Murder of the Universe

Murder of the Universe is a concept album split into three separate stories, called suites, each containing elements of spoken word to carry a narrative.[7] The first two suites feature Leah Senior's narration,[2] while NaturalReader's "UK, Charles" text-to-speech application narrates the final suite.[8]

The first suite, The Tale of the Altered Beast, explores themes of temptation and tells of a human who stumbles on a mystical human/beast hybrid creature dubbed the Altered Beast. The story starts with the pursuit of the human being, who slowly takes an interest in the idea of being altered – something considered taboo in the human's society. The perspective then changes to the Altered Beast itself, who is filled with murderous intentions. Confronted by the Beast, the human experiences a craving for power and slowly succumbs to the temptation of becoming altered. Accepting their mutual fate, the beast and human merge, creating a newly altered beast, who now craves even more flesh. However, the Altered Beast suffers greatly from absorbing another consciousness – it loses track of its identity and eventually dies of insanity, decaying into the earth.

The second suite, The Lord of Lightning vs. Balrog, focuses on an epic battle between two entities dubbed The Lord of Lightning and Balrog, who represent the forces of light and darkness, respectively. The suite starts with a foreword from the perspective of a storyteller who recalls the battle. The action begins with the track "The Lord of Lightning", which is about the general destruction caused in a town by lightning fired from the entity's finger. He is perceived as evil and malevolent by the townsfolk. However, when he fires lightning at a corpse, it is somehow reanimated as a creature known as Balrog. This creature chooses to ignore the Lord of Lightning, and instead wreaks further havoc on the townspeople. The Lord chooses to fight the Balrog and defeats him, eventually leaving him as a burning corpse in "The Acrid Corpse". The Lord of Lightning then departs, choosing not to harm the townsfolk anymore.

The third and final suite, Han-Tyumi & The Murder of the Universe, is about a cyborg in a digital world who gains consciousness and, in confusion, decides to strive only for what a cyborg cannot do: vomit and die. He decides to create a creature dubbed the "Soy-Protein Munt Machine" whose only purpose is to vomit. When the creature rejects his love, Han-Tyumi decides to merge with the machine, which causes it to lose control. This machine explodes and infinitely expels vomit, which eventually engulfs the entire universe in a type of grey goo scenario: and so the universe is murdered.

Professional ratings

Aggregate scores
Source	Rating
Metacritic	73/100[9]
Review scores
Source	Rating
AllMusic	[10]
The A.V. Club	D+[11]
Clash	8/10[2]
Classic Rock	[12]
Exclaim!	6/10[13]
The Irish Times	[1]
The Line of Best Fit	7.5/10[14]
Paste	7.4/10[15]
Pitchfork	8.0/10[16]
Under the Radar	8.5/10[17]

Murder of the Universe received positive reviews from music critics. On Metacritic, the album holds an average critic score of 73/100, based on 15 reviews, indicating "generally favorable reviews".[9]

AllMusic's Tim Sendra wrote in his review for the album that "King Gizzard & the Lizard Wizard's second album of 2017 is a rampaging, feverish blast of sci-fi prog punctuated by whizzing synths and robotic voice-overs."[10]

Exclaim!'s Cosette Schulz commented that "The 21-track album is certainly the strangest and most draining release that King Gizzard have made to date; not as ambitious as the seamlessly looping Nonagon Infinity, or this year's earlier release Flying Microtonal Banana, but a feat nonetheless."[13]

All music composed by King Gizzard & the Lizard Wizard; all lyrics written by Stu Mackenzie; stories written by Mackenzie, except "Murder of the Universe" written by Joey Walker and Mackenzie.

Vinyl releases have tracks 1–12 on Side A, and tracks 12–21 on Side B; "The Lord of Lightning" is split between the two sides.[19]

Credits for Murder of the Universe adapted from liner notes.[20]

King Gizzard & the Lizard Wizard

• Stu Mackenzie – vocals, Hagström F12 guitar, Roland Juno-60 synthesizer, Yamaha DX-7 synthesizer, Mellotron flute, Mellotron choir, Yamaha Reface YC organ, Fender Mustang bass, Natural Reader UK Charles
• Michael Cavanagh – '62 Maxwin drum kit, '61 Yamaha Tiger Red Swirl kit
• Joey Walker – Yamaha SG-3 guitar, Yamaha Reface YC organ, Roland JX-3P synthesizer, Roland Juno-60 synthesizer
• Ambrose Kenny-Smith – Hohner Special 20 harmonica, Yamaha Reface YC organ
• Cook Craig – Rickenbacker 620 guitar
• Lucas Skinner – Fender Mustang bass
• Eric Moore – management

Additional musicians

• Leah Senior – spoken word (tracks 1–9, 11–15)

Production

• Casey Hartnett – recording
• Stu Mackenzie – recording, production
• Michael Badger – recording, mixing
• Joey Walker – recording
• Joe Carra – mastering
• Jason Galea – artwork