Michael Bierut

After graduation, Bierut began working for Vignelli Associates in New York. The studio at that time didn't have a computer or fax machine and Bierut was responsible for hand creating mechanical boards. He credits his youthful exuberance in staying up late for the progress he made as a designer while working for Vignelli.[6] He also learned that people don't always read a company's printed materials and strives to create engaging work that people want to read. He worked at the studio for 10 years, eventually becoming vice president.[1]

In 1990, Bierut became a partner in the New York office of Pentagram after a discussion with partner Woody Pirtle.[7][2] At Pentagram, he has championed the democratization of design to make his design work easily digestable to the viewer.[1]

At Pentagram, Bierut has had numerous clients such as Alliance for Downtown New York, Benetton, the Council of Fashion Designers of America, Alfred A. Knopf, the Walt Disney Company, Mohawk Paper Mills, MillerCoors, the Toy Industry Association, Princeton University, Yale School of Architecture, New York University, the Fashion Institute of Technology, the Brooklyn Academy of Music, the Museum of Sex, and the New York Jets. Michael Bierut has done projects like I Want To Take You Higher, an exhibition on the psychedelic era for the Rock and Roll Hall of Fame, and has served as a design consultant to United Airlines. In 2006, he developed a new signage and identity for the expanded Morgan Library Museum. He has also developed the environmental graphics for the New York Times building, designed for Phillip Johnson's Glass House, and redesigned the magazine The Atlantic. Along with that, he has created marketing strategies for William Jefferson Clinton Foundation and developed a new brand strategy and packaging for Saks Fifth Avenue.[8]

Prior to the 2016 Presidential election, he worked with two Pentagram designers to create the logo for Hillary Clinton's campaign, emphasizing its simplicity and boldness to make it memorable.[9][10] Upon the release of the design, many designers, journalists, and constituents were critical of it but as the campaign released its customizable aspects it was better received, like after the landmark LGBT civil rights case Obergefell v. Hodges it was swathed in rainbow colors.[10] He later recommended former student Jennifer Kinon as the campaign's design director.[11]

In 1993, he became a lecturer in graphic design at the Yale School of Art and was later appointed senior critic.[12] In 2016, he joined the Yale School of Management to integrate design thinking into the program.[13]

In 2003, Bierut co-founded Design Observer with Jessica Helfand, Rick Poynor, and William Drenttel, an online publication featuring news, features, and essays on design, urbanism, innovation and pop culture.[13] His influence extends beyond design circles and his commentary can be found on public radio, appearing on “Studio 360” with Kurt Andersen. Dwell also works with him for design book recommendations and Fast Company asks for his opinions on corporate branding, and he writes articles on design for the New York Times.[1]

Bierut also has a long-running history with Design Indaba where he spoke at 2005, 2010 and 2015 conference. [14]