New York Edition

James wrote a series of prefaces for the set which have become the focus of intense critical attention. Written in the ornate style of his final years, the prefaces discuss such important topics in the writing of fiction as point of view, the central intelligence of the protagonist, "foreshortening" or the presentation of complex material in a reasonable length, creating the sense of wonder necessary for effective storytelling, the need for attention on the part of the reader, the proper selections and exclusions of additional developments of the original narrative idea, the relationship between narrative art and ordinary human life, and the contrast between romanticism and realism. James also explored the origins of many of his fictions and often recounted personal experiences involved in their writing, such as the distracting beauty of Venice where he wrote much of The Portrait of a Lady.

James excluded much of his fiction from the edition, especially many early works from the 1860s, 1870s and 1880s. Critical controversy has swirled around the exclusion of such works as Washington Square and The Europeans. Although he spent a great deal of time and effort on the edition, James' hopes for financial returns were largely disappointed. The edition sold poorly, as James lamented in his letters. To his friend Edmund Gosse, James wrote in 1915:

"That Edition has been, from the point of view of profit either to the publishers or to myself, practically a complete failure; vulgarly speaking, it doesn't sell...[and] has never had the least intelligent critical justice done it—or any sort of critical attention at all paid to it..."

James was an inveterate reviser of his works, and for the edition he made extensive alterations in many of his fictions, especially earlier works like Roderick Hudson and The American. These revisions have also come under extensive critical scrutiny. Some commentators such as F.R. Leavis have decried the revisions as verbose and unnecessary tinkerings with the original, superior versions. Other writers such as Philip Horne have generally favored the revisions as heightening and deepening the effects of James' fiction. A number of biographers and critics, including Leon Edel and Michael Anesko, have discussed the construction of the edition and the compromises James made in selecting and excluding certain works due to commercial demands and his own tastes and preferences.

1. Roderick Hudson
2. The American
3. The Portrait of a Lady (part one)
4. The Portrait of a Lady (part two)
5. The Princess Casamassima (part one)
6. The Princess Casamassima (part two)
7. The Tragic Muse (part one)
8. The Tragic Muse (part two)
9. The Awkward Age
10. The Spoils of Poynton, A London Life, The Chaperon
11. What Maisie Knew, In the Cage, The Pupil
12. The Aspern Papers, The Turn of the Screw, The Liar, The Two Faces
13. The Reverberator, Madame de Mauves, A Passionate Pilgrim, The Madonna of the Future, Louisa Pallant
14. Lady Barbarina, The Siege of London, An International Episode, The Pension Beaurepas, A Bundle of Letters, The Point of View
15. The Lesson of the Master, The Death of the Lion, The Next Time, The Figure in the Carpet, The Coxon Fund
16. The Author of Beltraffio, The Middle Years, Greville Fane, Broken Wings, The Tree of Knowledge, The Abasement of the Northmores, The Great Good Place, Four Meetings, Paste, Europe, Miss Gunton of Poughkeepsie, Fordham Castle
17. The Altar of the Dead, The Beast in the Jungle, The Birthplace, The Private Life, Owen Wingrave, The Friends of the Friends, Sir Edmund Orme, The Real Right Thing, The Jolly Corner, Julia Bride
18. Daisy Miller, Pandora, The Patagonia, The Marriages, The Real Thing, Brooksmith, The Beldonald Holbein, The Story In It, Flickerbridge, Mrs. Medwin
19. The Wings of the Dove (part one)
20. The Wings of the Dove (part two)
21. The Ambassadors (part one)
22. The Ambassadors (part two)
23. The Golden Bowl (part one)
24. The Golden Bowl (part two)
25. The Ivory Tower (issued posthumously 1917)
26. The Sense of the Past (issued posthumously 1917)

• Henry James: The Master 1901–1916 by Leon Edel (1972) ISBN 0-380-39677-7
• Studies in Henry James by R.P. Blackmur (1983) ISBN 0-8112-0864-8
• Henry James Literary Criticism — French Writers, Other European Writers, The Prefaces to the New York Edition edited by Leon Edel and Mark Wilson (1984) ISBN 0-940450-23-2
• Henry James Letters edited by Leon Edel, volume 4 (1984) ISBN 0-674-38780-5
• "Friction with the Market": Henry James and the Profession of Authorship by Michael Anesko (1986) ISBN 0-19-504034-1
• Henry James and Revision: the New York edition by Philip Horne (1995) ISBN 978-0-19-812871-7
• Henry James's New York Edition: The Construction of Authorship edited by David McWhirter (1995) ISBN 0-8047-3518-2
• "Henry James at Work: The Question of Our Texts" by Philip Horne in The Cambridge Companion to Henry James edited by Jonathan Freedman (1998) ISBN 0-521-49924-0
• Henry James: Literary Criticism: French Writers, Other European Writers, Prefaces to the New York Edition, edited by Mark Wilson and Leon Edel. Library of America (1984) ISBN 978-0-94045023-3

Wikisource has original text related to this article:

The Novels and Tales of Henry James

Wikimedia Commons has media related to The Novels and Tales of Henry James.

• The Henry James Scholar's Guide to Web Sites
• The Ladder — a Henry James web site with online versions of the New York Edition prefaces