Neo-Baroque film

Neo-Baroque film is a type of film theory that (while the term "neo-baroque" is borrowed from the writings of semiologist Umberto Eco and philosopher Gilles Deleuze) used in film studies to describe certain films, television shows[1] and Hollywood blockbusters characterised by the excessively ornate, carnivalesque fragmentation of the film frame and/or narrative, sometimes to the point of spatial and/or narrative incoherence.[2][3]

Notable films associated with Neo-Baroque cinema

Notable directors associated with Neo-Baroque cinema

See also

Further reading
  • Omar Calabrese (1992). Neo-Baroque: A Sign of the Times, tr. Charles Lambert (Princeton University Press).
  • Sean Cubitt (2004). The Cinema Effect (MIT Press), pp. 217–244.
  • Gilles Deleuze (1988). The Fold: Leibniz and the Baroque, tr. Tom Conley (University of Minnesota Press, 1993).
  • Umberto Eco (1962). The Open Work, tr. Anna Cancogni (Harvard University Press, 1989).
  • Monika Kaup (2012). Neobaroque in the Americas: Alternative Modernities in Literature, Visual Art, and Film (University of Virginia Press).
  • Walter Moser, Angela Ndalianis and Peter Krieger, eds. (2016). Neo-Baroques: From Latin America to the Hollywood Blockbuster (Brill/Rodop).
  • Angela Ndalianis (2004). Neo-Baroque Aesthetics and Contemporary Entertainment (MIT Press).
  • Emmanuel Plasseraud (2007). Cinéma et imaginaire baroque (Septentrion).
  • Saige Walton (2016). Cinema's Baroque Flesh: Film, Phenomenology and the Art of Entanglement (Amsterdam University Press).
  • Peter Wollen (1993). "Baroque and Neo-Baroque in the Age of Spectacle," Point of Contact 3 (3), pp. 9–21.

References
  1. Angela Ndalianis, "Television and the Neo-Baroque," The Contemporary Television Serial (2005): 83-101
  2. Schraa, Michael (2007). "Figure, Ground and Framing in Contemporary Hollywood Cinema". Double Dialogues. Retrieved 1 June 2019.
  3. Sean Cubitt, "The supernatural in neo-Baroque Hollywood," Film Theory & Contemporary Hollywood Movies (2009): 47-65
  4. The Baroque and Neo-Baroque - MIT
  5. The Baroque and Neo-Baroque - MIT
  6. The Baroque and Neo-Baroque - MIT
  7. Neo-Baroque Aesthetics and Contemporary Entertainment|Screening the Past
  8. The Baroque and Neo-Baroque - MIT
  9. Neo-Baroque Aesthetics and Contemporary Entertainment|Screening the Past
  10. The Baroque and Neo-Baroque - MIT
  11. The Baroque and Neo-Baroque - MIT
  12. Baroque Perceptual Reigmes - Senses of Cinema
  13. Baroque Perceptual Reigmes - Senses of Cinema
  14. The Baroque and Neo-Baroque - MIT
  15. Neo-Baroque articulations in new digital media: a critical perspective|by Kyra|Medium
  16. Cristina Degli-Esposti Reinert, "Neo-Baroque Imaging in Peter Greenaway's Cinema," Peter Greenaway's Postmodern/Poststructuralist Cinema (2008): 51-78
  17. The Baroque and Neo-Baroque - MIT
  18. Cristina Degli-Esposti, "Sally Potter's Orlando and the Neo-Baroque Scopic Regime," Cinema Journal (1996): 75-93
  19. Goddard, Michael (2004). "Towards a Perverse Neo-Baroque Cinematic Aesthetic: Raúl Ruiz's Poetics of Cinema". Senses of Cinema. Retrieved 1 June 2019.
  20. The Baroque and Neo-Baroque - MIT
  21. Walton, Saige (2013). "Enfolding Surfaces, Spaces and Materials: Claire Denis' Neo-Baroque Textures of Sensation". Screening the Past. Retrieved 4 June 2019.
  22. Enfolding Surfaces, Spaces and Materials: Claire Denis’ Neo-Baroque Textures of Sensation|Screening the Past
  23. Neo-Baroque Aesthetics and Contemporary Entertainment|Screening the Past
  24. Neo-Baroque Aesthetics and Contemporary Entertainment|Screening the Past
  25. The Baroque and Neo-Baroque - MIT
  26. The Baroque and Neo-Baroque - MIT
  27. Neo-Baroque articulations in new digital media: a critical perspective|by Kyra|Medium
  28. Three French neo-baroque directors in: the films of Luc Besson - Manchester Hive
  29. The Baroque and Neo-Baroque - MIT
  30. Federico Fellini's Intervista or the Neo-Baroque Creativity of the Analysand on Screen on JSTOR
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