Bocca della Verità
The Mouth of Truth (Italian: Bocca della Verità [ˈbokka della veriˈta]) is a marble mask in Rome, Italy, which stands against the left wall of the portico of the Santa Maria in Cosmedin church, at the Piazza della Bocca della Verità, the site of the ancient Forum Boarium (the ancient cattle market). According to enduring medieval legend, it will bite off the hand of any liar who places their hand in its mouth,[1] or, alternatively, any who utters a lie while their hand is in the mouth.[2] It still attracts many visitors who audaciously insert their hands.
Location | Santa Maria in Cosmedin |
---|---|
Coordinates | 41°53′17″N 12°28′54″E |
The massive marble mask weighs about 1300 kg (2800 lbs) and probably depicts the face of the sea titan god Oceanus. The eyes, nostrils and mouth are open. Historians aren't quite certain what the original purpose of the disc was. It was possibly used as a drain cover in the nearby Temple of Hercules Victor, which had an oculus—a round open space in the middle of the roof, similar to that of the Pantheon. Hence, it could rain inside. It is also thought that cattle merchants used it to drain the blood of cattle sacrificed to the god Hercules. In the thirteenth century the disc was probably removed from the temple and placed against the wall of the Santa Maria in Cosmedin. In the seventeenth century it eventually moved to its current location inside the portico of the church.
Cultural references and derivative works
The Mouth of Truth has been featured as a theme in historical European art. Lucas Cranach the Elder, a German painter during the Renaissance period, created two paintings depicting a woman placing her hand in the mouth of a statue of a lion while onlookers watched, a subject which was drawn by Albrecht Altdorfer and made into a woodcut by the Dutch printmaker Lucas van Leyden.[3]
The Mouth of Truth is now known mostly from its appearance in the 1953 film Roman Holiday. The film also uses the Mouth of Truth as a storytelling device since both Hepburn's and Peck's characters are not initially truthful with each other. In Het geheim van de afgebeten vingers by Dutch writer Rindert Kromhout,[4] the fingers of lying children are cut off with a scythe by a skeleton who lives in the Capuchin Crypt in the Santa Maria della Concezione dei Cappuccini.
There are a number of Bocca della Verità replicas and derivative works. A full-size reproduction sits in the Alta Vista Gardens in California and one of Jules Blanchard's sculptures in the Luxembourg Garden in Paris depicts a woman with her hand in the sculpture's mouth. Coin-operated fortune teller machines have been developed and installed in different parts of the world, including one on display in the Musée Mécanique in San Francisco.[5][6]
Gallery
- Side view of Bocca della Verità.
- The empress and the Mouth, here shown as a statue of a lion, in a German plaquette of c. 1550.
- Bocca della Verità fortune teller machine at the Musée Mécanique in San Francisco.
Notes
- Henry V. Bender (1985). The Civilization of Ancient Rome: An Archaeological Perspective, Beginnings to Augustus. University Press of America. p. 58. ISBN 978-0-8191-5082-0.
- John Henry Middleton (1892). The Remains of Ancient Rome. A. and C. Black. p. 195.
- "Property From An Important European Private Collection - Lucas Cranach the Elder". sothebys.com.
- Telkers, Anne (18 May 2001). "De eerste beursdag in Turijn". Boekblad. Retrieved 25 March 2015.
- "BOCCA DELLA VERITA' facts and history". Dpsusa.com. Retrieved 2012-12-20.
- Nolte, Carl (27 February 2002). "Old and in the way / The Musee Mecanique will soon be history". San Francisco Chronicle. Retrieved 19 November 2016.
References
- Snyder, James. Northern Renaissance Art, 1985, Harry N. Abrams, ISBN 0136235964
External links
- Media related to Bocca della Verità at Wikimedia Commons
Preceded by Colossus of Constantine |
Landmarks of Rome Bocca della Verità |
Succeeded by Laocoön and His Sons |