputation as an exciting and notorious destination.[11][12][13] South Beach and the remainder of Dade County was also attracting attention.[14] NFL Miami Dolphins quarterback Dan Marino was breaking football records and adding to the Miami mystique.[15]

Otra Vez

In 1980, Miami Sound Machine added a more complete horn section primarily consisting of trumpeters Fernando Garcia and Victor "Papito" Lopez and trombonist Louis Perez. The permanent addition of a full horn section added a new dimension and would become a future Miami Sound Machine musical trademark. MSM using this lineup flew to San Juan, Puerto Rico in 1981 to record their second LP on the C.B.S. International label. The album was entitled Otra Vez and was recorded at Ochoa Studios in San Juan, Puerto Rico. This would be the last LP to feature the early signature sound of two female vocalists (Gloria and her cousin Merci) singing both in harmony and unison.

Rio

By early 1982, Roger Fisher was added as a second keyboardist, as well as the virtuoso harmonica player Gustavo Lezcano. Merci and Raul left the band in late 1982, just prior to the recording of the third CBS International LP Rio. The painfully shy Gloria was now the sole lead vocalist on stage and in the studio. As a result, she began to evolve both systematically and stylistically in her performances.[16][17] Fisher filled Raul's piano duties. At the same time, Betty Cortés was brought in as replacement for Fisher's second keyboardist role and to sing background vocals live and occasionally in the studio. During the same time period, Elena Stracuzzi was brought in to sing background vocals for live performances. In 1983, Leo Villar was added as second trumpeter to replace Fernando Garcia who had left the prior year.

Eyes of Innocence

Miami Sound Machine was now a large ensemble. Despite an eclectic lineup, Miami Sound Machine was focused primarily on the founding members:

  • Gloria and Emilio Estefan
  • Enrique "Kiki" Garcia
  • Juan Marcos Avila
  • Wesley B. Wright

By the early 1980s, Miami Sound Machine had established themselves as major musical artists in Latin America with a strong presence in both the media and on the radio. The next major hurdle was conquered in early 1984 when a Dutch DJ began playing "Dr. Beat" in Amsterdam.[18] Garcia's catchy lyrics, Gloria's sassy vocals, Wright's funky guitar, and Emilio's infectious conga drums took Europe by storm with the tune eventually reaching the top 10 in the UK and most of Continental Europe, finally causing record labels in the US Market to take notice of the group's strong musical prowess.

In late 1984, the group released their first Epic/Columbia album, Eyes of Innocence, which contained the Garcia-penned classic, previously released, single and dance hit "Dr. Beat" as well as the ballad "I Need Your Love".[19]

Primitive Love

Miami Sound Machine's follow-up album Primitive Love was released in 1985. While the horn section were featured on prominent cuts, guitarist Wesley B. Wright was the only member of the core rhythm section to actually record on the LP.[20] On all of the previous LPs, the band members almost exclusively recorded the original studio tracks. In 1985, there would be personnel changes:

  • Phenom session percussionist Rafael Padílla, who performed on some of the LP's tracks, was now a permanent member.
  • Chicago native Jim "Sport" Trompeter replaced Betty Wright (née Cortés) on second keyboards.
  • Venezuelan jazz saxophonist Ed Callé performed on the LP and was added to the horn section.

The successful LP launched three top 10 hits on the Billboard Hot 100: the Garcia-penned "Conga" reached No. 10 on the Billboard Hot 100; "Bad Boy" reached No. 8 and "Words Get in the Way" (written by Gloria Estefan) reaching No. 5 on the Hot 100 and No. 1 on the US Hot Adult Contemporary Tracks chart, establishing that the group could perform pop ballads as successfully as dance tunes.[21] At the end of 1985, the stalwart horn section was now in flux, with session player Dana Teboe filling the trombone position in place of the original trombonist, Louis Perez. By early 1986, Victor "Papito" Lopez (visually known for his iconic jet black Cuban mustache) was subsequently replaced by Randy Barlow. By the end of 1986, Teddy Mulet became the band's official trombonist.

Appearances and soundtracks

In 1985, Miami Sound Machine appeared on The Tonight Show with Johnny Carson, Solid Gold, American Bandstand, CBS Morning News, Walt Disney specials, and frequent spots on MTV.[22] The band twice performed on the television presentation of the Miss Universe Pageant (1984; 1986). The song "Hot Summer Nights" was also released that year and was part of the soundtrack for the film Top Gun. The song "Suavé" was also recorded as part of the soundtrack for the Sylvester Stallone film Cobra.[23] Miami Sound Machine also made a cameo appearance in the ABC Sunday Night Movie Club Med.[24]

1987 and Gloria Estefan and Miami Sound Machine

After a massive world tour that ran from 1985 to 1986, the following members left the group: guitarist Wesley B. Wright; founding bassist Juan Marcos Avila; and keyboardist Roger Fisher. Emilio assumed the role of producer and no longer performed live.

Let It Loose / Anything for You

Miami Sound Machine returned to the studio in early 1987, and bassist Jorgé "George" Casas on bass, keyboardist Clay Ostwald, and guitarist John DeFaria joined the remaining members. With "Kiki" Garcia being the remaining core member, Gloria Estefan was given top billing and the band's name was changed to Gloria Estefan and Miami Sound Machine to capitalize on the lead singer's mass appeal.

In late 1987, Miami Sound Machine released Let It Loose,[25] and it went multi-platinum, with three million copies sold in the US alone. It featured the hits "Anything for You" reaching number 1 on the Billboard Hot 100, "1-2-3" making it to No. 3, "Betcha Say That" to number 36, "Rhythm Is Gonna Get You" to No. 5, and "Can't Stay Away from You" to No. 6. "Can't Stay Away from You", "Anything for You" and "1-2-3" were all top charting singles on the Adult Contemporary hits as well.

Another world tour began and the group traveled for the first time to Europe, South America and an even more extensive tour in the United States, culminating in a finale with massive sold-out concert in their hometown of Miami, Florida, which was recorded and later sold on VHS. By 1988, founding member "Kiki" Garcia quit. With no other core members remaining other than Gloria herself, the "Miami Sound Machine" moniker was to be used from that point on for concerts and live performances only.

In 1988, after the worldwide chart success of single "Anything for You", her Let it Loose album was repackaged overseas as Anything for You. It became the band's first UK number 1 album, selling over a million copies. It was the biggest selling album of the year in The Netherlands, staying at number 1 for 22 weeks. The album also took top honors in Australia and Canada, launching Gloria Estefan to superstar status.

1989, Gloria Estefan, departure of the original members and beyond

1988–present

By the end of 1988, none of the originating members of the group that once was Miami Sound Machine were performing with Estefan. A new rhythm section was put in place, and the horn section was expanded.

Although there have been changes in personnel, three members (Jorge Casas, Clay Ostwald and Teddy Mulet) have performed with Estefan since 1986. The current rhythm section has been in place since 1992 (with the subsequent addition of drummer Olbin Burgos and percussionist Edwin Bonilla). Seven members of the Miami Sound Machine lineage appeared in New York City's staging of the Broadway show On Your Feet!: Jorge Casas, Clay Ostwald, Teddy Mulet, Olbin Burgos, Edwin Bonilla, Tom Timko and David Fernandez.

Revamping attempt

In 2002, an attempt was made to create a shoot-off "Miami Sound Machine" with a new eponymous album (produced by Emilio Estefan) and a completely different lineup consisting of Lorena Pinot, Sohanny Gross and Carla Ramirez.[26]

Without Gloria Estefan's signature vocals or any real connection to the preexisting Miami Sound Machine musicians, however, the new project was only met with moderate success in a few select European countries and failed to chart significantly in the United States.[27]

Members

Miami Sound Machine (1977–1986)

  • Gloria Estefan (1977–1988) – vocals, hand percussion, and songwriter
  • Emilio Estefan Jr. (1975–1986) – percussion and accordion
  • Enrique "Kiki" Garcia (1975–1988) – drums and songwriter
  • Juan Avíla (1977–1986) – bass
  • Frank Mercado (1986-1991) - bass and background vocals
  • Wesley B. Wright (1979–1986) – guitar and songwriter
  • Mercí (Navarro) Murcíano (1977–1982) – Murciano died on February 8, 2007
  • Raul Murcíano (1976–1982) – piano and keyboards
  • Luis Serrano (1975–1977) – bass
  • Fernando Garcia (1979–1981)
  • Mike Scaglione (1988–present) - saxophone
  • Louis Pérez (1980–1985) – trombone
  • Victor Lopez (1980–1986) – trumpet
  • Roger Fisher (1982–1986) – piano and keyboards
  • Gustavo Lézcano (1982–1984) – harmonica – Havana-born Lézcano died on May 28, 2014[28]
  • Betty (Cortés) Wright (1982–1985) – synthesizer and background vocals
  • Elena Stracuzzi (1982–1983) – background vocals
  • Leo Víllar (1983) – trumpet
  • Jim "Sport" Trompeter (1985–1988)
  • Rafael Pedílla (1985–1988) – percussion
  • Ed Callé (1985–1987) – saxophone
  • Dana Teboe (1985–1986) – trombone
  • Randy Barlow (1985–2010) – trumpet
  • Teddy Mullet (1986–present) – trombone
  • Jon Secada (1986-1992) - backup vocals

Gloria Estefan and Miami Sound Machine (1987–1988)

  • Jorgé "George" Casas (1987–2019) – Casas died on January 31, 2019 – bass
  • Clay Ostwald (1987–present) – keyboards
  • John Defaria (1987–1988) – guitar

Miami Sound Machine II (2002)

  • Lorena Pinot – vocals
  • Sohanny Gross – vocals
  • Carla Ramirez – vocals

Discography

Albums
Main article: Gloria Estefan albums discography § Miami Sound Machine (1977–1989)
  • 1977: Live Again/Renacer
  • 1978: Miami Sound Machine
  • 1979: Imported
  • 1980: Miami Sound Machine
  • 1981: Otra Vez
  • 1982: Río
  • 1983: A Toda Máquina
  • 1984: Eyes of Innocence
  • 1985: Primitive Love
  • 1987: Let It Loose (Gloria Estefan and Miami Sound Machine)
  • 1989: Cuts Both Ways (Estefan's debut solo album)
  • 2002: Miami Sound Machine: Miami Sound Machine (without Estefan or any original members)

Selected singles
Main article: Gloria Estefan singles discography § Miami Sound Machine

References
  1. "Mercedes Navarro Murciano, 50, original member of Miami Sound Machine dead". groups.google.com. Retrieved October 9, 2018.
  2. "Gloria and Emilio Estefan Build a Music Empire and a Family Compound". Wall Street Journal. December 1, 2015. ISSN 0099-9660. Retrieved October 9, 2018.
  3. Firmat, Gustavo Pérez (May 1, 2012). Life on the Hyphen: The Cuban-American Way. University of Texas Press. ISBN 9780292735996.
  4. "Miami Sound Machine | Biography & History". AllMusic. Retrieved October 10, 2018.
  5. "These old photos of the Estefans remind us why they're Miami royalty". Miami.com. May 24, 2018. Retrieved October 10, 2018.
  6. "Estefan's Discs Across The Decades". Billboard. Vol. 115, no. 41. Nielsen Business Media, Inc. October 11, 2003. p. 40. ISSN 0006-2510.
  7. "Gloria Estefan reflects on her hardships, career and the day she'll "never forget"". Retrieved October 10, 2018.
  8. Ruidiaz, Armando Rodriguez. "Los sonidos de la música cubana. Evolución de los formatos instrumentales en Cuba". {{cite journal}}: Cite journal requires |journal= (help)
  9. Lannert, John (November 20, 1999). "Frank Welzer—The Billboard Interview". Billboard. Vol. 111, no. 47. Nielsen Business Media, Inc. p. 58. ISSN 0006-2510.
  10. "International Superstars Emilio and Gloria Estefan Named Recipients of the Library of Congress Gershwin Prize for Popular Song". The Library of Congress. Retrieved October 10, 2018.
  11. Munzenrieder, Kyle (December 22, 2009). "Top Ten of the Decade: Miami in Pop Culture". Miami New Times. Retrieved October 10, 2018.
  12. "Roots of Miami's vibrant arts scene were planted in the 1980s". miamiherald. Retrieved October 10, 2018.
  13. writer, Micah Mertes / World-Herald staff. "The ubiquitous '80s: Decade's pop culture influence is as pervasive as it ever was". Omaha.com. Retrieved October 10, 2018.
  14. "South Beach". Flashback Miami. February 19, 2015. Retrieved October 10, 2018.
  15. "Marino shattered NFL passing records". ESPN Classic. June 21, 2004.
  16. "Miami Voice". Washington Post. July 17, 1988. ISSN 0190-8286. Retrieved October 10, 2018.
  17. "Gloria Estefan". Biography. Retrieved October 10, 2018.
  18. "Dr. Beat (Single – 1984)". October 27, 2009. Archived from the original on October 27, 2009. Retrieved October 10, 2018.
  19. "Eyes Of Innocence (1984)". October 27, 2009. Archived from the original on October 27, 2009. Retrieved October 10, 2018.
  20. "Primitive Love – Miami Sound Machine | Credits". AllMusic. Retrieved October 10, 2018.
  21. "Gloria Estefan Primitive Love Chart History". Billboard. Retrieved October 10, 2018.
  22. Gude, Vivian (November 1, 1986). "Miami Today: International Gateway, Test Ground—and Launch Pad for Latin Music Market in Full Lift-Off". Billboard. Vol. 98, no. 44. Nielsen Business Media, Inc. p. M-16. ISSN 0006-2510.
  23. "The Discography of E.E." Billboard. Vol. 110, no. 39. Nielsen Business Media, Inc. September 26, 1998. p. 106. ISSN 0006-2510.
  24. Estefan, Emilio (2010). Ritmo Al Exito: Como Un Inmigrante Hizo Su Propio Sueno Americano. Penguin. ISBN 978-1101656068.
  25. "Miami Sound Machine en Todomusica.org".
  26. "New Billboard Live Venue Heats Up Miami Beach". Billboard. Vol. 113, no. 40. Nielsen Business Media, Inc. October 6, 2001. p. 93. ISSN 0006-2510.
  27. "Miami Sound Machine". May 27, 2002. Retrieved April 8, 2018 – via Amazon.
  28. Cohen, Howard (May 29, 2014). "Gustavo Lezcano, Miami Sound Machine member and music teacher, dies at 59". Miami Herald. Retrieved February 12, 2016.
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