Mordecai Richler

Throughout his career, Richler wrote journalistic commentary, and contributed to The Atlantic Monthly, Look, The New Yorker, The American Spectator, and other magazines. In his later years, Richler was a newspaper columnist for The National Post and Montreal's The Gazette. In the late 1980s and early 1990s, he authored a monthly book review for Gentlemen's Quarterly.

Richler was often critical of Quebec but of Canadian federalism as well. Another favourite Richler target was the government-subsidized Canadian literary movement of the 1970s and 1980s. Journalism constituted an important part of his career, bringing him income between novels and films.

Richler published his fourth novel, The Apprenticeship of Duddy Kravitz, in 1959. The book featured a frequent Richler theme: Jewish life in the 1930s and 40s in the neighbourhood of Montreal east of Mount Royal Park on and about St. Urbain Street and Saint Laurent Boulevard (known colloquially as "The Main"). Richler wrote of the neighbourhood and its people, chronicling the hardships and disabilities they faced as a Jewish minority.

To a middle-class stranger, it is true, one street would have seemed as squalid as the next. On each corner a cigar store, a grocery, and a fruit man. Outside staircases everywhere. Winding ones, wooden ones, rusty and risky ones. Here a prized lot of grass splendidly barbered, there a spitefully weedy patch. An endless repetition of precious peeling balconies and waste lots making the occasional gap here and there.

— The Apprenticeship of Duddy Kravitz, Penguin Books, 1964, p. 13

Following the publication of Duddy Kravitz, according to The Oxford Companion to Canadian Literature, Richler became "one of the foremost writers of his generation".[7]

Many critics distinguished Richler the author from Richler the polemicist. Richler frequently said his goal was to be an honest witness to his time and place, and to write at least one book that would be read after his death. His work was championed by journalists Robert Fulford and Peter Gzowski, among others. Admirers praised Richler for daring to tell uncomfortable truths; Michael Posner's oral biography of Richler is titled The Last Honest Man (2004).

Critics cited his repeated themes, including incorporating elements of his journalism into later novels.[8] Richler's ambivalent attitude toward Montreal's Jewish community was captured in Mordecai and Me (2003), a book by Joel Yanofsky.

The Apprenticeship of Duddy Kravitz has been performed on film and in several live theatre productions in Canada and the United States.

Richler's most frequent conflicts were with members of the Quebec nationalist movement. In articles published between the late 1970s and the mid-1990s, Richler criticized Quebec's restrictive language laws and the rise of sovereigntism.[9][10] Critics took particular exception to Richler's allegations of a long history of anti-Semitism in Quebec.[11]

Soon after the first election of the Parti Québécois (PQ) in 1976, Richler published "Oh Canada! Lament for a divided country" in the Atlantic Monthly to considerable controversy. In it, he claimed the PQ had borrowed the Hitler Youth song "Tomorrow Belongs to Me" from Cabaret for their anthem "À partir d'aujourd'hui, demain nous appartient",[12][13] though he later acknowledged his error on the song, blaming himself for having "cribbed" the information from an article by Irwin Cotler and Ruth Wisse published in the American magazine, Commentary.[14] Cotler eventually issued a written apology to Lévesque of the PQ. Richler also apologized for the incident and called it an "embarrassing gaffe".[11][15]

In 1992 Richler published Oh Canada! Oh Quebec!: Requiem for a Divided Country, which parodied Quebec's language laws. He commented approvingly on Esther Delisle's The Traitor and the Jew: Anti-Semitism and the Delirium of Extremist Right-Wing Nationalism in French Canada from 1929–1939 (1992), about French-Canadian anti-Semitism in the decade before the start of World War II. Oh Canada! Oh Quebec! was criticized by the Quebec sovereigntist movement and to a lesser degree by other anglophone Canadians.[16] His detractors claimed that Richler had an outdated and stereotyped view of Quebec society, and fearmongered that he risked polarizing relations between francophone and anglophone Quebecers. Sovereigntist Pierrette Venne, later elected as a Bloc Québécois MP, called for the book to be banned.[17] Daniel Latouche compared the book to Mein Kampf.[18]

Nadia Khouri believes that there was a discriminatory undertone in the reaction to Richler, noting that some of his critics characterized him as "not one of us"[19] or that he was not a "real Quebecer".[20] She found that some critics had misquoted his work; for instance, in reference to the mantra of the entwined church and state coaxing females to procreate as vastly as possible, a section in which he said that Quebec women were treated like "sows" was misinterpreted to suggest that Richler thought they were sows.[21] Québécois writers who thought critics had overreacted included Jean-Hugues Roy, Étienne Gignac, Serge-Henri Vicière, and Dorval Brunelle. His defenders asserted that Mordecai Richler may have been wrong on certain specific points, but was certainly not racist nor anti-Québécois.[22] Nadia Khouri acclaimed Richler for his courage and for attacking the orthodoxies of Quebec society.[21] He has been described as "the most prominent defender of the rights of Quebec's anglophones".[23]

Some commentators were alarmed about the strong controversy over Richler's book, saying that it underlines and acknowledges the persistence of anti-Semitism among sections of the Quebec population.[24] Richler received death threats;[25] an anti-Semitic Francophone journalist yelled at one of his sons, "[I]f your father was here, I'd make him relive the Holocaust right now!" An editorial cartoon in L'actualité compared him to Hitler.[26] One critic controversially claimed that Richler had been paid by Jewish groups to write his critical essay on Quebec. His defenders believed this was evoking old stereotypes of Jews. When leaders of the Jewish community were asked to dissociate themselves from Richler, the journalist Frances Kraft said that indicated that they did not consider Richler as part of the Quebec "tribe" because he was Anglo-speaking and Jewish.[27]

About the same time, Richler announced he had founded the "Impure Wool Society," to grant the Prix Parizeau to a distinguished non-Francophone writer of Quebec. The group's name plays on the expression Québécois pure laine, typically used to refer to Quebecker with extensive French-Canadian multi-generational ancestry (or "pure wool"). The prize (with an award of $3000) was granted twice: to Benet Davetian in 1996 for The Seventh Circle, and David Manicom in 1997 for Ice in Dark Water.[28]

In 2010, Montreal city councillor Marvin Rotrand presented a 4,000-signature petition calling on the city to honour Richler on the 10th anniversary of his death with the renaming of a street, park or building in Richler's old Mile End neighbourhood. The council initially denied an honour to Richler, saying it would sacrifice the heritage of their neighbourhood.[29] In response to the controversy, the City of Montreal announced it was to renovate and rename a gazebo in his honour. For various reasons, the project stalled for several years but was completed in 2016.[30]

• St. Urbain's Horseman (1971) was made into a CBC television drama.
• In 1973 The Apprenticeship of Duddy Kravitz was adapted into a film of the same name starring Richard Dreyfuss as Duddy.
• The Apprenticeship of Duddy Kravitz has repeatedly been adapted as a musical play, i.e. in 1984 (Edmonton, Alberta, Canada), 1987 (Philadelphia), and 2015 (Montreal).
• The animator Caroline Leaf created The Street (1976), based on Richler's 1969 short story of the same name. It was nominated for an Academy Award in animation.
• In 1978 Jacob Two-Two Meets the Hooded Fang was adapted into a theatrical film as Jacob Two-Two Meets the Hooded Fang (1978 film).
• In 1999 Jacob Two-Two Meets the Hooded Fang was adapted into a television film as Jacob Two Two Meets the Hooded Fang (1999 film).
• In 1985 Joshua Then and Now (1980) was adapted into a film of the same name.
• In 2003 Jacob Two-Two was adapted into an animated series of the same name loosely based on the titular character of the book series.
• In 2009 Barney's Version was adapted for radio by the CBC.
• In 2010 Barney's Version (1997) was adapted into a film of the same name.

• 1969 Governor General's Award for Cocksure and Hunting Tigers Under Glass.
• 1972 Governor General's Award for St. Urbain's Horseman.
• 1975 Writers Guild of America Award for Best Comedy for screenplay of The Apprenticeship of Duddy Kravitz.
• 1976 Canadian Library Association Book of the Year for Children Award: Jacob Two-Two Meets the Hooded Fang.
• 1976 Ruth Schwartz Children's Book Award for Jacob Two-Two Meets the Hooded Fang.
• 1990 Commonwealth Writers Prize for Solomon Gursky was Here
• 1995 Mr. Christie's Book Award (for the best English book age 8 to 11) for Jacob Two-Two's First Spy Case.
• 1997 The Giller Prize for Barney's Version.
• 1998 Canadian Booksellers Associations "Author of the Year" award.
• 1998 Stephen Leacock Award for Humour for Barney's Version
• 1998 Commonwealth Writers Prize for Best Book (Canada & Caribbean region) for Barney's Version
• 1998 The QSPELL Award for Barney's Version.
• 2000 Honorary Doctorate of Letters, McGill University, Montreal, Quebec.
• 2000 Honorary Doctorate, Bishop's University, Lennoxville, Quebec.
• 2001 Companion of the Order of Canada
• 2004 Number 98 on the CBC's television show about great Canadians, The Greatest Canadian
• 2004 Barney's Version was chosen for inclusion in Canada Reads 2004, championed by author Zsuzsi Gartner.
• 2006 Cocksure was chosen for inclusion in Canada Reads 2006, championed by actor and author Scott Thompson
• 2011 Richler posthumously received a star on Canada's Walk of Fame and was inducted at the Elgin Theatre in Toronto.[31]
• 2011 In the same month he was inducted into Canada's Walk of Fame, the City of Montreal announced that a gazebo in Mount Royal Park would be refurbished and named in his honour. The structure overlooks Jeanne-Mance Park, where Richler played in his youth.[32]
• 2015 Richler was given his due as a "citizen of honour" in the city of Montreal. The Mile End Library, in the neighbourhood he portrayed in The Apprenticeship of Duddy Kravitz, was given his name.[33]

• Insomnia Is Good for You (1957) (co-written with Lewis Griefer )
• Dearth of a Salesman (1957, starring Peter Sellers ) (co-written with Lewis Griefer )
• No Love for Johnnie (1962) (co-written with Nicholas Phipps, based on the novel by Wilfred Fienburgh)
• Life at the Top (1965) (screenplay from novel by John Braine)
• The Apprenticeship of Duddy Kravitz (1974) (Screenwriters Guild Award and Oscar screenplay nomination)
• The Street (1976)[35] (Oscar nomination)
• Fun with Dick and Jane (1977, with David Giler & Jerry Belson, from a story by Gerald Gaiser)
• The Wordsmith (1979)
• Joshua Then and Now (1985)
• Barney's Version (2010, screenplay by Michael Konyves, based on Richler's novel of the same name; Richler wrote an early draft)

• List of Quebec authors
• Jews in Montreal
• World famous in New Zealand (Richler coined the similar phrase "world famous – in Canada")

• Charles Foran, Mordecai: The Life & Times (Toronto: Alfred A. Knopf Canada, 2010)
• Reinhold Kramer, Mordecai Richler: Leaving St Urbain (2008)
• Victor Teboul, Ph.D., "Mordecai Richler, le Québec et les Juifs", Tolerance website
• M. G. Vassanji, Extraordinary Canadians: Mordecai Richler (Penguin, 2009), biography

Wikiquote has quotations related to Mordecai Richler.

• "Mordecai Richler". Face to Face. Canadian Museum of History.
• Mordecai Richler at IMDb
• Yiddish phrases & cultural references in The Apprenticeship of Duddy Kravitz
• CBC Digital Archives: Mordecai Richler Was Here
• Obituary of Richler
• Literary biography of Richler
• Obituary by Robert Fulford
• Mordecai Richler at Find a Grave
• Walk in Montreal commemorating Mordecai Richler