Musée des Beaux-Arts de Brest

On 20 September 1938 the director general of fine arts at the ministry of national education in Paris invited curator Jean Lachaud to produce a list of artworks to be protected in case of war. From September 1939 the Danguillecourt and Rodellec du Portzic collections and some other precious works, altogether totalling 95 works, were evacuated by the city council to the château de Penmarch near Lesneven, a building owned by the city of Brest. As the war got closer, the decision was taken to move the 27 crates at Penmarch by train to the château du Plessis-Macé near Angers, then to the château de la Lorie.

There were also plans to evacuate the rest of the works in the collection. The artworks were unframed, rolled and crated but a lack of manpower and transport prevented their being moved and some of them were damaged in a three hour bombing raid on 31 March 1941 against three German heavy cruisers then in harbour at Brest. Full evacuation of the museum was planned for 9 July the same year but on the night of 4–5 July another British raid against the cruisers completely destroyed the museum. The rubble was pillaged, leading to the "Dépêche de Brest" on 12 July demanding that the city's inhabitants return objects stolen from the museum's ruins.[4] Only a few objects such as counters, iron weapons and bronze cannon were recovered as the rubble was cleared. The city library moved to the ground floor of the école professionnelle des filles on rue Danton before moving into two classrooms at the école maternelle Bugeaud.

• Destruction of the 'halle aux blés'
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• Italy - Jacopo Bassano, Palma il Giovane, Carlo Saraceni, Guercino, Carlo Dolci, Daniele Crespi, Giuseppe Recco, Giuseppe Cesari, Pietro della Vecchia, Jacopo Vignali, Luca Giordano (Saint Luke Painting the Virgin), Canaletto and Pompeo Batoni.
• France - Charles Antoine Coypel, Jacques Courtois, Charles de La Fosse, Louis-Nicolas Van Blarenberghe, Charles-Joseph Natoire, Jean-François de Troy, Sébastien Bourdon, Henry d'Arles, Jean-Laurent Mosnier, François-Édouard Cibot, Auguste Couder, Jean-Baptiste Regnault and Carle van Loo.
• Flanders, Netherlands, Germany - Bonaventura Peeters, Bartholomeus Breenbergh, Herman van Swanevelt, Jan Weenix, Leonard Bramer and Angelica Kauffmann.

This period in the collections is dominated by French work, including Romantics, Academics, Post-Impressionists, Symbolists and Surrealists and artists such as Eugène Isabey, Alexandre-Gabriel Decamps, Eugène Fromentin, Suzanne Valadon, Maurice Utrillo and Maurice Asselin. There is a major focus on Brest's history, seascapes and Breton painters such as Jean-Jacques Morvan. The "salle Charles Estienne" displays artists close to lyrical abstraction, geometric abstraction and Art Brut such as Yves Tanguy, Marcelle Loubchansky, Jean Degottex, Jean Deyrolle, René Duvillier, Jan Krizek and François Dilasser.

Also represented are the Pont-Aven School and Les Nabis (Henri-Gabriel Ibels, Henri Delavallée, Claude-Émile Schuffenecker, Henry Moret, Armand Seguin, Émile Bernard, Maxime Maufra, Édouard Manet, Pierre Bonnard, Georges Lacombe, Paul Sérusier, Maurice Denis, Julie Delance-Feurgard, Albert Clouard and Jean-Julien Lemordant), Orientalists such as Paul Leroy, Charles de Tournemine and Anna Quinquaud and Symbolists such as Edgar Maxence, Henri Martin, Alexandre Séon, Eugène Carrière, Lucien Levy-Dhurmer, René Ménard, Charles-Marie Dulac and Léon Spilliaert.