Nathan Abshire

During the recording of Pine Grove Blues.

Abshire was born on June 27, 1913, close to Gueydan, Louisiana, to Lennis Abshire and an unidentified mother.[2] He was considered illiterate and he had trouble speaking English.[3] Learning the accordion at age six, Abshire was influenced by his father, mother, and uncle who all played the accordion.[4] Abshire began performing in public on the accordion when he was eight years old and he was considered to be an "accomplished musician"; he'd learned to play on an accordion that cost him $3.50.[3]

He was also influenced by the musician Amédé Ardoin. In an interview, Abshire said, "Every Saturday afternoon some years ago, we used to go to John Foreman's saloon. I'd see Amédé Ardoin coming full-stride down the way. He'd say, "Abshire, you've got to help me tonight."[5]

Abshire played with fiddler Lionel Leleux, who he also was taught by, and the accordion player Ardoin during the 1930s.[6] He and the Rayne-Bo Ramblers, with the band leader being Leroy "Happy Fats" Leblanc, performed six songs in 1935, with Abshire being listed in the credits as "Nason Absher".[7] He also played with the Rayne-Bo Ramblers again in the 1960s.[3][8]

Abshire was a member the U.S. Army and was in World War II which stopped him from playing the accordion.[3][9] He was discharged from the military after he broke his leg while training.[6] His time in the army inspired Abshire to write the crooner song "Service Blues", which the newspaper Daily World reported as "one of his most memorable tearjerkers"; in "Service Blues", "Abshire crooned about waiting alone at the train station, set to leave all that he loved in Louisiana".[3]

Abshire moved to Basile, Louisiana after his time in the war and he performed at the Avalon Club often. His better known record titled "Pine Grove Blues" was released in 1949,[10] a song based on Amede Breaux's "Le Blues de Petit Chien",[11] as well as several releases on Swallow Records and Arhoolie Records during the 1960s. He appeared with Dewey Balfa and The Balfa Brothers at the Newport Folk Festival in 1964.[4] Abshire's music became more well known outside of Louisiana at the 1964 Newport Folk Festival.[12] Along with Balfa, Abshire devoted much of his time in the 1960s and 70s to promoting Cajun music through appearances at festivals, colleges, and schools throughout the United States.[4]

At some point, Abshire declined to perform with Hank Williams. In 1970, Abshire played with the Balfa Brothers at the University of Iowa in Iowa City , Iowa. It was their first tour and they wanted to "prove that Cajun music still exists - in its traditional form - and to save what's left".[12]

Abshire was unable to write so he was unable to sign autographs, resulting in him having to politely decline the requests. Despite thoughts of Abshire being "arrogant or stuck-up" for not signing autographs, he was unable to read and write. Abshire considered his inability to do those things as frustrating and humiliating. Abshire learned how to write a signature from Barry Jean Ancelet and his signature used "stick figure letters" to sign "N A". Abshire also used the signature for legal documents.[13]

Despite receiving more income from music than the majority of Cajun musicians, Abshire was not able to entirely depend on that income to live on. Abshire had multiple jobs during his life and his final job was working as the custodian of the town's landfill. He took used objects from his yard to sell on his front porch.[5]

Abshire was a main feature in a 1971 documentary titled Spend It All which was directed by Les Blank, as well as being featured in a 1975 documentary from PBS titled The Good Times Are Killing Me.[14] He was also included in the documentary film, Les Blues de Balfa, along with Balfa. The documentary was first released on VHS in 1993 and its English translation is Cajun Visits: Filmed At Their Homes.[15]

Abshire married Olia Boudreaux and adopted one son.[16]

He died in Basile, Louisiana on May 13, 1981, at Savoy Memorial Hospital in Mamou after a long illness.[17] Shortly before he died, Abshire came back from the New Orleans Heritage Fair and was invited to an accordion festival in Brussels, Belgium.[18] Abshire's funeral service was held at St. Augustine Catholic Church in Basile.[17] He was buried in the church's cemetery.[18] Abshire said prior to his death, "When I die, I wish they would break all my records and not play them anymore. It doesn't feel right for the radios and everyone to keep on playing a musician's music after he's gone."[19] Abshire also wanted his music to be buried with him, but that never happened.[20] A benefit was held for Abshire's family on June 28, 1981, in which multiple Cajun musicians performed. A benefit dance was held at the Knights of Columbus Hall in Basile and the musicians that played during the dance changed each hour.[21]

In September 1981, a commemorative print of Abshire performing live was sold in The Kinder Courier News. There were 350 pen and ink prints available that could be framed.[22] The Louisiana newspaper Basile Weekly said in 1983, "Despite the efforts of many this great Cajun musician fell short of receiving the recognition and credit due him for his contributions to Cajun music and the preservation of our Acadian Culture". A tribute was held for Abshire on August 21, 1983, in Basile, Louisiana at the city park. Performers played music during the tribute. Basile mayor Joe Toups proclaimed August 21, 1983 as Nathan Abshire day for his work in preserving Acadian culture.[23] In 1984, a book titled The Makers of Cajun Music featured Abshire among the musicians.[19] In 1983, Abshire's wife refused to have his accordion on display at the Smithsonian Institution.[20]

In 1995, the newspaper Daily World said, "Bands are still recording Abshire's signature tune, "The Pine Grove Blues", which has also become a favorite among line dancers. Other songs like "The Bayou Teche Waltz", "French Blues", "Belezare's Waltz" and "The Chopique Two Step" remain top favorites". In 1995, a show on KSLO (AM) titled "The Yamland Fais Do Do" played much of Abshire's music.[3] In 1996, the Cajun Music Hall of Fame in Eunice, Louisiana acquired Abshire's accordion.[20]

In the late 1990s, there was an idea to turn Abshire's former home into a museum and in February 2004, Basile mayor Berline B. Boone-Sonnier stated that she wanted it to happen. Sonnier transported the home to nearby Basile City Hall and part of the home was renovated.[24] The museum was later built and Santa visits were held there.[25]

Sheryl Cormier, "the first Cajun female accordion recording artist", stated in 2002 that she was influenced by Abshire, Aldus Roger, and Lawrence Walker.[26] In 2013, the fall edition of the magazine Louisiana Cultural Vistas had 8 pages about "Abshire's life, his love, and his music".[27]

• History of Cajun Music
• List of Notable People Related to Cajun Music

• Nathan Abshire at Find a Grave
• clips from singles on the Swallow and La Louisianne labels
• TVTV's Documentary The Good Times Are Killing Me